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Tag: Lonnie Mack

  • Lonnie Mack – Stop

    Lonnie Mack – Stop

    Lonnie Mack – Stop
    Lonnie Mack – Stop

    Lonnie Mack

    Lonnie McIntosh (July 18, 1941 ~ April 21, 2016), known by his stage name, Lonnie Mack, was an American rock, blues, and country singer-guitarist. As a featured artist, his recording career spanned the period from 1963 to 1990. He remained active as a performer into the early 2000s.

    Mack played a major role in transforming the electric guitar into a lead voice in rock music. Best known for his 1963 instrumentals, “Memphis” and “Wham!”, he has been called a rock-guitar “pioneer” and a “ground-breaker” in lead guitar soloing. In these, and several other early guitar instrumentals, “he attacked the strings with fast, aggressive single-string phrasing and a seamless rhythm style”. These tunes are said to have formed the leading edge of the virtuoso “blues rock” lead guitar genre.

    His guitar recordings were a significant influence on many prominent rock guitarists, including Stevie Ray Vaughan, Jeff Beck, Duane Allman, Dickie Betts and Ted Nugent. According to Guitar World magazine, Mack’s early solos influenced every major rock-guitar soloist from the 1960s through the 1980s, from “Clapton to Allman to Vaughan” and “from Nugent to Bloomfield”.
    Mack is also considered one of the finer “blue-eyed soul” singers of his era.

    Mack released close to a dozen albums, playing a mix of blues, rock, country, R&B and rockabilly. He was inducted into the International Guitar Hall Of Fame in 2001 and the Rockabilly Hall Of Fame in 2005.

  • Lonnie Mack – Memphis

    Lonnie Mack – Memphis

    Lonnie Mack – Memphis
    Lonnie Mack – Memphis

    Engage your senses: Press play on the video, then stimulate your brain with the article.

    Lonnie Mack

    Lonnie McIntosh (July 18, 1941, April 21, 2016), known by his stage name, Lonnie Mack. He was an American rock, blues, and country singer-guitarist. As a featured artist, his recording career spanned the period from 1963 to 1990. He remained active as a performer into the early 2000s.

    Mack played a major role in transforming the electric guitar into a lead voice in rock music. Best known for his 1963 instrumentals, “Memphis” and “Wham!”. People called him a rock-guitar “pioneer” and a “ground-breaker” in lead guitar soloing. In these, and several other early guitar instrumentals, “he attacked the strings with fast, aggressive single-string phrasing and a seamless rhythm style”. These tunes are said to have formed the leading edge of the virtuoso “blues rock” lead guitar genre.

    His guitar recordings were a significant influence on many prominent rock guitarists, including Stevie Ray Vaughan, Jeff Beck, Duane Allman, Dickie Betts and Ted Nugent. According to Guitar World magazine, Mack’s early solos influenced every major rock-guitar soloist from the 1960s through the 1980s, from “Clapton to Allman to Vaughan” and “from Nugent to Bloomfield”.
    Mack is also considered one of the finer “blue-eyed soul” singers of his era.
    Mack was closely identified with the distinctive-looking Gibson Flying V guitar that first appeared in 1958. When he was seventeen, he bought the seventh Flying V off the first-year production line, naming it “Number 7”.

    Mack released close to a dozen albums, playing a mix of blues, rock, country, R&B and rockabilly. He was inducted into the International Guitar Hall Of Fame in 2001 and the Rockabilly Hall Of Fame in 2005.

    Albums

    1964: The Wham of that Memphis Man!
    1969: Glad I’m in the Band
    1969: Whatever’s Right
    1971: The Hills of Indiana
    1973: Dueling Banjos (with Rusty York)
    1977: Home at Last
    1978: Lonnie Mack with Pismo
    1985: Strike Like Lightning
    1986: Second Sight
    1988: Roadhouses and Dance Halls
    1999: South (rec. 1978)

  • Lonnie Mack – Memphis

    Lonnie Mack – Memphis

    Lonnie Mack

    Lonnie McIntosh (July 18, 1941, April 21, 2016), known by his stage name, Lonnie Mack. He was an American rock, blues, and country singer-guitarist. As a featured artist, his recording career spanned the period from 1963 to 1990. He remained active as a performer into the early 2000s.

