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Tag: Tony Joe White

  • Tony Joe White – Raincrow

    Tony Joe White – Raincrow

    Tony Joe White – Rich Woman Blues from the Album The Heroines

    (born July 23, 1943, Oak Grove, Louisiana, United States) is an American singer-songwriter and guitar player, best known for his 1969 hit “Polk Salad Annie” and for “Rainy Night in Georgia”, which he composed, however, was very first made popular by Brook Benton in 1970. He likewise composed “Steamy Windows” and “Undercover Agent For The Blues” both successful for Tina Turner in 1989; those 2 tunes came by way of Tina’s producer at the time, Mark Knopfler, who’s a good friend of Tony. “Polk Salad Annie” was likewise recorded by Elvis Presley and Tom Jones. (via: Wikipedia)

    Covered by the likes of Ray Charles, Elvis, and Tina Turner, Tony has done it all. Growing up in Louisiana, White observed the sights, sounds, and details of his surroundings and turned them into songs that revolutionized and popularized Swamp Rock music. With multiple albums breaking the Top 10 on Billboard’s Top Blues Albums chart, he still believes that music is not about getting the next No. 1 hit, but about writing from your soul. (via: grammymuseum.org)

    Tony Joe White died of a heart attack on October 24, 2018, at the age of 75.

    Albums

    1969: Black and White (Monument Records #18114)
    1969: …Continued (Monument Records #18133)
    1970: Tony Joe (Monument Records #18142)
    1971: The Best Of Tony Joe White (Monument Records #10000) – compilation
    1971: Tony Joe White (Warner Bros. Records #1900)
    1972: The Train I’m On (Warner Bros. Records #2580)
    1973: Homemade Ice Cream (Warner Bros. Records #2708)
    1973: Catch My Soul – original soundtrack (Metromedia Records/RCA #BML1-0176)
    1975: The Best Of Tony Joe White (Warner Bros. [UK] Records #56149) – compilation of the three Warner Bros. albums.
    1976: Eyes (20th Century Records #T-523)
    1980: The Real Thang (Casablanca Records #NB-7233)
    1983: Dangerous (Columbia Records #FC-38817)
    1986: Tony Joe White Live! (Dixiefrog [France] Records #DFG-8407) – a live recording from 1971.
    1991: Closer to the Truth (Remark Records/Polydor #511 386–2; also on Swamp Records #723-2)
    1993: The Path Of A Decent Groove (Remark Records/Polydor #519 938–2)
    1993: The Best Of Tony Joe White Featuring Polk Salad Annie (Warner Bros. Records #45305) – CD compilation
    1995: Lake Placid Blues (Remark Records/Polydor #527 530–2)
    1997: Collection (RDM Festival [Australia] Records #D-31737) – compilation
    1998: Live In Europe 1971 (Wise Buy Records #WB-885972; also on Delta Music #MCPS-23114)
    1998: Groupie Girl (Movieplay/Intermusic #MPG 74023)
    1999: One Hot July (Remark Records/Polydor #558 894–2; reissued on Hip-O Records/Mercury #562 720–2)
    2000: Greatest Hits And More (Polydor [Netherlands] Records #541 396–2) – 2CD compilation
    2000: Tony Joe White In Concert (Brilliant [UK] Records #BT-33053)
    2001: The Beginning (Swamp Records #82268 55520 21; reissued on Audium Records/Koch #8139)
    2002: Snakey (Swamp Records #75887 70724 21; also on Munich [Netherlands] Records #MRCD-241)
    2003: Dangerous Eyes (Raven [Australia] Records #RVCD-159)
    2004: The Heroines (Sanctuary Records #06076 86366 20)
    2006: Live From Austin TX (New West Records #NW-6092) – a live recording from 1980.
    2006: Uncovered (Swamp Records #75887 70724 38; also on Munich [Netherlands] Records #MRCD-279)
    2006: Swamp Music: The Complete Monument Recordings (Rhino Handmade Records #RHM2 7731)
    2008: Live At The Basement (ZYX/Pepper Records #PEC-20392) – a live recording from 2002.
    2008: Deep Cuts (Swamp Records #75887 70834 34; also on Munich [Netherlands] Records #MRCD-295)
    2010: The Shine (Swamp Records #82268 57220 28; also on Munich [Netherlands] Records #MRCD-323)
    2010: That On The Road Look ‘Live’ (Rhino Handmade Records #RHM2 542696) – reissue of the Dixiefrog release.
    2010: Live In Amsterdam (Munich [Netherlands] Records #MRCD-325) – CD + DVD combo
    2011: Tony Joe White Collection (Cargo [Germany] Records #87121 770583 10) – 3CD compilation
    2012: Collected (Universal [Poland] Music #6007 533767 06) – 3CD compilation
    2013: Hoodoo (Yep Roc Records #2348)
    2015: The Complete Warner Bros. Recordings (Real Gone Music #8480 640032 98) – 2CD compilation
    2015: Swamp Fox: The Definitive Collection 1968-1973 (Union Square [UK] Records #6984 588225 29)
    2016: Rain Crow (Yep Roc Records #2450)
    2018: Bad Mouthin’ (Yep Roc Records #2593)
    2021: Smoke from the Chimney (Easy Eye Sound)
    blues music t-shirts

