Tag: Joanna Connor

Joanna Connor – The Queen of Slide Who Set the Blues on Fire

If you’ve ever thought the blues was a boys’ club, let me introduce you to Joanna Connor.

The first time I saw her tear into a slide solo, I was frozen in place. I wasn’t just watching a woman play the blues—I was witnessing a force of nature.
Joanna Connor didn’t ask for a seat at the table. She walked in, plugged in, and burned it down.

And once you’ve heard her, you don’t forget her.

---

Who Is Joanna Connor?

Born in Brooklyn, New York, raised in Massachusetts, and reborn in Chicago, Joanna Connor found her spiritual home in the blues clubs of the Windy City.

She came up in a scene dominated by men—and didn’t just survive, she thrived. She played with James Cotton, Junior Wells, Buddy Guy, Luther Allison, and earned their respect the old-fashioned way: by throwing down every night and leaving it all on stage.

For decades she’s been a secret weapon, playing guitar with passion, power, and unbelievable precision.
And in recent years, the world finally started catching up with what Chicago blues fans have known for ages: Joanna Connor is a guitar monster with soul for days.

---

The Sound: Slide Guitar, Soul Power, and Pure Emotion

Joanna’s signature sound hits you right in the chest:

• 🎸 Slide guitar that screams, sings, and weeps—always fiery, never fake.
• 🎤 Vocals that are raw, commanding, and full of lived-in truth.
• 🎶 A style that blends Chicago blues, funk, soul, and rock into one explosive package.

She doesn’t just play guitar—she attacks it, bends it, squeezes every ounce of feeling out of it.
And when she hits a big solo, you can almost hear the ghosts of Muddy Waters and Elmore James nodding in approval.

---

Albums That Lit Me Up

If you’re new to Joanna Connor, here are some records that hit hard and stay with you:

• 💿 Believe It! (1990) – Her debut. Gritty, soulful, and full of promise.
• 🎸 Slidetime (1998) – A masterclass in slide technique and groove.
• 🔥 Six String Stories (2016) – Raw, funky, and deeply personal.
• 🎙️ Rise (2019) – A mature, confident blend of blues and soul.
• 💥 4801 South Indiana Avenue (2021) – Produced by Joe Bonamassa. It’s fierce, focused, and one of her best.

That last one? It’s a statement. A woman at the top of her game, letting the world have it.

---

Seeing Joanna Connor Live – Pure Electricity

I finally got to see Joanna Connor live at a blues festival, and it was exactly what I hoped for—and more.

She walked onstage, cracked a smile, and within 30 seconds had everyone under her spell. Her slide solos didn’t just raise the roof—they shattered it.
She played with total abandon, like each note had to be played or she’d explode.

And when she laid into “Walkin’ Blues”? Goosebumps.
It was old school and brand new at the same time.

---

Why Joanna Connor Still Matters

In a genre built on feeling, Joanna Connor is the realest of the real.
She doesn’t care about flash or trends. She plays what’s inside her—and it shows.

She’s inspired countless young women to pick up a guitar and kick the door in.
But more than that, she’s proven that talent, soul, and raw firepower still matter.

She’s not just a great female blues guitarist.
She’s one of the best blues guitarists, period.

---

Where to Start If You’re New

Here’s your Joanna Connor starter kit:

• 🎧 4801 South Indiana Avenue – Her latest, and a scorcher.
• 💿 Six String Stories – Deep, funky, and emotional.
• 🎸 Slidetime – For slide guitar lovers.
• 📺 YouTube: Search “Joanna Connor live House of Blues” or “Joanna Connor slide guitar solo” to see her blow the roof off.

More at joannaconnorwreckingcrew.com

---

Joanna Connor doesn’t just play the blues—she commands it.
And when she picks up that slide, you know something powerful is about to happen.