    Mack played a major role in transforming the electric guitar into a lead voice in rock music. Best known for his 1963 instrumentals, “Memphis” and “Wham!”. People called him a rock-guitar “pioneer” and a “ground-breaker” in lead guitar soloing. In these, and several other early guitar instrumentals, “he attacked the strings with fast, aggressive single-string phrasing and a seamless rhythm style”. These tunes are said to have formed the leading edge of the virtuoso “blues rock” lead guitar genre.

    His guitar recordings were a significant influence on many prominent rock guitarists, including Stevie Ray Vaughan, Jeff Beck, Duane Allman, Dickie Betts and Ted Nugent. According to Guitar World magazine, Mack’s early solos influenced every major rock-guitar soloist from the 1960s through the 1980s, from “Clapton to Allman to Vaughan” and “from Nugent to Bloomfield”.
    Mack is also considered one of the finer “blue-eyed soul” singers of his era.
    Mack was closely identified with the distinctive-looking Gibson Flying V guitar that first appeared in 1958. When he was seventeen, he bought the seventh Flying V off the first-year production line, naming it “Number 7”.

    Mack released close to a dozen albums, playing a mix of blues, rock, country, R&B and rockabilly. He was inducted into the International Guitar Hall Of Fame in 2001 and the Rockabilly Hall Of Fame in 2005.

    Albums

    1964: The Wham of that Memphis Man!
    1969: Glad I’m in the Band
    1969: Whatever’s Right
    1971: The Hills of Indiana
    1973: Dueling Banjos (with Rusty York)
    1977: Home at Last
    1978: Lonnie Mack with Pismo
    1985: Strike Like Lightning
    1986: Second Sight
    1988: Roadhouses and Dance Halls
    1999: South (rec. 1978)

  • Lonnie Mack – Satisfy Susie

    Lonnie Mack – Satisfy Susie

    Lonnie Mack: The Inspirational Guitarist who was the Harbinger of Blues-Rock

    Even for any aficionado of blues and rock music, the name Lonnie Mack resonates with a unique blend of respect and nostalgia, of course without an overdose of emotional bias. And his innovative approaches to guitar playing it did not only certainly step into the gap between the blues and rock but also laid a ground for generations over other guitarists who came after. Mack is indelibly ensconced in music history, characterized by his blistering guitar licks and soulful melodies as one of the pioneer figures in the development of blues-rock.

    Biography: Early Life and Entry into Music

    Born in West Harrison, Indiana, in the year 1941, Lonnie McIntosh, known professionally by the relatively generic and innocuous sounding stage name of Lonnie Mack, grew up within a milieu rich with country and bluegrass music. He soaked up both styles in equal measure which set the foundation for that melodic playing style he would become known for. However, it was the blues that truly captured his heart and fingers. From his younger days, he soaked into the sounds of blues legends such as Robert Johnson and T-Bone Walker assimilating these influences to his country-rooted style.

    Rise to Prominence

    Mack began to get wider renown in 1963 when the instrumental hit “Memphis” was issued. The tune, featuring his aggressive, fast-paced playing and use of the vibrato bar like never before, was something new. These are the qualities which set Mack apart, but the above technique was raw emotion from his six-string. The emotional element became a staple of blues-rock and “Memphis” is often heralded as one of the earliest examples of the form in a true sense.

    Inspirational to Rock Guitarists

    Lonnie Mack is special because not only is he an excellent guitarist but also an artist who has hugely inspired other musicians. Music legends like Stevie Ray Vaughan and Jeff Beck have ticked off on Mack as one of the significant inspirations. Thus his mix with blues and rock phrasing opened new doors for the guitarists to experiment more and take their own playing style to newer heights.

    Discography and Legacy

    Mack’s career was such that he has released albums after albums for the fans of different music genres and also to show his versatility and mastery over the guitar to the world. “The Wham of that Memphis Man!” and “Strike Like Lightning” are a few classic blue-rock albums to Mack’s credit. His playing was not just about the technical bits but also about telling a story through music, all of which made many people fall in love with him if they were blue purists and rock enthusiasts.

    Continued Influence

    Lonnie Mack died in 2016, but his legacy lives on. His imprint can be heard in contemporary guitar riffs and in blues-rock developments further from the source. Mack was more than a guitarist; he was a musical explorer who also transgressed beyond all boundaries in order to motivate musicians from Stevie Ray Vaughan to Frank Zappa to Keith Richards.