  • Tony Joe White – Raincrow

    Tony Joe White – Raincrow

    Tony Joe White and the Blues: How the Swamp Fox Created His Own Sound

    Introduction: The Blues Roots of Tony Joe White
    Tony Joe White may be best known for his 1969 hit “Polk Salad Annie,” but his music was much more than a one-hit wonder. Known as the “Swamp Fox,” White created a sound that was steeped in Southern tradition and deeply rooted in the blues. His unique blend of swamp rock, country, and soul earned him a special place in American music history.

    In this article, we explore Tony Joe White’s blues style and how it connected him to the great bluesmen of the Mississippi Delta while also setting him apart with a sound that was entirely his own.


    Swamp Rock and the Blues: A Natural Fusion
    Born in Oak Grove, Louisiana, in 1943, Tony Joe White grew up surrounded by the sounds of the South—gospel, country, and most notably, the blues. Influences like Lightnin’ Hopkins, John Lee Hooker, and Muddy Waters shaped his musical sensibilities.

    White’s music came to be known as swamp rock—a gritty, rhythmic fusion of blues, rock, and Southern storytelling. But underneath the swampy grooves and funky rhythms lay the bones of the blues. His guitar riffs often followed the minor pentatonic scale, and his lyrical themes—hard times, heartbreak, survival—were classic blues narratives.


    “Polk Salad Annie”: Blues Storytelling at Its Best
    The song that put Tony Joe White on the map, “Polk Salad Annie,” is a prime example of how his blues roots shaped his storytelling. The song tells the tale of a tough Southern woman surviving on polk salad—a wild green common in the rural South. With its heavy, chugging rhythm and raw vocal delivery, it captured both the grit and humor of blues music.

    Elvis Presley would later cover the song, bringing it to even wider audiences, but the original remains a quintessential example of Tony Joe White’s blues style—authentic, funky, and full of Southern soul.


    Guitar Tone and Groove: Swampy, Minimal, and Deeply Bluesy
    Tony Joe White’s guitar playing was never flashy. Instead, it simmered. Using tools like the wah-wah pedal, minimalist lead licks, and a loose, grooving rhythm, he echoed the hypnotic simplicity of blues greats like R.L. Burnside.

    White’s tone was all about feel. Whether he was playing electric or acoustic, his guitar became an extension of the storytelling—gritty, moody, and soulful. His vocal delivery—deep, gravelly, and conversational—only enhanced that connection to the blues.


    The Legacy of Tony Joe White’s Blues Style
    White’s influence reached far beyond the swamps of Louisiana. His songs were recorded by major artists including Tina Turner, Elvis Presley, and Brook Benton, whose version of “Rainy Night in Georgia” became a massive hit. His ability to write blues-influenced songs with mass appeal was a rare gift.

    Even modern blues and Americana musicians cite Tony Joe White as a key influence. His blend of authenticity and style, along with his swampy, blues-rooted sound, continues to resonate today.


    Conclusion: More Than Just Swamp Rock
    Tony Joe White didn’t just create a musical niche—he embodied it. His music was a reflection of the land he came from and the bluesmen who came before him. He carried the blues tradition forward in his own way, merging it with Southern rock and soul to create something new, but always familiar.

    If you’re exploring the evolution of blues music, Tony Joe White’s blues style is an essential stop along the way. Swampy, soulful, and steeped in storytelling, his legacy is a reminder that the blues has many voices—and his was one of the most distinctive.