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  • The Allman Brothers Band – Blue Sky [video]

    The Allman Brothers Band – Blue Sky [video]

    The Allman Brothers Band – Blue Sky: A Ray of Sunshine in Rock History

    Discovering Blue Sky

    There are songs that just feel like good weather. For me, The Allman Brothers Band’s “Blue Sky” is the ultimate example. The first time I heard it, I was driving with the windows down, sun warming my arm on the door, and I swear the music synced perfectly with the moment. Duane Allman may have been the group’s soulful fire, but on “Blue Sky,” it was Dickey Betts who gave us this gift of light, melody, and joy.

    A Song Written for Love

    Betts wrote “Blue Sky” for his girlfriend (later wife), Sandy “Bluesky” Wabegijig. That’s right — the title is personal. The lyrics paint a picture of pure contentment, of appreciating the simple moments that make life beautiful: a sunny day, the company of someone you love, the freedom of being alive. It’s as far from rock star excess as you can get, and maybe that’s why it feels so timeless.

    And if you listen closely, you can hear Betts’ signature — that lyrical guitar style that flows more like a fiddle tune than a rock solo. It’s the sound of a man in love, channeled through six strings.

    Sunshine in the Middle of Eat a Peach

    “Blue Sky” found its home on the band’s 1972 album Eat a Peach, a record born out of both triumph and tragedy. The Allmans had just lost Duane Allman in a motorcycle accident in October 1971, a devastating blow to the band and the wider music world. But Eat a Peach wasn’t a funeral march — it was a celebration of life, a sprawling mix of jam-rock brilliance and heartfelt reflection.

    Nestled among those tracks, “Blue Sky” became a beacon. It was the moment you realized the band could still find beauty after heartbreak, that their music could lift you up even when life pulled you down.

    That Famous Dual Guitar Magic

    One thing fans never stop talking about is the way “Blue Sky” highlights the Allmans’ twin-guitar interplay. Betts and Duane (on the studio version) weave around each other with this seamless grace — it’s less like a guitar duel and more like a conversation. In live shows, those sections could stretch into soaring, joyous jams that left audiences grinning ear to ear.

    Even today, guitarists study those solos. They’re technical, sure, but more than that, they sing. You can hum them as easily as the vocal line, and that’s a rare gift.

    A Fan’s Memory

    I remember seeing The Allman Brothers Band on a warm summer night, years after Duane had passed, but the spirit of “Blue Sky” was still alive. As soon as those opening chords rang out, people got up from their seats. Couples swayed, friends threw arms around each other, and for five minutes the whole crowd seemed to glow. That’s what this song does — it makes you feel good to be alive.

    Why Blue Sky Still Matters

    Over fifty years later, “Blue Sky” hasn’t lost its shine. It’s one of those songs you can put on any time and instantly feel lighter. For fans, it’s a reminder of Dickey Betts’ songwriting brilliance, of the Allmans’ unmatched chemistry, and of the power of music to turn grief into grace.

    So next time the sun is out and you’ve got a drive ahead of you, roll down the windows and play “Blue Sky.” Trust me — life feels just a little bit better with that melody carrying you down the road.

    Video

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • The Allman Brothers Band – Blue Sky

    The Allman Brothers Band – Blue Sky

    The Allman Brothers Band – Blue Sky

    The Allman Brothers Band – Blue Sky: A Ray of Sunshine in Rock History

    Discovering Blue Sky

    There are songs that just feel like good weather. For me, The Allman Brothers Band’s “Blue Sky” is the ultimate example. The first time I heard it, I was driving with the windows down, sun warming my arm on the door, and I swear the music synced perfectly with the moment. Duane Allman may have been the group’s soulful fire, but on “Blue Sky,” it was Dickey Betts who gave us this gift of light, melody, and joy.

    A Song Written for Love

    Betts wrote “Blue Sky” for his girlfriend (later wife), Sandy “Bluesky” Wabegijig. That’s right — the title is personal. The lyrics paint a picture of pure contentment, of appreciating the simple moments that make life beautiful: a sunny day, the company of someone you love, the freedom of being alive. It’s as far from rock star excess as you can get, and maybe that’s why it feels so timeless.

    And if you listen closely, you can hear Betts’ signature — that lyrical guitar style that flows more like a fiddle tune than a rock solo. It’s the sound of a man in love, channeled through six strings.

