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Blues Musicians Archives - Page 190 of 195 - I Love Blues Guitar
I Love Blues Guitar

Category: Blues Musicians

  • Joe Louis Walker – T-Bone Shuffle

    Joe Louis Walker – T-Bone Shuffle

    Joe Louis Walker – T-Bone Shuffle
    Joe Louis Walker – T-Bone Shuffle

    Engage your senses: Press play on the video, then stimulate your brain with the article.

    Joe Louis Walker

    Award-winning blues and rock and roll guitar player and recording artist who has played with B.B. King and Jimi Hendrix. His knowledge of blues history is revealed by his use of older material and playing styles.

    Joe Louis Walker was born in 1949 in San Francisco. His father and mother were really into the blues and under this influence 14 year old Joe started to play guitar. When he was 16 he left home and started answering guitar player ads in the paper. He became good friends with guitarist Mike Bloomfield (Butterfiel Blues Band) who introduced Joe to the Bay Area blues scene.Joe soon was opening for many blues acts – musicians like Earl Hooker, Freddy King, Mississippi Fred McDowell and Lowell Fulson, who also influenced his guitar style. (Bay Area Bands)

    As a young guest, Walker hung out at the famous Fillmore East concert hall in New York. He knew Jimi Hendrix personally and even jammed with the supreme guitar god. He later shared an apartment with Mike Bloomfield, one of those other blues greats from the sixties. Later, Walker worked, inter alia, with greats such as B.B. King, Clarence ‘Gatemouth’ Brown, James Cotton and Buddy Guy.

    His music is not easy to put in a box, because Joe Louis Walker just does his own thing. With his band, he brings a blend of blues, gospel, soul, r & b and rock. More than twenty albums and multiple awards prove that this sounds very good and appeals to everyone.

    Joe Louis Walker is a legendary, groundbreaking icon of modern blues.

    Albums

    Blues Comin’ On (HighTone, 2020)
    Everybody Wants a Piece (Provogue, 2015)
    Hornet’s Nest (Alligator Records, 2014)
    Hellfire (Alligator Records, 2012)
    Between A Rock and The Blues (Stony Plain Music, 2009)
    Witness to the Blues (Stony Plain Music, 2008)
    Playin’ Dirty (JSP, 2006)
    New Direction (Provogue, 2004)
    Ridin’ High (HighTone, 2003)
    She’s My Money Maker (JSP, 2002/03)
    Guitar Brothers (JSP Records, 2002)
    Pasa Tiempo (Evidence Music, 2002)
    In the Morning (Telarc, 2002)
    Silvertone Blues (Polydor/Polygram, 1999)
    Preacher and the President (Polydor/Polygram, 1998)
    Great Guitars (Polydor/Polygram, 1997)
    Blues of the Month Club (Polydor/Polygram, 1995)
    JLW (Polydor/Polygram, 1994)
    Blues Survivor (Polydor/Polygram, 1993)
    Live at Slim’s, Volume Two (HighTone, 1992)
    Live at Slim’s, Volume One (HighTone, 1991)
    Blue Soul (HighTone, 1989)
    The Gift (HighTone, 1988)
    Cold Is the Night (HighTone, 1986)

    Video source: https://www.youtube.com/watch?v=iHaGoVvxZ5Y

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    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Pee Wee Crayton – Blues After Hours

    Pee Wee Crayton – Blues After Hours

    The master at work! Pee Wee Crayton – Blues After Hours

  • Dave Hole – Take Me To Chicago

    Dave Hole – Take Me To Chicago

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    Dave Hole

    Since his recording debut 22 years ago, Dave Hole’s records and live performances have drawn raves from countless international publications, including Billboard, Downbeat, Spin, Guitar World, and Guitar Player. Similarly, he’s earned rapturous praise from the Associated Press and major US markets daily like the Chicago Tribune, Los Angeles Times, and Washington Post. Billboard wrote; “Slide guitar fanatics will have their brains blown out by this Australian fret-melter … Remarkably inventive, technically unusual overhand slide work that separates him from the common pack … prepare to hear your jaw hitting the floor.”