    Conclusion

    Lonnie Mack holds a uniqueness in the pantheon of great guitarists. His innovative guitar playing that combined the soul of blues with the energized spirit of rock inaugurated the genre today known as blues-rock. For fans and musicians alike, his music continues to inspire and ignite a passion for the strings that sing the blues. Lonnie Mack’s legacy lies more than just on the notes he played, but in the hearts he touched with his music – a true testament of his genius and influence over the world of music.

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • SRV and Lonnie Mack – Double Whammy!

    SRV and Lonnie Mack – Double Whammy!

    SRV – Stevie Ray Vaughan

    Stevie Ray Vaughan was born on October 3, 1954, at the Methodist Hospital in Dallas. Together with his parents and older brother, 3 years old, they led a nomadic lifestyle. It was related to my father’s work. In the end, however, the family settled for longer in Dallas. Stevie Ray Vaughan had contact with music from an early age.

    His teaching had an interesting course. He was an opponent of the game lesson. He listened to then great guitarists and played with his ear(even Jimi Hendriks). Then, thanks to his brother, he became interested in blues music, listening to B.B. King or Otis Rush. Once, when Jimmy Vaughan, played a concert with his first band, The Chessmen, Doyle Bramhall appeared on it. He saw Stevie playing the guitar. Doyle was the first who recognize the talent of the future music star. At the age of 17 the “youth rebellion” of SRV began – he dropped out of school and took his first tattoo.

    It is worth mentioning that the guitarist started playing very early. Already at the age of 12, he was active in the band A Cast of Thousands. Then he began to play his first concerts. with the brother’s band, and then with Blackbird. In the end, he decided to quit school and move out of the house. At the same time, he took a job in a car wash. He took on a variety of activities before he decided to become a musician. Often you could see him and listen on local bars. In terms of the beginnings of his career, he did not differ from other artists at this time. Many were playing at Soap Creek Saloon or Vulcan Gas Company. Often for the free beer and a roof overhead. One of the club owners, who believe in the talent of a young guitarist, persuaded the famous Albert King to play with him. Later King repeatedly emphasized the positive impression that Vaughan had made on him.

    One more, as it seems to me, completely unknown joint performance of this song. Different location, interesting shots, and perhaps even better guitar solos. At the beginning, the cameraman mainly shows the keyboard playing, but when he hears what Lonnie Mack is doing on the guitar, he makes his way to the front of the stage, where an amazing spectacle takes place. Watch until the end!

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Mack, Collins & Buchanan – Further On Down the Road

    Mack, Collins & Buchanan – Further On Down the Road

    Three Blues Titans: Lonnie Mack, Albert Collins, and Roy Buchanan

    When we speak of the blues, a genre steeped in raw emotion, history, and the profound depths of human expression, it’s impossible not to touch upon the legends that kept its heart beating strong. Among the myriad of blues luminaries, three names, in particular, have etched their legacies deep into the annals of blues history: Lonnie Mack, Albert Collins, and Roy Buchanan. And when they joined forces to deliver the iconic “Further On Down the Road”, the world didn’t just hear the blues; they felt it.

    Lonnie Mack: The Wham of that Memphis Man!

    Emerging from Indiana in the early 60s, Lonnie Mack was a force of nature, blending soul, country, and gospel influences into the blues. He introduced listeners to a distinctive voice, both vocally and through the strings of his treasured Gibson Flying V, which he affectionately named “Number One”.

    One cannot discuss Mack without mentioning tracks like “Wham!” and “Memphis”, which showcased his ability to produce riveting instrumentals. His impact on rock and blues guitar was profound, with many guitarists, including Stevie Ray Vaughan and Duane Allman, citing him as a significant influence.

    Albert Collins: The Master of the Telecaster

    Hailing from Texas, Albert Collins was known for his capo tricks, open tunings, and finger-picked notes, producing a sound that was both biting and chilling. His use of the Fender Telecaster, combined with a unique tuning style, led to the moniker “The Master of the Telecaster”.

    Collins’ ability to tell a story with his guitar, whether it was the heart-wrenching “If Trouble Was Money” or the joyous “Ice Cream Man”, demonstrated his dynamic range and prowess as a bluesman. He didn’t just play the blues; he lived it, weaving narratives of everyday struggles and joys into his chilling riffs and licks.

    Roy Buchanan: The Messiah of the Blues Guitar

    While he may not have been as commercially successful as some of his contemporaries, Roy Buchanan’s influence among guitar aficionados is immeasurable. Known for his pinch harmonic technique and emotive bends, he could make his guitar weep, scream, and sing.