    Sunshine in the Middle of Eat a Peach

    “Blue Sky” found its home on the band’s 1972 album Eat a Peach, a record born out of both triumph and tragedy. The Allmans had just lost Duane Allman in a motorcycle accident in October 1971, a devastating blow to the band and the wider music world. But Eat a Peach wasn’t a funeral march — it was a celebration of life, a sprawling mix of jam-rock brilliance and heartfelt reflection.

    Nestled among those tracks, “Blue Sky” became a beacon. It was the moment you realized the band could still find beauty after heartbreak, that their music could lift you up even when life pulled you down.

    That Famous Dual Guitar Magic

    One thing fans never stop talking about is the way “Blue Sky” highlights the Allmans’ twin-guitar interplay. Betts and Duane (on the studio version) weave around each other with this seamless grace — it’s less like a guitar duel and more like a conversation. In live shows, those sections could stretch into soaring, joyous jams that left audiences grinning ear to ear.

    Even today, guitarists study those solos. They’re technical, sure, but more than that, they sing. You can hum them as easily as the vocal line, and that’s a rare gift.

    A Fan’s Memory

    I remember seeing The Allman Brothers Band on a warm summer night, years after Duane had passed, but the spirit of “Blue Sky” was still alive. As soon as those opening chords rang out, people got up from their seats. Couples swayed, friends threw arms around each other, and for five minutes the whole crowd seemed to glow. That’s what this song does — it makes you feel good to be alive.

    Why Blue Sky Still Matters

    Over fifty years later, “Blue Sky” hasn’t lost its shine. It’s one of those songs you can put on any time and instantly feel lighter. For fans, it’s a reminder of Dickey Betts’ songwriting brilliance, of the Allmans’ unmatched chemistry, and of the power of music to turn grief into grace.

    So next time the sun is out and you’ve got a drive ahead of you, roll down the windows and play “Blue Sky.” Trust me — life feels just a little bit better with that melody carrying you down the road.

    Video

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Allman Brothers Band – Statesboro Blue

    Allman Brothers Band – Statesboro Blue

    The Allman Brothers Band – “Statesboro Blues” (Live at Great Woods 1991): Slide Guitar Glory and Southern Soul Revival

    When the Allman Brothers Band took the stage at Great Woods Amphitheater in Mansfield, MA on September 6, 1991, they were in the midst of a triumphant return. After reuniting in 1989 and adding young blood like Warren Haynes and Allen Woody, the band was reinvigorated — and nowhere is that clearer than in this searing performance of “Statesboro Blues.”

    Originally a blues standard by Blind Willie McTell, made legendary by the Allmans on their 1971 live album At Fillmore East, “Statesboro Blues” had long been a signature tune. But in this 1991 version, the band honors its roots while reaffirming its future — tighter, meaner, and still dripping with soul.

    The History: A Slide Guitar Anthem

    “Statesboro Blues” was written in 1928 by Blind Willie McTell, a 12-string bluesman whose influence stretched deep into American roots music. The Allman Brothers’ version, however, is based on Taj Mahal’s 1968 cover, which featured Jesse Ed Davis on slide guitar — a version that deeply inspired Duane Allman.

    By the time At Fillmore East was recorded, Duane had transformed the song into a slide guitar showcase, opening shows with a roaring bottleneck tone that became the stuff of legend. Even after Duane’s death, “Statesboro Blues” remained a fiery tribute and foundational piece of the band’s set.

    The Great Woods 1991 Lineup: New Blood, Old Soul

    This particular performance features:

    • Gregg Allman on vocals and organ — the band’s emotional and musical core
    • Dickey Betts and Warren Haynes trading blistering guitar licks
    • Allen Woody on bass — thunderous and locked-in
    • Butch Trucks and Jai Johanny “Jaimoe” Johanson on drums — the legendary double-drummer combo
    • Marc Quiñones on percussion — adding Latin spice and depth to the groove

    It’s a band that knows its legacy, but isn’t content to rest on it.

    The Performance: Raw, Tight, and Electrifying

    From the first slashing slide lick, Warren Haynes takes up the mantle once held by Duane and absolutely owns the spotlight. His tone is thick, greasy, and full of fire — a perfect blend of reverence and personal flair.