🎸🔥💪

Video

Thank You

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Queen of the Slide: How Joanna Connor Took Me to Church with a Strat and a Roar

I’ll never forget the moment I stumbled across Joanna Connor on YouTube. It was one of those viral videos—she was at Kingston Mines in Chicago, wearing jeans and a tank top, plugged into a Strat, absolutely tearing the roof off the joint with a slide solo that made my jaw hit the floor.

It wasn’t delicate. It wasn’t pretty. It was raw, soulful, dirty—and holy hell, it was powerful.
I sat there thinking: “Where has she been all my life?”
Turns out she’d been in Chicago’s blues trenches all along, owning the stage, while the rest of the world was just catching up.

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A Blues Woman in the City of Kings

Born in Brooklyn and raised in Massachusetts, Joanna Connor moved to Chicago in the mid-’80s to chase the blues—and she didn’t just find it. She owned it.

She played the clubs, backed up legends like James Cotton, Junior Wells, and Luther Allison, and slowly carved out a name for herself—not just as a guitarist, but as a force of nature.

Chicago blues has always had its royalty—Muddy, Buddy, Koko—but Joanna? She’s the undisputed Queen of Slide in the Windy City.

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The Sound: Slide Guitar That Smokes and Soars

Let’s be real: there are great slide players out there. And then there’s Joanna Connor.

Her slide work is ferocious, rooted in Delta blues, but charged with rock energy, funk rhythm, and soul fire. She doesn’t just play slide guitar—she weaponizes it. She’ll hit a note that’ll make your spine tingle, then tear into a solo that sounds like the guitar’s about to catch fire.

Her vocals are just as fierce—gritty, heartfelt, and commanding. Whether she’s belting out a roadhouse shuffle or slowing it down for a sultry ballad, you feel every note she sings and plays.

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Albums That Brought the Heat

Joanna’s discography is one wild, blues-soaked ride. If you want to dive in, here are the records that hooked me hard:

• 🎸 Believe It! (1990) – Her debut. Raw, high-energy, and full of promise.
• 💥 Fight (1992) – Heavy blues with punch. She’s clearly finding her voice here—and it’s a powerful one.
• 🔥 Six String Stories (2016) – Emotional, confident, and rooted in soul. Her storytelling really shines.
• 🎶 Rise (2019) – A genre-blending record that shows she can do blues, funk, rock, and even hip-hop-inflected grooves. She doesn’t hold back.
• ⚡ 4801 South Indiana Avenue (2021) – Produced by Joe Bonamassa. It’s pure fire, her most focused, aggressive, and blues-pure record yet. An instant classic.
• 🎤 Best of Me (2023) – Deeply personal and groove-heavy, with monster tone and gutsy vocals.

---

Seeing Her Live: Blues with a Gut Punch

I haven’t seen her live—yet—but I’ve watched enough live sets to know this:
Joanna Connor doesn’t perform. She commands.

Whether it’s a smoky club or a big festival stage, she plays like she’s got something to prove—and nothing to lose. She’ll work that Strat like a preacher at a tent revival, shout out solos like war cries, then flash a grin like she knows exactly what she just did to your soul.

And if you’re lucky enough to catch her in Chicago? You’re not watching a show—you’re getting baptized in real-deal, full-throttle, unapologetic blues.

---

Why Joanna Connor Deserves Every Ounce of Praise

Joanna has spent decades grinding it out in a genre still too dominated by men, and she’s earned every ounce of respect the hard way—on stage, night after night.

She’s not about flash. She’s about feel. She doesn’t need to prove anything—but she still plays like she does. And that’s what makes her so damn compelling.

She’s living proof that the blues isn’t dead. It’s just been waiting for people like her to plug in and turn it up.

---

Where to Start If You’re New

Light the fuse:

• 🎧 4801 South Indiana Avenue – Straight-up blues power.
• 💿 Six String Stories – For soul and fire blended to perfection.
• 🔥 Best of Me – Her newest and most personal.
• 📺 YouTube: Search “Joanna Connor slide guitar live” or “Joanna Connor Joe Bonamassa” for face-melting proof of her power.