    Buchanan’s rendition of “Sweet Dreams” is a testament to his immense talent. The profound emotion, the delicate nuances, and the power of his guitar work often left audiences in awe. His reluctance towards fame and his commitment to pure music kept him a cherished secret among blues enthusiasts.

    “Further On Down the Road”: A Confluence of Titans

    The joint performance of “Further On Down the Road” remains etched in the memory of blues lovers worldwide. The synergy between Mack, Collins, and Buchanan was nothing short of electric. While each brought their signature style to the table, their mutual respect and love for the blues were evident. It wasn’t just a performance; it was a conversation, a narrative, a journey.

    The track begins with the soft, sultry strains of a guitar, a subtle invitation. As it progresses, the listener can almost visualize the trio, nodding at one another, taking turns to lead, and effortlessly blending their distinctive sounds. The raw, unbridled emotion of the blues is palpable, leaving listeners with a haunting afterglow.

    In the vast realm of the blues, where countless musicians have poured their souls into their craft, Lonnie Mack, Albert Collins, and Roy Buchanan stand tall. Through their dedication, innovation, and sheer genius, they have not only shaped the course of blues music but also inspired countless others to pick up the guitar and pour their hearts out, one note at a time.

  • Lonnie Mack – Stop

    Lonnie Mack – Stop

    Lonnie Mack

    Lonnie McIntosh (July 18, 1941 ~ April 21, 2016), known by his stage name, Lonnie Mack, was an American rock, blues, and country singer-guitarist. As a featured artist, his recording career spanned the period from 1963 to 1990. He remained active as a performer into the early 2000s.

    Mack played a major role in transforming the electric guitar into a lead voice in rock music. Best known for his 1963 instrumentals, “Memphis” and “Wham!”, he has been called a rock-guitar “pioneer” and a “ground-breaker” in lead guitar soloing. In these, and several other early guitar instrumentals, “he attacked the strings with fast, aggressive single-string phrasing and a seamless rhythm style”. These tunes are said to have formed the leading edge of the virtuoso “blues rock” lead guitar genre.

    His guitar recordings were a significant influence on many prominent rock guitarists, including Stevie Ray Vaughan, Jeff Beck, Duane Allman, Dickie Betts and Ted Nugent. According to Guitar World magazine, Mack’s early solos influenced every major rock-guitar soloist from the 1960s through the 1980s, from “Clapton to Allman to Vaughan” and “from Nugent to Bloomfield”.
    Mack is also considered one of the finer “blue-eyed soul” singers of his era.

    Mack released close to a dozen albums, playing a mix of blues, rock, country, R&B and rockabilly. He was inducted into the International Guitar Hall Of Fame in 2001 and the Rockabilly Hall Of Fame in 2005.

  • Lonnie Mack – Falling Back in Love with You

    Lonnie Mack – Falling Back in Love with You

    Lonnie Mack

    He was a roadhouse blues-rock legend – modern rock’s first true guitar hero. His playing has influenced the course of rock and roll and had an impact on many of modern rock’s current guitar heroes, including Eric Clapton, Keith Richards, Jimmy Page and especially Stevie Ray Vaughan.

    Growing up in rural Indiana not far from Cincinnati, Lonnie McIntosh was exposed to a heady combination of R&B and hillbilly. In 1958, he bought the seventh Gibson Flying V guitar ever manufactured and played the roadhouse circuit around Indiana, Ohio, and Kentucky. Mack has steadfastly cited another local legend, guitarist Robert Ward, as the man whose watery-sounding Magnatone amplifier inspired his own use of the same brand.

    Mack’s 1990 album, Live! Attack of the Killer V, was captured on tape at a suburban Chicago venue called FitzGerald’s and once again showed why Lonnie Mack was venerated by anyone even remotely into savage guitar playing. Lonnie Mack died in Nashville in April 2016 at the age of 74. (Read more… billboard.com)

  • Lonnie Mack and Stevie Ray Vaughan – Oreo Cookie Blues

    Lonnie Mack and Stevie Ray Vaughan – Oreo Cookie Blues

    Lonnie Mack and Stevie Ray Vaughan

    Although many years have passed since the death of Stevie, subsequent generations of guitarists are still fascinated by the figure of the musician and draw inspiration from his playing.