    Highlights include:

    • Warren’s ferocious slide intro, faithful to Duane’s phrasing but with his own bite
    • Gregg’s soulful, smoky vocals, aging like fine bourbon — weathered but potent
    • A locked-in groove from Woody, Trucks, and Jaimoe that gives the song unstoppable momentum
    • Betts and Haynes trading solos, creating a conversation between past and future
    • A finale that doesn’t just end — it erupts

    The energy is undeniable. This isn’t a museum piece — it’s a living, breathing blues explosion.

    Why It Matters: A Bridge Between Eras

    The Allman Brothers Band of 1991 was at a creative and technical high point. After years of lineup changes, breakups, and tragedy, the group had found a lineup that could reclaim their legacy while still moving forward.

    “Statesboro Blues” at Great Woods isn’t just nostalgia. It’s proof that the spirit of Duane, the essence of Southern blues-rock, and the fire of improvisation still burned as hot as ever.

    This performance is often held up by fans as one of the great post-reunion versions of the song, a highlight in a setlist full of barn burners.

    Final Thoughts

    If you ever needed a reason to believe that the Allman Brothers Band were more than a legacy act in the ’90s, “Statesboro Blues” from Great Woods ‘91 is it. It’s a track steeped in history, reborn with new hands, old soul, and relentless swagger.

    It’s not just a song — it’s a statement:
    The road goes on forever. And the blues? They’re still alive and well.

  • The Allman Brothers Band – “Soulshine”: A Southern Ballad of Light and Redemption

    The Allman Brothers Band – “Soulshine”: A Southern Ballad of Light and Redemption

    In a catalog filled with epic jams, scorching slide guitar, and deep Southern grooves, one of the most beloved and spiritually resonant songs ever recorded by The Allman Brothers Band is also one of their most tender. “Soulshine” isn’t about dueling guitar solos or marathon blues breakdowns—it’s about something even more powerful: hope.

    Written by Warren Haynes, and first recorded by bluesman Larry McCray in 1993, “Soulshine” found its spiritual home with The Allman Brothers Band when they released their own version on the Where It All Begins album in 1994. From that point forward, it became not just a fan favorite, but a defining modern classic in the band’s storied legacy.

    Warren Haynes: A Torchbearer with Soul

    By the early 1990s, Warren Haynes had joined the Allman Brothers Band as a guitarist and vocalist, bringing with him a deep reverence for the group’s legacy and a songwriter’s soul that fit perfectly within their musical DNA.

    “Soulshine” was a deeply personal composition for Haynes, inspired by his father—a man who believed in living with light and kindness, even when life turned dark. The title itself was a phrase his father used often. In Haynes’s hands, it became a gospel-inflected blues-rock ballad that radiates warmth and emotional honesty.

    Lyrics That Lift You Up

    The beauty of “Soulshine” lies in its simplicity and sincerity. The lyrics speak to universal struggles—of feeling lost, misunderstood, or beaten down by life. But instead of wallowing in despair, the song offers something increasingly rare in rock music: genuine comfort.

    “When you can’t find the light / That guides you through a cloudy day…”
    “Let your soul shine / It’s better than sunshine / It’s better than moonshine / Damn sure better than rain.”

    These aren’t just pretty metaphors—they’re words to live by. Delivered with Haynes’s smoky, weathered voice and the band’s rich, soulful instrumentation, it feels less like a song and more like a sermon from the mountaintop.

    Musical Warmth and Southern Soul

    The arrangement on “Soulshine” is pure Allman Brothers magic: twin guitars from Haynes and Dickey Betts, gentle organ swells, and a rhythm section that grooves without ever pushing too hard. It’s Southern rock at its most mature and introspective—deeply rooted in blues and gospel traditions, yet unmistakably their own.

    There’s no showboating here, no overindulgent solos—just tasteful licks, rich tone, and a sense of restraint that gives the lyrics room to breathe. That doesn’t mean it lacks emotion; quite the opposite. The guitar solo midway through the track is a cry from the heart—a masterclass in how to make six strings speak.

    A Modern Allman Classic

    Though it came decades after the band’s earliest triumphs like “Whipping Post” or “Midnight Rider,” “Soulshine” has earned its place alongside them as a cornerstone of their legacy. It became a concert staple, often sung by Haynes with impassioned backing from Gregg Allman and the band’s signature layered instrumentation.

    In later years, as the Allman Brothers played to new generations of fans, “Soulshine” became a moment of reflection and connection—a song that transcended eras and generations.

    Legacy Beyond the Band

    Even after the Allman Brothers Band played their final shows in 2014, “Soulshine” has continued to shine. Warren Haynes performs it regularly with his own band, Gov’t Mule, and it has been covered by countless artists across genres. It’s a song that speaks to human resilience, and its message only grows more powerful with time.

