Tag: Ten Years After

Alvin Lee

Alvin Lee began playing guitar at the age of 13. In 1960, Lee along with Leo Lyons formed the core of the band Ten Years After. Influenced by his parent’s collection of jazz and blues records, it was the advent of rock and roll that sparked his interest.

Lee’s efficiency at the Woodstock Festival was photographed in the docudrama of the event. His ‘lightning-fast’ having fun aided catapult him to fame. Soon the band was playing industries and stadiums around the world. The movie brought Lee’s songs to a global target market. Although he later lamented that he missed the lost liberty as well as the spiritual devotion to his earlier public.

Lee was named “the Fastest guitarist in the West”. Also thought about a precursor to shred-style having fun that would certainly create in the 1980s.
Ten Years After had success, launching ten cds together, yet by 1973, Lee was feeling restricted by the band’s design.

Moving to Columbia Records had led to a radio struck track, “I ‘d Love To Change the World”. However, Lee favored blues-rock to the pop to which the label guided them. He left the group after their second Columbia LP. With American Christian rock leader Mylon LeFevre, along with visitors George Harrison, Steve Winwood, Ronnie Wood as well as Mick Fleetwood, he tape-recorded and launched On the Road to Freedom, a well-known album that went to the forefront of country-rock. Additionally, in 1973 he attended the Jerry Lee Lewis dual album The Session … Recorded in London with Great Artists videotaped in London showcasing several other guest stars consisting of Albert Lee, Peter Frampton, and Rory Gallagher.

Alvin & Company

A year later on, in reaction to an attempt, Lee developed Alvin Lee & Company to play a program at the Rainbow in London and even released it as a double live cd, In Flight. Various participants of the band continued with Lee for his next two CDs, Pump Iron! and even Let It Rock. In late 1975, he played guitar for a number of tracks on Bo Diddley’s The 20th Anniversary of Rock ‘n’ Roll all-star album.

He finished out the 1970s with an album called “Ten Years Later”, with Tom Compton on drums and also Mick Hawksworth on bass, which released two CDs, Rocket Fuel (1978) and Ride On (1979), and also toured extensively throughout Europe as well as the United States.

The 1980s brought another adjustment in Lee’s instructions, with 2 CDs that were cooperations with Rare Bird’s Steve Gould, and even an excursion with the former John Mayall and even Rolling Stones’ guitarist Mick Taylor joining his band.

[yellowbox]Top Albums by Alvin Lee >> Click here[/yellowbox]

Lee’s total musical outcome includes greater than twenty CDs, including 1987’s Detroit Diesel, 1989’s About Time (Ten Years After album), videotaped in Memphis with manufacturer Terry Manning, and the back to back 1990s collections of Zoom and Nineteen Ninety-Four (US title I Hear You Rockin’ ). Visitor artists on both CDs included George Harrison.

In Tennessee, tape-recorded with Scotty Moore as well as D. J. Fontana, was released in 2004. Lee’s last album, Still on the Road to Freedom, was released in September 2012.

Also worth attention is the version of this song recorded in 1975 during a live performance at Winterland.

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

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Ten Years After and the Psychedelic Blues-Rock of Alvin Lee

In the annals of rock history, the late 1960s and early 1970s were marked by a burst of musical creativity, where genres intertwined and gave birth to new sounds. At the forefront of this movement was the British band, Ten Years After, with its enigmatic frontman, Alvin Lee. From the mid-60s until Lee’s departure in the mid-70s, the group left an indelible mark on the psychedelic blues-rock genre.

Formed in 1966, Ten Years After consisted of Alvin Lee (guitar, vocals), Leo Lyons (bass), Ric Lee (drums), and Chick Churchill (keyboards). While they started with a traditional blues approach, the band quickly began incorporating elements from other genres, particularly rock and psychedelia. This fusion made them one of the era’s most exciting live acts.

The epicenter of their fame came at the Woodstock Festival in 1969. Their incendiary performance, especially Lee’s electrifying rendition of “I’m Going Home,” showcased the band’s ability to blend fast-paced rock with intricate blues melodies, earning them a larger international following. Lee’s rapid-fire guitar work was nothing short of mesmerizing, and he soon became known as the “Fastest guitarist in the West”.