More at joannaconnor.com

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Joanna Connor didn’t ask for permission. She plugged in, turned up, and let the slide do the talking. And every time I listen to her now, I remember: blues doesn’t belong in a museum. It belongs on a hot stage, played loud and dirty by someone with something to say—and the soul to back it up. 🎸🔥👑

Queen of the Slide: How Joanna Connor Took Me to Church with Her Guitar

Let me tell you something straight up—Joanna Connor didn’t just change how I hear the blues. She changed how I feel it.

The first time I saw her, I didn’t even know who she was. It was a small blues club in Chicago, packed wall to wall with locals, tourists, and die-hard blues heads. Then this woman walks out—curly hair, a Strat slung over her shoulder, barefoot—and proceeds to melt the walls off the place. She tore into a slide solo with such passion, precision, and swagger, I turned to the stranger next to me and just said, “Holy sht.*”

That was Joanna Connor—and I’ve been a believer ever since.

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A Chicago Blues Monster with a Rock ‘n’ Roll Engine

Joanna might be from Brooklyn, raised in Worcester, Massachusetts, but her heart and soul belong to Chicago. Since the mid-1980s, she’s been grinding it out in the clubs of the Windy City, earning her stripes not just as a “great female guitarist”—but as one of the most ferocious slide players alive. Period.

She didn’t get a free pass. She fought for every inch of stage space in a male-dominated blues world, and she won—not with hype, but with pure, undeniable skill. Her style is a glorious hybrid of Chicago grit, Southern soul, and rock muscle. Think Bonnie Raitt’s emotion, Derek Trucks’ slide touch, and Stevie Ray’s fire—all wrapped in one powerhouse player.

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The Tone, The Technique, The Fire

Joanna’s slide playing is like nothing else out there. She doesn’t just play—she attacks, coaxes, sings through her guitar. Her solos are full of drama, finesse, and raw firepower. It’s blues, but it’s also funk, rock, soul, even a little gospel when she really lets loose.

And her voice? Husky, soulful, real. She sings like someone who’s lived every word. One minute she’s roaring through a hard-driving shuffle, the next she’s pouring her heart into a soul ballad. She’s not trying to outshine her guitar—she’s complementing it, grounding it in human emotion.

---

Albums That Hit Me Like a Freight Train

You want to talk blues albums with teeth? Joanna’s discography is loaded. Here are the ones that lit the fire for me:

• 🎸 Believe It! (1998) – A killer introduction to her power. Raw, funky, full of swagger.
• 🔥 Six String Stories (2016) – Deep grooves, searing solos, great vocals. Mature, bold, and bursting with emotion.
• 🧨 Rise (2019) – Blends blues, soul, funk, and even hip-hop flavor. One of her most creative albums.
• ⚡ 4801 South Indiana Avenue (2021) – Produced by Joe Bonamassa. This one smokes. Old-school Chicago blues feel with next-level playing. A personal favorite.
• 💥 Best of Me (2023) – One of her most confident, refined, and electrifying records yet. She’s still evolving—and getting sharper with time.

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Live: Where the Legend Lives

Joanna Connor on record is incredible. But live? Forget about it.

I’ve seen her multiple times now, and every show is a holy experience. She doesn’t just play the crowd—she owns it. She’ll rip a solo so fiery that you think she’s peaked… then crank it up even higher. There’s no ego, no pretense. Just pure, soul-deep connection between artist and audience.

And when she plays slide behind her head, or with a beer bottle, or lays back on the floor during a solo—well, you better believe the house goes up in flames. But it’s not gimmick. It’s joy. It’s freedom. That’s Joanna.

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Why Joanna Connor Still Blows Me Away

Joanna doesn’t care about categories. Blues, funk, rock, soul—it’s all music to her. And that’s what makes her so powerful. She’s not chasing trends or trying to be anyone else. She’s carving her own road, one blistering slide solo at a time.