    When Gregg Allman passed away in 2017, many tributes featured “Soulshine”—not just because of its association with the band, but because it captured his spirit of endurance, soul, and Southern grace.

    Final Thoughts

    “Soulshine” may not have the firepower of “Jessica” or the mystique of “Dreams,” but it hits you in a place deeper than any jam session ever could. It’s a reminder that beneath all the guitars and grooves, The Allman Brothers Band was a group built on heart, honesty, and healing.

    So when life gets dark and the road feels long, turn on “Soulshine.”
    Let it remind you that the best kind of light doesn’t come from the sky—it comes from within.

  • The Allman Brothers Band – Whipping Post

    The Allman Brothers Band – Whipping Post

    The Allman Brothers Band – Whipping Post

    “Whipping Post” is a song by The Allman Brothers Band. Written by Gregg Allman. The five-minute studio version first appeared on their 1969 debut album The Allman Brothers Band. The song’s full power only manifested itself in concert. It was the basis for much longer and more intense performances.

    On the Allman Brothers’ 1971 double live album At Fillmore East, a 22-minute version of the song takes up the entire final side.

    It was this recording that garnered “Whipping Post” spots on both the Rock and Roll Hall of Fame’s. 500 Songs that Shaped Rock and Roll list and Rolling Stone’s list of “The 500 Greatest Songs of All Time”.

    Despite its length, the live “Whipping Post” received considerable progressive rock radio airplay during the early 1970s, especially late at night or on weekends. Such airplay led to “Whipping Post” becoming one of the band’s more familiar and popular songs. This would help give At Fillmore East its reputation as having, as The Rolling Stone Record Guide wrote in 1979, “no wasted notes, no pointless jams, no half-realized vocals—everything counts”, and of being, as Rolling Stone wrote in 2002, “the finest live rock performance ever committed to vinyl.”

    VH1 would say that “Whipping Post” was “what the band would become famous for, an endless climb of heightening drama staked out by the twin-guitar exorcisms of Duane and Dickey Betts and the cool, measured, almost jazz-like response of the rhythm section.”

    (via wikipedia.org)

    The Guitar Heroes of the Allman Brothers Band

    The Allman Brothers Band, a name synonymous with Southern rock, has dazzled fans with its unique blend of rock, blues, and country music. Over the years, the band has seen some exceptionally talented guitarists strum their way into the hearts of music lovers. Let’s take a stroll down memory lane and celebrate these guitar heroes.

    Duane Allman: The Skydog

    Duane Allman, affectionately known as “Skydog,” was not just a founding member; he was the heart of the Allman Brothers Band. Born in 1946, Duane’s slide guitar playing was nothing short of revolutionary. His ability to blend seamless licks with raw emotional power made songs like “Statesboro Blues” and “Whipping Post” timeless classics. Tragically, Duane’s life and career were cut short in a motorcycle accident in 1971, but his legacy endures, influencing countless guitarists around the world.

    Dickey Betts: The Ramblin’ Man

    After Duane’s untimely death, Dickey Betts stepped into the spotlight. Known for his melodic playing, Betts brought a new dimension to the band’s sound. His songwriting and lead guitar work on tracks like “Ramblin’ Man” and “Jessica” are staples of the band’s repertoire. Betts’ style, marked by smooth, flowing lines and an unmistakable Southern charm, helped define the band’s music for decades.

    Warren Haynes: The Workhorse

    Joining the band in the late ’80s, Warren Haynes became known for his work ethic and versatility. His robust playing and deep, soulful voice added a new layer to the band’s performances. Haynes, who also juggled duties with Gov’t Mule, brought songs like “Soulshine” into the Allman Brothers’ setlists, ensuring the band’s sound continued to evolve.

    Derek Trucks: The Prodigy

    Nephew of the band’s drummer Butch Trucks, Derek Trucks joined the Allman Brothers Band when he was just 20 years old. His slide guitar playing is often compared to that of Duane Allman, filled with emotional depth and technical prowess. Derek’s contributions helped rejuvenate the band in the late ’90s and early 2000s, and his solos in songs like “Midnight Rider” have left fans in awe.