Their psychedelic influence was most evident in songs like “Love Like a Man” and “I’d Love to Change the World.” These tracks exemplified the band’s signature style: haunting melodies, swirling keyboards, and Lee’s biting guitar riffs. The lyrics often touched on social issues of the time, capturing the spirit of a generation that was both rebellious and introspective.

But it wasn’t just about the fast-paced guitar solos. Ten Years After’s brand of blues-rock bore the essence of psychedelic music in its expansiveness. The band was not afraid to experiment with different sounds, weaving a tapestry of sonic explorations that were both innovative and rooted in tradition. Their albums, such as “Ssssh” and “Cricklewood Green,” captured this blend beautifully, oscillating between bluesy ballads and hard-rocking anthems.

Alvin Lee’s departure from Ten Years After in the mid-70s marked the end of the band’s most influential period. However, their impact on the psychedelic blues-rock genre remains undeniable. They not only bridged the gap between traditional blues and the burgeoning rock movement but also paved the way for countless bands that followed. Ten Years After, with Alvin Lee at the helm, epitomized a musical era where boundaries were pushed, genres blended, and music became an expression of both personal and societal reflection.

We appreciate your time and dedication in reading our article to its conclusion. For more of the finest blues music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Alvin Lee

Alvin Lee began playing guitar at the age of 13. In 1960, Lee along with Leo Lyons formed the core of the band Ten Years After. Influenced by his parent’s collection of jazz and blues records, it was the advent of rock and roll that sparked his interest.

Lee’s efficiency at the Woodstock Festival was photographed in the docudrama of the event. His ‘lightning-fast’ having fun aided catapult him to fame. Soon the band was playing industries and stadiums around the world. The movie brought Lee’s songs to a global target market. Although he later lamented that he missed the lost liberty as well as the spiritual devotion to his earlier public.

Lee was named “the Fastest guitarist in the West”. Also thought about a precursor to shred-style having fun that would certainly create in the 1980s.
Ten Years After had success, launching ten cds together, yet by 1973, Lee was feeling restricted by the band’s design.

Moving to Columbia Records had led to a radio struck track, “I ‘d Love To Change the World”. However, Lee favored blues-rock to the pop to which the label guided them. He left the group after their second Columbia LP. With American Christian rock leader Mylon LeFevre, along with visitors George Harrison, Steve Winwood, Ronnie Wood as well as Mick Fleetwood, he tape-recorded and launched On the Road to Freedom, a well-known album that went to the forefront of country-rock. Additionally, in 1973 he attended the Jerry Lee Lewis dual album The Session … Recorded in London with Great Artists videotaped in London showcasing several other guest stars consisting of Albert Lee, Peter Frampton, and Rory Gallagher.

Alvin & Company

A year later on, in reaction to an attempt, Lee developed Alvin Lee & Company to play a program at the Rainbow in London and even released it as a double live cd, In Flight. Various participants of the band continued with Lee for his next two CDs, Pump Iron! and even Let It Rock. In late 1975, he played guitar for a number of tracks on Bo Diddley’s The 20th Anniversary of Rock ‘n’ Roll all-star album.

He finished out the 1970s with an album called “Ten Years Later”, with Tom Compton on drums and also Mick Hawksworth on bass, which released two CDs, Rocket Fuel (1978) and Ride On (1979), and also toured extensively throughout Europe as well as the United States.

The 1980s brought another adjustment in Lee’s instructions, with 2 CDs that were cooperations with Rare Bird’s Steve Gould, and even an excursion with the former John Mayall and even Rolling Stones’ guitarist Mick Taylor joining his band.

[yellowbox]Top Albums by Alvin Lee >> Click here[/yellowbox]

Lee’s total musical outcome includes greater than twenty CDs, including 1987’s Detroit Diesel, 1989’s About Time (Ten Years After album), videotaped in Memphis with manufacturer Terry Manning, and the back to back 1990s collections of Zoom and Nineteen Ninety-Four (US title I Hear You Rockin’ ). Visitor artists on both CDs included George Harrison.