In a blues world still fighting for diversity and authenticity, Joanna Connor is both a pioneer and a proof point. She’s walked the walk. She’s earned the crown. And the best part? She’s still pushing herself—still getting better, bolder, bluesier.

---

Where to Start If You’re New

New to the Queen of the Slide? Start here:

• 🎧 4801 South Indiana Avenue – Studio fire. Produced by Bonamassa. A modern blues classic.
• 🎤 Six String Stories – Deep cuts, huge emotion.
• 🔥 Best of Me – Her latest. Unmissable.
• 🎶 Search for her live videos online—especially the viral slide clips. They’ll blow your mind.

Find more at joannaconnor.com.

---

Joanna Connor doesn’t just play the blues—she commands them. With a guitar in her hands, she’s a preacher, a poet, and a powerhouse. If you’re ready to hear the blues roar and wail like never before, it’s time to ride with Joanna.

Thank You

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Joanna Connor – The Queen of Slide Who Set the Blues on Fire

If you’ve ever thought the blues was a boys’ club, let me introduce you to Joanna Connor.

The first time I saw her tear into a slide solo, I was frozen in place. I wasn’t just watching a woman play the blues—I was witnessing a force of nature.
Joanna Connor didn’t ask for a seat at the table. She walked in, plugged in, and burned it down.

And once you’ve heard her, you don’t forget her.

---

Who Is Joanna Connor?

Born in Brooklyn, New York, raised in Massachusetts, and reborn in Chicago, Joanna Connor found her spiritual home in the blues clubs of the Windy City.

She came up in a scene dominated by men—and didn’t just survive, she thrived. She played with James Cotton, Junior Wells, Buddy Guy, Luther Allison, and earned their respect the old-fashioned way: by throwing down every night and leaving it all on stage.

For decades she’s been a secret weapon, playing guitar with passion, power, and unbelievable precision.
And in recent years, the world finally started catching up with what Chicago blues fans have known for ages: Joanna Connor is a guitar monster with soul for days.

---

The Sound: Slide Guitar, Soul Power, and Pure Emotion

Joanna’s signature sound hits you right in the chest:

• 🎸 Slide guitar that screams, sings, and weeps—always fiery, never fake.
• 🎤 Vocals that are raw, commanding, and full of lived-in truth.
• 🎶 A style that blends Chicago blues, funk, soul, and rock into one explosive package.

She doesn’t just play guitar—she attacks it, bends it, squeezes every ounce of feeling out of it.
And when she hits a big solo, you can almost hear the ghosts of Muddy Waters and Elmore James nodding in approval.

---

Albums That Lit Me Up

If you’re new to Joanna Connor, here are some records that hit hard and stay with you:

• 💿 Believe It! (1990) – Her debut. Gritty, soulful, and full of promise.
• 🎸 Slidetime (1998) – A masterclass in slide technique and groove.
• 🔥 Six String Stories (2016) – Raw, funky, and deeply personal.
• 🎙️ Rise (2019) – A mature, confident blend of blues and soul.
• 💥 4801 South Indiana Avenue (2021) – Produced by Joe Bonamassa. It’s fierce, focused, and one of her best.

That last one? It’s a statement. A woman at the top of her game, letting the world have it.

---

Seeing Joanna Connor Live – Pure Electricity

I finally got to see Joanna Connor live at a blues festival, and it was exactly what I hoped for—and more.

She walked onstage, cracked a smile, and within 30 seconds had everyone under her spell. Her slide solos didn’t just raise the roof—they shattered it.
She played with total abandon, like each note had to be played or she’d explode.

And when she laid into “Walkin’ Blues”? Goosebumps.
It was old school and brand new at the same time.

---

Why Joanna Connor Still Matters

In a genre built on feeling, Joanna Connor is the realest of the real.
She doesn’t care about flash or trends. She plays what’s inside her—and it shows.