    Considering all the praise lavished on Dave Hole in recent years, it’s hard to believe that he’s actually been performing for more than four decades. Born in England in 1948, he moved with his family to Perth, Western Australia when he was a child.

    As a teenager, he fell for the blues upon hearing a friend’s Muddy Waters record. He yearned to hear more but at that time blues records were difficult to obtain in remote Western Australia. It was also years before any blues artists began to perform there in person, so Hole had to teach himself to play. At first, only Eric Clapton and Jimi Hendrix albums were easily available, but with persistence, he eventually got his hands on records by Blind Willie Johnson, Skip James, Blind Lemon Jefferson, and many others. The likes of Robert Johnson, Elmore James, and Mississippi Fred McDowell became his main “teachers”, as he listened to their recordings over and over again, absorbing all he could from these blues masters.

    ‘Wrong’ way of playing

    Then, either by accident or by fate, Hole broke his little finger in a football game. The only way he could continue to play guitar without pain was to put a slide on his index finger and hang his hand over the top of the guitar neck. When his finger eventually healed, Hole had become so used to the ‘wrong’ way of playing (and grown so fond of the tone he was getting), that he never turned back. (Learn more: www.davehole.com )

    Lyrics

    Take me to Chicago
    Back in 1958
    Take me to Chicago
    Back in 1958
    Drop me out on the South Side
    I wanna see all the greats
    Up and down the street
    With my guitar in my hand
    Up and down the street
    With my guitar in my hand
    Joints just jumpin’
    With the best bands in the land
    I got the blues before sunrise
    Sure enough I do
    I got to move ’cause every day I have the blues
    Take me to Chicago
    Back in 1958
    Drop me out on the South Side
    I wanna see all the greats
    Take me to Chicago
    Back in 1958
    Take me to Chicago
    Back in 1958
    Drop me out on the South Side
    I wanna see all the greats

    Video source: https://www.youtube.com/watch?v=FWQR9umRWZs

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Kid Ramos and Sax Gordon Live!

    Kid Ramos and Sax Gordon Live!

    That can happen at Southern California blues shows.

  • Tinsley Ellis – Cut You Loose

    Tinsley Ellis – Cut You Loose

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    Tinsley Ellis

    Tinsley’s love for electric blues grew by listening to British Invasion bands such as the Yardbirds, the Animals, Cream, and the Rolling Stones. Inspired by a live appearance by B.B. King, he was determined to become a blues guitarist. In 1975, he played with the Haygood Band while attending Emory near Atlanta. Two years later, already an accomplished musician, he returned to Atlanta and joined his first professional blues band, the Alley Cats, a group that included Preston Hubbard of the Fabulous Thunderbirds

    In early 2013, Ellis was a part of the ‘Blues at the Crossroads 2′ tour which celebrated the music of Muddy Waters and Howlin’ Wolf. The tour also included Kim Wilson and The Fabulous Thunderbirds (who backed everyone), James Cotton, Bob Margolin and Jody Williamns.

    In 2017 Ellis launched a new side project called Tinsley Ellis Blues Is Dead in which he performs the Blues and R&B songs done by Grateful Dead and other Fillmore era acts.

    Ellis has played in all 50 states, as well as Canada, Europe, Australia and South America. Whether he’s out with his own band or sharing stages with The Allman Brothers, Robert Cray, Koko Taylor or Widespread Panic, he averages over 150 performances a year, bringing his fast-moving, high-energy, guitar-drenched performances to fans all over the world. Live, there’s simply no one better at igniting a crowd, jamming with focus and purpose…

    Shortcuts:
    Website: tinsleyellis.com

    Albums

    1982 – Featuring Chicago Bob Nelson (with The Heartfixers)
    1986 – Cool on It (with The Heartfixers)
    1988 – Georgia Blue
    1989 – Fanning the Flames
    1992 – Trouble Time
    1994 – Storm Warning
    1997 – Fire it Up
    2000 – Kingpin
    2002 – Hell or High Water
    2004 – The Hard Way
    2005 – Live! Highwayman
    2007 – Moment of Truth
    2009 – Speak No Evil
    2013 – Get It!
    2014 – Midnight Blue
    2015 – Tough Love
    2016 – Red Clay Soul
    2018 – Winning Hand
    2020 – Ice Cream In Hell
    Compilations
    1996 – A Celebration of Blues: The New Breed

    Thank Yoou!