    When he first appeared on stage in 1983, his characteristic phrasing, complemented by a strong attack and powerful sound, immediately attracted the audience’s attention.

    SRV has been a prominent place in the Blues Hall of Fame since 2000, along with such stars as Robert Johnson, Jimi Hendrix, Albert King and Albert Collins – so he was among the artists he admired himself and on whose music he grew up.

    The audience loved him for his performances. Vaughan was happy to play, holding the guitar behind his back, and he could also make sounds with his teeth.

    Double Trouble

    Stevie Ray Vaughan and Double Trouble entered the stage when pop and new romantic reigned in Britain. Duran Duran and other performers who liked electronic sounds and excessive make-up were doomed to a short career and a quick departure. Double Trouble, raw and powerful rhythm’n’blues, appeared suddenly, meeting the expectations of people thirsty for real guitar music.

    Lonnie Mack

    Lonnie McIntosh (July 18, 1941, April 21, 2016), known by his stage name, Lonnie Mack. He was an American rock, blues, and country singer-guitarist. As a featured artist, his recording career spanned the period from 1963 to 1990. He remained active as a performer into the early 2000s.

    Mack played a major role in transforming the electric guitar into a lead voice in rock music. Best known for his 1963 instrumentals, “Memphis” and “Wham!”. People called him a rock-guitar “pioneer” and a “ground-breaker” in lead guitar soloing. In these, and several other early guitar instrumentals, “he attacked the strings with fast, aggressive single-string phrasing and a seamless rhythm style”. These tunes are said to have formed the leading edge of the virtuoso “blues rock” lead guitar genre.

    Staff

    The Orpheum Theater on Beale Street, Memphis, TN, USA, August 1986

    Stevie Ray Vaughan: Vocals, Guitar
    Reese Wynans: Keyboards
    Tommy Shannon: Fender Bass
    Chris “Whipper” Layton: Drums
    very special guest: Lonnie Mack: Guitar

    Thank You Stevie Ray Vaughan fans

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Stevie Ray Vaughan and Lonnie Mack – Oreo Cookie Blues

    Stevie Ray Vaughan and Lonnie Mack – Oreo Cookie Blues

    Lonnie Mack and Stevie Ray Vaughan

    Although many years have passed since the death of Stevie, subsequent generations of guitarists are still fascinated by the figure of the musician and draw inspiration from his playing.

    When he first appeared on stage in 1983, his characteristic phrasing, complemented by a strong attack and powerful sound, immediately attracted the audience’s attention.

    SRV has been a prominent place in the Blues Hall of Fame since 2000, along with such stars as Robert Johnson, Jimi Hendrix, Albert King and Albert Collins – so he was among the artists he admired himself and on whose music he grew up.

    The audience loved him for his performances. Vaughan was happy to play, holding the guitar behind his back, and he could also make sounds with his teeth.

    Double Trouble

    Stevie Ray Vaughan and Double Trouble entered the stage when pop and new romantic reigned in Britain. Duran Duran and other performers who liked electronic sounds and excessive make-up were doomed to a short career and a quick departure. Double Trouble, raw and powerful rhythm’n’blues, appeared suddenly, meeting the expectations of people thirsty for real guitar music.

    The Orpheum Theater on Beale Street, Memphis, TN, USA, August 1986

    Stevie Ray Vaughan: Vocals, Guitar
    Reese Wynans: Keyboards
    Tommy Shannon: Fender Bass
    Chris “Whipper” Layton: Drums
    very special guest: Lonnie Mack: Guitar

    Lonnie Mack

    Lonnie McIntosh (July 18, 1941, April 21, 2016), known by his stage name, Lonnie Mack. He was an American rock, blues, and country singer-guitarist. As a featured artist, his recording career spanned the period from 1963 to 1990. He remained active as a performer into the early 2000s.

    Mack played a major role in transforming the electric guitar into a lead voice in rock music. Best known for his 1963 instrumentals, “Memphis” and “Wham!”. People called him a rock-guitar “pioneer” and a “ground-breaker” in lead guitar soloing. In these, and several other early guitar instrumentals, “he attacked the strings with fast, aggressive single-string phrasing and a seamless rhythm style”. These tunes are said to have formed the leading edge of the virtuoso “blues rock” lead guitar genre.

    Lonnie Mack and Stevie Ray Vaughan – Oreo Cookie Blues
    Lonnie Mack and Stevie Ray Vaughan – Oreo Cookie Blues

    Thank You!

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.