She’s inspired countless young women to pick up a guitar and kick the door in.
But more than that, she’s proven that talent, soul, and raw firepower still matter.

She’s not just a great female blues guitarist.
She’s one of the best blues guitarists, period.

---

Where to Start If You’re New

Here’s your Joanna Connor starter kit:

• 🎧 4801 South Indiana Avenue – Her latest, and a scorcher.
• 💿 Six String Stories – Deep, funky, and emotional.
• 🎸 Slidetime – For slide guitar lovers.
• 📺 YouTube: Search “Joanna Connor live House of Blues” or “Joanna Connor slide guitar solo” to see her blow the roof off.

More at joannaconnorwreckingcrew.com

---

Joanna Connor doesn’t just play the blues—she commands it.
And when she picks up that slide, you know something powerful is about to happen.

🎸🔥💪

Video

Thank You

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Joanna Connor

Birthed in Brooklyn on August 31, 1962, Joanna was raised in Worcester, Massachusetts from the age of 4. Enamored of her mommy’s Taj Mahal and Jimi Hendrix albums as a child, Joanna got her initial guitar at age 7 and sang with different Worcester teams while still in high school. She transformed specialist in 1981, forming the Pino/Connor Band with guitarist Ken Pino, which was carried out at various clubs as well as colleges throughout New England. She was called “Best R&B Vocalist of the Year” by Worcester Magazine.

After showing up in the Windy City, Joanna first joined the combo of slide guitar great Johnny Littlejohn and started playing the neighborhood club circuit. In March of 1985, guitar player Dion Payton welcomed Joanna Connor to join his preferred 43rd Street Blues Band, sensibly featuring Joanna’s abilities plainly at leading neighborhood clubs such as Kingston Mines and also the Checkerboard Lounge. Connor established the town’s solemn blues bars on fire with her slashing lead guitar work, her passionate slide solos, as well as incendiary vocals. Artists that Joanna admired when she was growing up, artists such as Buddy Guy, Otis Rush, and James Cotton, began to take notice. Joanna’s track record continuously expand as she backed Payton on his track for the well-known New Bluebloods cd.

By the autumn of 1987, Joanna was undoubtedly prepared to assemble her very own band. She assembled the first edition of her very own combination of comprehensive national exploring with veteran tone saxophonist A.C. Reed. Her band became a full-time priority a few months later on.

Albums

Believe It! (Blind Pig Records) (1989)
Fight (Blind Pig Records) (1992)
Living On The Road (1993)
Rock & Roll Gypsy (Ruf Records) (1995)
Big Girl Blues (Blind Pig Records) (1996)
Slidetime (Blind Pig Records) (1998)
Nothing But The Blues (live in Germany) (2001)
The Joanna Connor Band (M.C. Records) (2002)
Mercury Blues (M.C. Records)
Unplugged at Carterco with Lance Lewis (Bluesblaster Records) (2008)
Live 24 (live at Kingston Mines) (2010)
Six String Stories (M.C. Records) (2016)
Rise (M.C. Records) (2019)
4801 South Indiana Avenue (KTBA Records) (2021)

Joanna Connor

Birthed in Brooklyn on August 31, 1962, Joanna Connor was raised in Worcester, Massachusetts from the age of 4. Enamored of her mommy’s Taj Mahal and Jimi Hendrix albums as a child, Joanna got her initial guitar at age 7 and sang with different Worcester teams while still in high school. She transformed specialist in 1981, forming the Pino/Connor Band with guitarist Ken Pino, which was carried out at various clubs as well as colleges throughout New England. She was called “Best R&B Vocalist of the Year” by Worcester Magazine.