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Little Charlie Baty in jump and swing blues.

    Little Charlie Baty in jump and swing blues.

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    Little Charlie & the Nightcats is an American four-piece electric blues/swing revival combo, consisting currently of guitarist Kid Andersen, harmonicist/lead vocalist Rick Estrin, bassist Lorenzo Farrell and drummer J. Hansen.

    Sacramento-based blues, swing and jump masters Little Charlie & The Nightcats have much in common with their feline counterparts. They take great (musical) leaps and always land on their feet, they’re constantly on the prowl (gigging all over the world), and, with all of the various styles of music they play, they seem to have many lives. (Alligator Records)

    Little Charlie Baty & the Nightcats

    Charlie Baty studied mathematics at the University of California, Berkeley, when in 1976 he formed the group Little Charlie & the Nightcats with Rick Estrin. The band’s music is based primarily on Chicago blues, but it also includes elements of many other styles, such as early rock and roll, soul, surf music, swing, jump blues, and western swing. The group’s debut album, All the Way Crazy, was released in 1987, the next one – Disturbing the Peace – in 1988. These recordings helped the group strengthen their position in the blues scene, thanks to which they began to tour extensively. They performed, among others at the longest existing blues festival in the United States, the San Francisco Blues Festival (in 1980 and 1982), at the Festival International de Jazz de Montréal, or at the Bumbershoot festival in Seattle.

    On the 1993 album “Night Vision” they were played by guitarist Joe Louis Walker, who also produced the album. Estrin’s song “My Next Ex-Wife” from this album won the W.C. Handy for the best song of the year.

    Albums

    1987: All the Way Crazy Alligator,
    1988: Disturbing the Peace Alligator,
    1991: Captured Live [Live] Alligator,
    1993: Night VisionAlligator,
    1995: Straight Up! Alligator,
    1998: Shadow of the Blues Alligator,
    2002: That’s Big Alligator,
    2005: Nine Lives Alligator.

    Video source: https://www.youtube.com/watch?v=afN451wOxDo

    Thank You!

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Rory Gallagher – Bullfrog Blues

    Rory Gallagher – Bullfrog Blues

    Rory Gallagher – Bullfrog Blues on Jam Session Rockpalast 1979

    Another amazing Rockpalast Jam Session… this time with the unforgettable Rory Gallagher. I just love how humble he was… no pretense, shaking hands with fans, no security boundary, just direct contact. Now throw in his unsurpassed talent and skill at the guitar: the perfect musician!

    Rory Gallagher

    Rory Gallagher (1948-1995) was an Irish guitar virtuoso playing blues and rock, songwriter, and concertmaster.

    He sold 30 million albums but gained the greatest recognition thanks to his live performances. Gallagher is considered one of the most energetic and charismatic guitarists of his generation, for the precursor of hard rock, and even grunge (worn-out pants, flannel shirt, and worn-out guitar – these are elements of his stage image). He was an outsider and his works often talk about alienation, life on the road, and seeking freedom.

    In 1972, Rory embarked on a tour of Europe promoting the album “Deuce”. He was also accompanied by a white Telecaster in 1966 because it was perfect for “Bullfrog Blues” tracks. The musician, however, began to use guitars with stronger transducers, which were very good with the slide game, for example, Esquire from 1959 or Gretsch PX6134 Corvette with the P-90 converter. He was faithful to this latter for many years.