In Tennessee, tape-recorded with Scotty Moore as well as D. J. Fontana, was released in 2004. Lee’s last album, Still on the Road to Freedom, was released in September 2012.

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Ten Years After and the Psychedelic Blues-Rock of Alvin Lee

In the annals of rock history, the late 1960s and early 1970s were marked by a burst of musical creativity, where genres intertwined and gave birth to new sounds. At the forefront of this movement was the British band, Ten Years After, with its enigmatic frontman, Alvin Lee. From the mid-60s until Lee’s departure in the mid-70s, the group left an indelible mark on the psychedelic blues-rock genre.

Formed in 1966, Ten Years After consisted of Alvin Lee (guitar, vocals), Leo Lyons (bass), Ric Lee (drums), and Chick Churchill (keyboards). While they started with a traditional blues approach, the band quickly began incorporating elements from other genres, particularly rock and psychedelia. This fusion made them one of the era’s most exciting live acts.

The epicenter of their fame came at the Woodstock Festival in 1969. Their incendiary performance, especially Lee’s electrifying rendition of “I’m Going Home,” showcased the band’s ability to blend fast-paced rock with intricate blues melodies, earning them a larger international following. Lee’s rapid-fire guitar work was nothing short of mesmerizing, and he soon became known as the “Fastest guitarist in the West”.

Their psychedelic influence was most evident in songs like “Love Like a Man” and “I’d Love to Change the World.” These tracks exemplified the band’s signature style: haunting melodies, swirling keyboards, and Lee’s biting guitar riffs. The lyrics often touched on social issues of the time, capturing the spirit of a generation that was both rebellious and introspective.

But it wasn’t just about the fast-paced guitar solos. Ten Years After’s brand of blues-rock bore the essence of psychedelic music in its expansiveness. The band was not afraid to experiment with different sounds, weaving a tapestry of sonic explorations that were both innovative and rooted in tradition. Their albums, such as “Ssssh” and “Cricklewood Green,” captured this blend beautifully, oscillating between bluesy ballads and hard-rocking anthems.

Alvin Lee’s departure from Ten Years After in the mid-70s marked the end of the band’s most influential period. However, their impact on the psychedelic blues-rock genre remains undeniable. They not only bridged the gap between traditional blues and the burgeoning rock movement but also paved the way for countless bands that followed. Ten Years After, with Alvin Lee at the helm, epitomized a musical era where boundaries were pushed, genres blended, and music became an expression of both personal and societal reflection.

We appreciate your time and dedication in reading our article to its conclusion. For more of the finest blues music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Ten Years After

The Ten Years After the band was formed in 1967. It includes Alvin Lee, Chick Churchill, Leo Lyons and Ric Lee.

The first album Ten Years After, released by Decca, was not a great success, but the second – concert “Undead” from 1968 – won the charts, including thanks to the song “I’m Going Home”. The Stonehenge publishing house also turned out to be a great work of the group. It was similar to “Ssssh” and “Cricklewood Green”. On the latter was the hit “Love Like a Man”. The album “Watt” became the last record recorded in cooperation with Decca, and the band moved to Columbia.

There, he changed the sound of his work to more pop, thanks to which in 1971 he created the album “A Space In Time” with the hit “I Want Love To Change The Word”. The record sold in a golden edition.

Rock rawness of Woodstock has become a trademark of Ten Years After. Meanwhile, it was not representative of the achievements of the British team. Lee could yet surprise restraint game and diversity of their own compositions. The famous hit “I’d Love To Change The World” was a semi-acoustic ballad in the style of The Moody Blues. In turn, the classic today, “Love Like A Man” drew strength from the sensational riff. One of those that characterized the only “top” songs Cream or Led Zeppelin. How many bands of that period, Ten Years After, passed the psychedelic phase of work. Album “Cricklewood Green” in 1970 alluded to certain hallucinogenic substances; each of the parties had to play at a different speed.

The band broke up in 1974 after the release of “Positive Vibrations”. However, 14 years later, its members decided to give themselves one more chance and performed at several concerts in Europe. Then they released the album “Abort Time”, and then they went away again.