After showing up in the Windy City, Joanna first joined the combo of slide guitar great Johnny Littlejohn and started playing the neighborhood club circuit. In March of 1985, guitar player Dion Payton welcomed Joanna Connor to join his preferred 43rd Street Blues Band, sensibly featuring Joanna’s abilities plainly at leading neighborhood clubs such as Kingston Mines and also the Checkerboard Lounge. Connor established the town’s solemn blues bars on fire with her slashing lead guitar work, her passionate slide solos, as well as incendiary vocals. Artists that Joanna admired when she was growing up, artists such as Buddy Guy, Otis Rush, and James Cotton, began to take notice. Joanna’s track record continuously expand as she backed Payton on his track for the well-known New Bluebloods cd.

By the autumn of 1987, Joanna was undoubtedly prepared to assemble her very own band. She assembled the first edition of her very own combination of comprehensive national exploring with veteran tone saxophonist A.C. Reed. Her band became a full-time priority a few months later on.

Albums

Believe It! (Blind Pig Records) (1989)
Fight (Blind Pig Records) (1992)
Living On The Road (1993)
Rock & Roll Gypsy (Ruf Records) (1995)
Big Girl Blues (Blind Pig Records) (1996)
Slidetime (Blind Pig Records) (1998)
Nothing But The Blues (live in Germany) (2001)
The Joanna Connor Band (M.C. Records) (2002)
Mercury Blues (M.C. Records)
Unplugged at Carterco with Lance Lewis (Bluesblaster Records) (2008)
Live 24 (live at Kingston Mines) (2010)
Six String Stories (M.C. Records) (2016)
Rise (M.C. Records) (2019)
4801 South Indiana Avenue (KTBA Records) (2021)

Joanna Connor

Birthed in Brooklyn on August 31, 1962, Joanna was raised in Worcester, Massachusetts from the age of 4. Enamored of her mommy’s Taj Mahal and Jimi Hendrix albums as a child, Joanna got her initial guitar at age 7 and sang with different Worcester teams while still in high school. She transformed specialist in 1981, forming the Pino/Connor Band with guitarist Ken Pino, which was carried out at various clubs as well as colleges throughout New England. She was called “Best R&B Vocalist of the Year” by Worcester Magazine.

After showing up in the Windy City, Joanna first joined the combo of slide guitar great Johnny Littlejohn and started playing the neighborhood club circuit. In March of 1985, guitar player Dion Payton welcomed Joanna Connor to join his preferred 43rd Street Blues Band, sensibly featuring Joanna’s abilities plainly at leading neighborhood clubs such as Kingston Mines and also the Checkerboard Lounge. Connor established the town’s solemn blues bars on fire with her slashing lead guitar work, her passionate slide solos, as well as incendiary vocals. Artists that Joanna admired when she was growing up, artists such as Buddy Guy, Otis Rush, and James Cotton, began to take notice. Joanna’s track record continuously expand as she backed Payton on his track for the well-known New Bluebloods cd.

By the autumn of 1987, Joanna was undoubtedly prepared to assemble her very own band. She assembled the first edition of her very own combination of comprehensive national exploring with veteran tone saxophonist A.C. Reed. Her band became a full-time priority a few months later on.

Albums

Believe It! (Blind Pig Records) (1989)
Fight (Blind Pig Records) (1992)
Living On The Road (1993)
Rock & Roll Gypsy (Ruf Records) (1995)
Big Girl Blues (Blind Pig Records) (1996)
Slidetime (Blind Pig Records) (1998)
Nothing But The Blues (live in Germany) (2001)
The Joanna Connor Band (M.C. Records) (2002)
Mercury Blues (M.C. Records)
Unplugged at Carterco with Lance Lewis (Bluesblaster Records) (2008)
Live 24 (live at Kingston Mines) (2010)
Six String Stories (M.C. Records) (2016)
Rise (M.C. Records) (2019)
4801 South Indiana Avenue (KTBA Records) (2021)

Video

Thank You

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Joanna Connor is a Chicago blues singer, songwriter, and virtuosic guitarist.