    Jack Pearson and Jimmy Herring: The Unsung Heroes

    While not as widely recognized, Jack Pearson and Jimmy Herring also played crucial roles during their tenures with the band. Pearson’s tenure in the mid-’90s was marked by a gentle touch and versatility, while Herring, although briefly part of the band, showcased remarkable technical skill that kept the band’s music complex and engaging.

    The Allman Brothers Band’s guitarists have always been more than just musicians; they were storytellers whose strings spoke the language of the South. Each brought their own flavor to the band, creating a rich tapestry of sounds that continue to influence musicians and delight fans. Whether through live performances or classic recordings, the legacy of these guitarists endures, a testament to their profound impact on music and Southern rock.

  • The Allman Brothers Band – The Same Thing

    The Allman Brothers Band – The Same Thing

    The Allman Brothers Band

    They have been one of the most influential rock groups in the United States since the mid-1970s. The band was formed in 1969 with Duane Allman, Gregg Allman, Forrest Richard (“Dickey”) Betts, Berry Oakley, Claude Hudson (“Butch”) Trucks, and Jaimoe (Johnny Lee Johnson) Johnson.
    Initially, it was a garage line-up called The Escorts. They play similarly to The Beatles and The Rolling Stones. Then the band changed its name to the Allman Joys and started playing British blues. Later became something like The Hour Glass with a more soulful sound.

    Liberty Records

    The band signed with Liberty Records, but the label missed their chance and the band broke the deal after Liberty refused to release their third album. The debut album “The Allman Brothers Band”, which the band had already released under its current name, was released in 1969. The release was received very enthusiastically by both the audience and the critics – the blues-rock sound knocked everyone to their knees.

    The Allman Brothers Band returned in 1970 with the album “Idlewild South”, which was produced by Tom Dowd. The album, which this time had a milder sound, turned out to be another bull’s eye. This made crowds come to the concerts for the next 30 years, and the group became famous all over the world. The band perfectly combined elements of jazz and classical music with typical rock.

    The band’s third album, “At Fillmore East”, was released two years later. It confirmed the group members’ status as heroes for millions of teenagers. In the same year, the release gained gold status. In late October, Duane Allman was killed in a motorcycle accident. The band recorded the rest of the next album “Eat a Peach” with Dickey Betts. After its release, bassist Lamar Williams joined the band. With the new line-up, the band released another long-playing album entitled “Brothers and Sisters”. The disc was released in 1973 and began a new period in the group’s work.

    The Allman Brothers Band – The Same Thing
    The Allman Brothers Band – The Same Thing


    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • The Allman Brothers Band – Whipping Post

    The Allman Brothers Band – Whipping Post

    “Whipping Post”: The Legacy of a Classic by The Allman Brothers Band

    The song “Whipping Post” is a standout composition by The Allman Brothers Band, one of the pioneers of Southern Rock. The track, released on the band’s debut self-titled album in 1969, is revered for its potent lyrics, intricate guitar work, and a striking improvisational approach that elevated The Allman Brothers Band’s status in the rock ‘n’ roll pantheon.

    Song Creation

    “Whipping Post” was penned by Gregg Allman, the band’s lead vocalist and keyboardist, in late 1968. According to Allman, the inspiration for the song came late one night when he was feeling dejected about a failed relationship. He had nothing but an old ironing board and a burnt light bulb in his apartment at the time. On the ironing board, he found an old high school notebook, picked it up, and started writing.

    The “Whipping Post,” as per Allman, symbolized a place where one is bound and metaphorically whipped by the trials of love and life. The lyrics – filled with imagery of torture, pain, and subjugation – encapsulate a bitter heartbreak, a universal theme that resonated with many listeners.

    The song, composed in an unusual 11/4 time signature, was first deemed too complex. However, with drummer Jai Johanny Johanson’s contribution, it took a distinct shape, and soon, the rest of the band – Duane Allman, Dickey Betts, Berry Oakley, and Butch Trucks – added their respective touches to the song, cementing its place in rock history.

    The Allman Brothers Band – Guitarists and Their Contributions

    The song’s guitar work, primarily attributed to Duane Allman and Dickey Betts, stands out as a mesmerizing blend of rock and blues. Duane Allman, a slide guitar virtuoso and one of the founding members, played a key role in defining the song’s guitar sections.

    Allman’s playing on “Whipping Post” is still widely acclaimed for its emotional depth and technical proficiency. His slide guitar parts, particularly in live versions of the song, have been hailed as some of the most inspiring performances in rock history. Tragically, Allman’s life was cut short in a motorcycle accident in 1971.