    Solo career

    Rory’s solo career began to gain momentum especially in 1973 when drummer Wilgar Campbell – tired of the tour promoting the album “Deuce” – left the music. In his place, Rory accepted Rod de’Atha. Behind the keys sat Lou Martin. This was a great move: thanks to the new element, which were the keys, Rory could afford more freedom and experiments on the guitar.

    With the help of this strong lineup, Rory recorded two more studio albums. The composition continued throughout the “Irish Tour” until 1977. Rory’s equipment was also undergoing a transformation. The Vox AC30 did not match the new group sound. So the artist started using a few Fenders, but he resigned from Rangemaster using Hawk’s treble booster instead.

    Irish Tour 1974

    For many fans, the “Irish Tour” is the album that best captures Gallagher’s musical talent. As in a nutshell, he focuses all his most spectacular achievements in playing the guitar. This is a phenomenal concert and a phenomenal album. It included not only energetic performances of studio songs from 1973, such as “Tattoo’d Lady”, but also lively covers, for example, “As The Crow Flies” by Tony Joe White. Rory played it on the National Triolian Resophonic Guitar.

    The route around Ireland has gone to the legend, as evidenced by the fact that Bare Knuckle Pickups has released a series of pickups called the Irish Tour.

    Rory Gallagher – Bullfrog Blues
    Rory Gallagher – Bullfrog Blues
  • Rod Price on slide guitar with Foghat – It Hurts Me Too

    Rod Price on slide guitar with Foghat – It Hurts Me Too

    Rod Price on slide guitar with Foghat – It Hurts Me Too
    Rod Price on slide guitar with Foghat – It Hurts Me Too

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    Rod Price

    Rod Price was an English guitarist who was best known for his work with the rock band Foghat. He was known as ‘The Magician Of Slide’, and ‘Slide King Of Rock And Roll’, due to his slide guitar playing.

    This is an incredible video & the very best of this version of this song.

    There are many good straight blues versions of “It Hurts Me Too” but the studio cut from Foghat’s “Stone Blues” has them all beat. No flash, no over-the-top leads, just solid blues.

    Absolutely the most underrated version of this song, and one of Foghat’s greatest hits.

    Foghat

    Foghat is an American-based English rock band formed in London in 1971. The band is known for the use of electric slide guitar in its music. The band has achieved eight gold records, one platinum and one double platinum record, and despite several line-up changes, continue to record and perform.

    “It Hurts Me Too” is a blues standard that is “one of the most interpreted blues [songs]”. First recorded in 1940 by American blues musician Tampa Red, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many blues and other artists.

    In 2012, Tampa Red’s 1940 “It Hurts Me Too” was inducted into the Blues Foundation Hall of Fame as a “Classic of Blues Recording”. The Foundation noted: “Tampa Red proved himself a master of many moods during his long recording career, and with the classic line ‘When things go wrong, go wrong with you, it hurts me too,’ he showed how the blues can be an expression of empathy and tenderness.”

    Video source: https://www.youtube.com/watch?v=ad9pBaOLUCk

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Smokin’ Joe Kubek & Bnois King – Better Be Getting It On

    Smokin’ Joe Kubek & Bnois King – Better Be Getting It On

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    Smokin Joe Kubek

    Smokin Joe Kubek (November 30, 1956 – October 11, 2015) was an American Texas blues electric guitarist, songwriter, and performer. Born in Grove City, Pennsylvania, Kubek grew up in the Dallas, Texas area.  In the 1970s during his teen years, he played with the likes of Freddie King and in the 1980s began performing with Louisiana-born musician and vocalist, Bnois King.

    He was undoubtedly one of the most expressive guitarists of the last few decades. He was considered to be a faithful and competent continuator of the “Texas” style of the game associated with such names as: Lightnin Hopkins, T-Bone Walker, Freddie King, Albert Collins, Johnny Winter and Stevie Ray Vaughan.