In 2001, Ric Lee, searching for re-edition CDs, came across recordings from “Live at the Fillmore East 1970”. He asked Alvin for help in the promotion of the publishing house, but he refused. Fortunately, the rest of the team was more enthusiastic about this proposal and along with Joe Goochem again went on tour. Ten Years After also worked on new material, thanks to which in 2004 they released “Now”. A year later, we could also listen to the double album “Roadworks”.

Ten Years After

For many bands, the performance at the Woodstock Festival has become a ticket to a great career. This was the case with the band Ten Years After.

Of course, we are talking about the famous first Woodstock, which took place from August 15 to 18, 1969 at Max Yasgur’s farm in Bethel near New York. On Sunday, the last day of the festival, Ten Years After appeared on the stage.

The British showed the Americans their way of seeing blues, rock-blues, boogie and swinging. Guitarist Alvin Lee and his friends found a perfect match on the American market, they quickly became the attraction of club concerts, and later the star of large music festivals. Their records sold well, as did tickets to their performances, and Alvin Lee’s speed of guitar placed him in the super band.

However, a crisis ensued, as a result of which Alvin suspended operations of Ten Years After, establishing the Ten Years Later, the Alvin Lee Company and the Alvin Lee Band, respectively. His friends from the group made many attempts to negotiate with him and finally the musicians decided to continue operating under the name Ten Years After. However, there were changes in the line-up, the most important of which was Alvin’s final departure from the band in 2003 (the musician died a decade later). He was replaced by Joe Gooch, and in 2013 he was replaced by singing guitarist Marcus Bonfanti, winner of the British Blues Award. At the same time, Colin Hodgkinson, a musician who has collaborated with, among others, Chris Rea, The Eric Delaney Band, Back Door, Whitesnake and Jon Lord, became the band’s bassist.

However, the personal turmoil did not change the nature of the music performed by the band – it is still a passionate and energetic mix of blues and hard rock. The keyboards Chick Churchill and the drummer Ric Lee are constantly on guard of this quality. They are instrumentalists who have been part of Ten Years After from the very beginning – they played at the famous Woodstock festival in 1969, and also took part in the recording of all albums of the British group. So, Ten Years After still perform all their most famous hits – at the Saturday concert at the Alibi club there will certainly be the biggest ones, i.e. “I’m Going Home” or “I’d Love to Change the World” – adding a little bit to them now. more bluesy flavor and contemporary sound.

TEN YEARS AFTER
The band was founded in 1967 and operated until 1975. It was reactivated for a while in 1983, and has been operating continuously since 1988 until now

Studio albums: “Ten Years After” (1967), “Stonedhenge” (1969), “Ssssh” (1969), “Cricklewood Green” (1970), “Watt” (1970), “A Space in Time” (1971), “Rock & Roll Music to the World” (1972), “Positive Vibrations” (1974), “About Time” (1989), “Now” (2004), “Evolution” (2008) and seven concert albums

The Ten Years After the band was formed in 1967. It includes Alvin Lee, Chick Churchill, Leo Lyons and Ric Lee.

The first album Ten Years After, released by Decca, was not a great success, but the second – concert album “Undead” from 1968 – won the charts, thanks to the song “I’m Going Home”. The Stonehenge album also turned out to be a great work of the group. It was similar to “Ssssh” and “Cricklewood Green”. On the latter was the hit “Love Like a Man”. The album “Watt” became the last record recorded in cooperation with Decca, and the band moved to Columbia.

There, he changed the sound of his work to more pop, thanks to which in 1971 he created the album “A Space In Time” with the hit “I Want Love To Change The Word”. The record sold in a golden edition.

In 2001, Ric Lee, searching for re-edition CDs, came across recordings from “Live at the Fillmore East 1970”. He asked Alvin for help in the promotion of the publishing house, but he refused. Fortunately, the rest of the team was more enthusiastic about this proposal and along with Joe Goochem again went on tour. Band also worked on new material, thanks to which in 2004 they released “Now”. A year later, we could also listen to the double album “Roadworks”.

Thank You!

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.