    Dickey Betts, another original member, stepped up as the band’s primary lead guitarist after Duane’s untimely death. Betts’ playing on “Whipping Post” showcased his adeptness at creating melodic solos with a distinct, biting tone. His contributions, along with Allman’s groundwork, are vital to the song’s classic status.

    After the death of Duane Allman, the band faced several lineup changes, with different guitarists stepping into the pivotal role. Notably, Warren Haynes joined the band in 1989, adding his unique touch to “Whipping Post.” A versatile guitarist with a deep understanding of the blues, Haynes’ playing on the song echoed the song’s emotive core while introducing a new tonality to the mix.

    Derek Trucks, nephew of original drummer Butch Trucks, also joined The Allman Brothers Band in the late 90s. Trucks, known for his slide guitar playing, breathed new life into “Whipping Post,” delivering performances that paid homage to Duane Allman while showcasing his unique style.

    Conclusion

    The legacy of “Whipping Post” transcends time, standing as an iconic testament to The Allman Brothers Band’s prowess and creativity. The song’s journey, from its creation to the various renditions by talented guitarists, paints a vivid picture of a band that constantly evolved while staying true to its roots. “

    Whipping Post” is a classic that remains impactful, a testament to love, heartbreak, and the enduring power of rock ‘n’ roll.

    The Allman Brothers Band – Whipping Post
    The Allman Brothers Band – Whipping Post
  • Eric Clapton with ABB – Why Has Love Got To Be So Sad

    Eric Clapton with ABB – Why Has Love Got To Be So Sad

    Eric Clapton

    At the age of 13, Eric Clapton became interested in music. His favorite artists were Chuck Berry and Buddy Holly. Already as a student of the school of fine arts, Clapton began to play the guitar imitating his then blues idols: B. B. King, Big Bill Broonzy, and Muddy Waters. In 1963, he began working with the rhythm and blues group The Roosters. The next formation is Casey Jones And The Engineers. In the same year, Clapton started to play with The Yardbirds. After 18 months, he abandoned The Yardbirds and began working with Bluesbreakers.

    In 1966, Clapton, along with Jack Bruce and Ginger Baker, founded a supergroup – the legendary band Cream. During three years of existence, they recorded some great albums, including “Fresh Cream,” “Disraeli Gears,” “Wheels Of Fire,” or “Goodbye” and concert records. After the closure of Cream in 1969, Clapton played Blind Faith for a year and then joined Delaney And Bonnie And Friends, with whom he recorded the album “Delaney And Bonnie And Friends.”

    Eric Clapton solo career in the seventies

    In 1970, Clapton decided to start a solo career and released the album “Eric Clapton.” Unfortunately, the record did not find recognition in the eyes of fans, and therefore a new formation was created – Derek And The Dominos. With this band, he recorded one of Clapton’s most famous songs – the composition “Layla.”

    In August 1974, the album “461 Ocean Boulevard” was released on the market, which included, among others, Clapton’s great hit single promoting the album – “I Shot the Sheriff” – a cover of Bob Marley’s song. The next records are a real success story – “There’s One in Every Crowd” (1975), “E.C. Was Here” (1975), “No Reason to Cry” (1976).

    In 1977, Clapton released one of his best albums – “Slowhand.” The songs include “Cocaine,” “Lay Down Sally” and “Wonderful Tonight.” The 1980s belonged to Clapton, each of his albums brought another great hit that conquered the listings. Despite this “commercial course,” the artist was still able to please fans of his earlier, more ambitious incarnation, proposing excellent releases such as “August” (1987) or “Journeyman” (1989).

    Unplugged

    In 1991, a series of professional successes was interrupted by the tragic death of his son. Under the influence of this sad event, he wrote the song “Tears In Heaven.” Clapton recorded it during the performance for MTV, entitled “Unplugged.”

    In 2000, the musician paid tribute to his idol B.B. King. Both great artists decided to play songs that they once recorded on their own. The result of their cooperation was the album “B.B. King And Eric Clapton – Riding With The King.” A year later, the album “Reptile” was released. In 2002, the concert records “One More Car, One More Rider” hit the market, consisting of two C.D.s and a DVD. There were both newer Clapton songs like “My Father’s Eyes,” and “Tears In Heaven” as well as great hits – “Cocaine,” “Layla.”