    Bnois King

    Bnois King (born January 21, 1943) (pronounced “buh-noise”) is a Texas Blues and Jazz guitar player, vocalist, and composer. He most often played guitar and rhythm guitar, and acted as the main vocalist and original songwriter for the Smokin’ Joe Kubek Band, touring and equally billed with Kubek after 1997.
    (via wikipedia.org)

    Albums of Smokin’ Joe Kubek & Bnois King

    1991: The Axe Man (Double Trouble Records)
    1991: Steppin’ Out Texas Style (Bullseye Blues Records)
    1992: Chain Smokin’ Texas Style (Bullseye Blues Records)
    1993: Texas Cadillac (Bullseye Blues Records)
    1995: Cryin’ For The Moon (Bullseye Blues Records)
    1996: Keep Comin’ Back (Bullseye Blues Records)
    1996: Got My Mind Back (Bullseye Blues Records)
    1998: Take Your Best Shot (Bullseye Blues Records)
    2000: Bite Me! (Bullseye Blues Records)
    2003: Roadhouse Research (Blind Pig Records)
    2004: Show Me The Money (Blind Pig Records)
    2005: Served Up Texas Style (Bullseye Blues Records)
    2006: My Heart’s In Texas (Blind Pig Records)
    2008: Blood Brothers (Alligator Records)
    2010: Have Blues Will Travel (Alligator Records)
    2012: Let That Right Hand Go… (Bird Records Texas)
    2012: Close To The Bone (Delta Groove Productions)
    2013: Road Dog’s Life (Delta Groove)
    2015: Fat Man’s Shine Parlor (Blind Pig Records)

    Video source: https://www.youtube.com/watch?v=27CivyVbog8

    Thank you!

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Keb Mo – All The Way

    Keb Mo – All The Way

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    Keb’ Mo’

    With few reservations the most talented songwriter on the blues scene in the last 20 years is Keb’ Mo’, and certainly the ability of a bluesman to write catchy melodies is not the best for his authenticity, as it tempts him to deviate by distorting his blues with material more friendly to the ears of the general public. However, despite the pop “resin” Kevin Roosevelt Moore is always Keb’ Mo’, a blues legend with his characteristic 1954 Fender Stratocaster Electric Guitar.

    Born in Los Angeles, in 1951, he followed the path of music from an early age, and in the 70’s he already played with names such as Papa John Creach, Mahavishnu Orchestra, and Jefferson Starship. In the ’80s, he deepened his knowledge in blues playing in the band of Mink Higgins, while in 1994 he made his debut in discography with an amazing album, a great work (with covers by Robert Johnson and many of his own songs), which automatically placed him at the forefront of the contemporary blues scene.

    Of course, the expectations of purebred blues fans, that they had finally found their hero -a bluesman who would launch a modernized but reverently faithful, pure from blues sound-, were quickly dashed, as Keb’ Mo’ has since poured enough water into his wine and enough pop in his blues. From 1998, with his “Just Like You”, until today, from album to album, he is increasingly moving away from the rules of blues, while maintaining them as an obvious backbone of his music. However, he can respond to any criticism for alleged fraud, not only with the 3 Grammys (which state that he managed to bring to the fore a marginalized genre) but also with songs of exceptional quality such as “Am I wrong”, “Perpetual Blues Machine”, “Everything I need”, “Door”, “Life is Beautiful”, “Henry”, “Better Man” and so many others which clearly show that he did not have to slip into bribery to sell.

    Briefly, for those who like a more bluesy version of artists like James Taylor, Jackson Brown, or Bonnie Raitt, Keb’ Mo’ is an ideal listening experience. Fans of authentic blues should stay in the first three albums of him, and especially in the first one.

    Kevin Roosevelt Moore, known as Keb’ Mo’, is a three-time American Grammy Award-winning blues musician. He is a singer, guitarist, and songwriter.

    Keb’ Mo’s music is a living link to the seminal Delta blues that traveled up the Mississippi River and across the expanse of America – informing all of its musical roots-before evolving into a universally celebrated art form.

    He is not that techy guy on the guitar but what a feeling! What a groove. Just can’t get bored listening to Keb’ Mo’. So simple yet cool.

    Video source: https://www.youtube.com/watch?v=qQKff7BjT3M

    Thank You!

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.