    The Allman Brothers Band

    The Allman Brothers Band has been one of the most influential rock groups in the United States since the mid-1970s. The band was formed in 1969 with Duane Allman, Gregg Allman, Forrest Richard (“Dickey”) Betts, Berry Oakley, Claude Hudson (“Butch”) Trucks, and Jaimoe (Johnny Lee Johnson) Johnson.
    Initially, it was a garage line-up called The Escorts. They playing similarly to The Beatles and The Rolling Stones. Then the band changed its name to the Allman Joys and started playing British blues. Later became something like The Hour Glass with a more soulful sound.

    Liberty Records

    The band signed with Liberty Records, but the label missed their chance and the band broke the deal after Liberty refused to release their third album. The debut album “The Allman Brothers Band”, which the band had already released under its current name, was released in 1969. The release was received very enthusiastically by both the audience and the critics – the blues-rock sound knocked everyone to their knees.

    The Allman Brothers Band returned in 1970 with the album “Idlewild South”, which was produced by Tom Dowd. The album, which this time had a milder sound, turned out to be another bull’s eye. This made crowds come to the concerts for the next 30 years, and the group became famous all over the world. The band perfectly combined elements of jazz and classical music with typical rock.

    The band’s third album, “At Fillmore East”, was released two years later. It confirmed the group members’ status as heroes for millions of teenagers. In the same year, the release gained the gold status. In late October, Duane Allman was killed in a motorcycle accident. The band recorded the rest of the next album “Eat a Peach” with Dickey Betts. After its release, bassist Lamar Williams joined the band. With the new line-up, the band released another long-playing album entitled “Brothers and Sisters”. The disc was released in 1973 and began a new period in the group’s work.

    “Why Has Love Got To Be So Sad” is a beautiful song and worth learning. Even if you’re not an advanced guitarist, Marty Schwartz clearly shows you in this video the easiest way to master this song.

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Allman Brothers Band – One Way Out

    Allman Brothers Band – One Way Out

    The Reverberating Strings of the Allman Brothers Band: Guitarists that Shaped a Legacy

    The Allman Brothers Band, often hailed as pioneers of Southern Rock, owed much of their musical distinction to the extraordinary guitarists who graced their ranks. These guitarists weren’t just technically proficient; they were sonic storytellers. Their styles, both individually and collectively, molded the heart and soul of the band’s sound.

    Duane Allman: As one of the founding members, Duane Allman was the soul of the band till his untimely death in 1971. With a slide guitar style, Duane’s playing was raw, emotional, and incredibly melodic. It was him who provided the soaring, resonating notes on tracks like “Whipping Post” and the iconic intro of “Statesboro Blues.” His session work with artists like Aretha Franklin and his legendary contribution to Derek and the Dominos’ “Layla” is evidence of his immense talent.

    Dickey Betts: Betts, another founding member, brought a contrasting yet complementary style. His country-tinged, melodic approach can be heard on tracks like “Ramblin’ Man” and “Jessica.” Betts was adept at crafting beautiful harmonies, which became an Allman Brothers signature. After Duane’s passing, Dickey took up the mantle of leading the guitar department and steered the band’s musical direction for many years.

    Warren Haynes: Joining the band in the late ’80s, Warren brought with him a bluesy intensity, infusing new life into the band’s sound. His soulful voice, coupled with his guitar prowess, gave the Allman Brothers Band a renewed vigor during their later years. Songs like “Soulshine” truly showcase Haynes’ guitar mastery and emotive delivery.

    Derek Trucks: Nephew of drummer Butch Trucks, Derek was seemingly born with slide guitar skills reminiscent of Duane Allman. Joining in the late ’90s, Derek’s approach was a fusion of blues, Indian classical, and Southern rock. His intricate and unique style is evident in live renditions of tracks like “Midnight Rider.”

    Throughout the years, these guitarists, along with a few others who had brief stints with the band, crafted a sound that was unmistakably Allman. Their dual guitar harmonies, scorching solos, and intuitive onstage interactions set them apart from their contemporaries.

    In conclusion, while the Allman Brothers Band had a rich tapestry of members contributing to their sound, it was the guitarists who provided the defining edge. Each brought his unique flavor, yet together, they wove a legacy of tunes that resonate across generations, ensuring the Allman Brothers Band’s rightful place in the annals of rock history.

  • Eric Clapton with ABB – Why Has Love Got To Be So Sad

    Eric Clapton with ABB – Why Has Love Got To Be So Sad

    Eric Clapton

    At the age of 13, Eric Clapton became interested in music. His favorite artists were Chuck Berry and Buddy Holly. Already as a student of the school of fine arts, Clapton began to play the guitar imitating his then blues idols: B. B. King, Big Bill Broonzy, and Muddy Waters. In 1963, he began working with the rhythm and blues group The Roosters. The next formation is Casey Jones And The Engineers. In the same year, Clapton started to play with The Yardbirds. After 18 months, he abandoned The Yardbirds and began working with Bluesbreakers.

    In 1966, Clapton, along with Jack Bruce and Ginger Baker, founded a supergroup – the legendary band Cream. During three years of existence, they recorded some great albums, including “Fresh Cream,” “Disraeli Gears,” “Wheels Of Fire,” or “Goodbye” and concert records. After the closure of Cream in 1969, Clapton played Blind Faith for a year and then joined Delaney And Bonnie And Friends, with whom he recorded the album “Delaney And Bonnie And Friends.”

    Eric Clapton solo career in the seventies

    In 1970, Clapton decided to start a solo career and released the album “Eric Clapton.” Unfortunately, the record did not find recognition in the eyes of fans, and therefore a new formation was created – Derek And The Dominos. With this band, he recorded one of Clapton’s most famous songs – the composition “Layla.”

    In August 1974, the album “461 Ocean Boulevard” was released on the market, which included, among others, Clapton’s great hit single promoting the album – “I Shot the Sheriff” – a cover of Bob Marley’s song. The next records are a real success story – “There’s One in Every Crowd” (1975), “E.C. Was Here” (1975), “No Reason to Cry” (1976).

    In 1977, Clapton released one of his best albums – “Slowhand.” The songs include “Cocaine,” “Lay Down Sally” and “Wonderful Tonight.” The 1980s belonged to Clapton, each of his albums brought another great hit that conquered the listings. Despite this “commercial course,” the artist was still able to please fans of his earlier, more ambitious incarnation, proposing excellent releases such as “August” (1987) or “Journeyman” (1989).

    Unplugged

    In 1991, a series of professional successes was interrupted by the tragic death of his son. Under the influence of this sad event, he wrote the song “Tears In Heaven.” Clapton recorded it during the performance for MTV, entitled “Unplugged.”

    In 2000, the musician paid tribute to his idol B.B. King. Both great artists decided to play songs that they once recorded on their own. The result of their cooperation was the album “B.B. King And Eric Clapton – Riding With The King.” A year later, the album “Reptile” was released. In 2002, the concert records “One More Car, One More Rider” hit the market, consisting of two C.D.s and a DVD. There were both newer Clapton songs like “My Father’s Eyes,” and “Tears In Heaven” as well as great hits – “Cocaine,” “Layla.”

    The Allman Brothers Band

    The Allman Brothers Band has been one of the most influential rock groups in the United States since the mid-1970s. The band was formed in 1969 with Duane Allman, Gregg Allman, Forrest Richard (“Dickey”) Betts, Berry Oakley, Claude Hudson (“Butch”) Trucks, and Jaimoe (Johnny Lee Johnson) Johnson.
    Initially, it was a garage line-up called The Escorts. They playing similarly to The Beatles and The Rolling Stones. Then the band changed its name to the Allman Joys and started playing British blues. Later became something like The Hour Glass with a more soulful sound.

    Liberty Records

    The band signed with Liberty Records, but the label missed their chance and the band broke the deal after Liberty refused to release their third album. The debut album “The Allman Brothers Band”, which the band had already released under its current name, was released in 1969. The release was received very enthusiastically by both the audience and the critics – the blues-rock sound knocked everyone to their knees.

    The Allman Brothers Band returned in 1970 with the album “Idlewild South”, which was produced by Tom Dowd. The album, which this time had a milder sound, turned out to be another bull’s eye. This made crowds come to the concerts for the next 30 years, and the group became famous all over the world. The band perfectly combined elements of jazz and classical music with typical rock.

    The band’s third album, “At Fillmore East”, was released two years later. It confirmed the group members’ status as heroes for millions of teenagers. In the same year, the release gained the gold status. In late October, Duane Allman was killed in a motorcycle accident. The band recorded the rest of the next album “Eat a Peach” with Dickey Betts. After its release, bassist Lamar Williams joined the band. With the new line-up, the band released another long-playing album entitled “Brothers and Sisters”. The disc was released in 1973 and began a new period in the group’s work.

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