Get the album now at http://bit.ly/4801sindiana

“We chose the album title ‘4801 South Indiana Avenue’ because it was the actual street address of the hallowed funky blues sanctuary ‘Theresa’s Lounge.’ We want the listener to open that door, walk in and feel to their core some of the magic that a place like that brought night after night. It was an honor to bring this to you, the listener.”

Music video directed by: Pete Griffith

Joanna Connor

Birthed in Brooklyn on August 31, 1962, Joanna was raised in Worcester, Massachusetts from the age of 4. Enamored of her mommy’s Taj Mahal and Jimi Hendrix albums as a child, Joanna got her initial guitar at age 7 and sang with different Worcester teams while still in high school. She transformed specialist in 1981, forming the Pino/Connor Band with guitarist Ken Pino, which was carried out at various clubs as well as colleges throughout New England. She was called “Best R&B Vocalist of the Year” by Worcester Magazine.

After showing up in the Windy City, Joanna first joined the combo of slide guitar great Johnny Littlejohn and started playing the neighborhood club circuit. In March of 1985, guitar player Dion Payton welcomed Joanna to join his preferred 43rd Street Blues Band, sensibly featuring Joanna’s abilities plainly at leading neighborhood clubs such as Kingston Mines and also the Checkerboard Lounge. Connor established the town’s solemn blues bars on fire with her slashing lead guitar work, her passionate slide solos, as well as incendiary vocals. Artists that Joanna admired when she was growing up, artists such as Buddy Guy, Otis Rush, and James Cotton, began to take notice. Joanna’s track record continuously expand as she backed Payton on his track for the well-known New Bluebloods cd.

By the autumn of 1987, Joanna was undoubtedly prepared to assemble her very own band. She assembled the first edition of her very own combination of comprehensive national exploring with veteran tone saxophonist A.C. Reed. Her band became a full-time priority a few months later on.

Lyrics

Well

I feel so good
I’m gonna boogie
I’m gonna boogie
‘Til the break of day

Well, the old folk boogie
Some childrens too
Don’t nobody boogie
Like me and you

Heard mama told papa
About something she heard
Mama told papa
She don’t believe a word

I feel so good
I’m gonna boogie
I’m gonna boogie
I’m gonna boogie
‘Til the break of day

Come on, baby
Hit me, come on
Gotcha

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Joanna Connor is a Chicago blues singer, songwriter, and virtuosic guitarist.

Get the album now at http://bit.ly/4801sindiana

“We chose the album title ‘4801 South Indiana Avenue’ because it was the actual street address of the hallowed funky blues sanctuary ‘Theresa’s Lounge.’ We want the listener to open that door, walk in and feel to their core some of the magic that a place like that brought night after night. It was an honor to bring this to you, the listener.”

Music video directed by: Pete Griffith

Joanna Connor

Birthed in Brooklyn on August 31, 1962, Joanna was raised in Worcester, Massachusetts from the age of 4. Enamored of her mommy’s Taj Mahal and Jimi Hendrix albums as a child, Joanna got her initial guitar at age 7 and sang with different Worcester teams while still in high school. She transformed specialist in 1981, forming the Pino/Connor Band with guitarist Ken Pino, which was carried out at various clubs as well as colleges throughout New England. She was called “Best R&B Vocalist of the Year” by Worcester Magazine.

After showing up in the Windy City, Joanna first joined the combo of slide guitar great Johnny Littlejohn and started playing the neighborhood club circuit. In March of 1985 guitar player Dion Payton welcomed Joanna to join his preferred 43rd Street Blues Band, sensibly featuring Joanna’s abilities plainly at leading neighborhood clubs such as Kingston Mines and also the Checkerboard Lounge. Connor established the town’s solemn blues bars on fire with her slashing lead guitar work, her passionate slide solos, as well as incendiary vocals. Artists that Joanna admired when she was growing up, artists such as Buddy Guy, Otis Rush, and James Cotton, began to take notice. Joanna’s track record continuously expand as she backed Payton on his track for the well-known New Bluebloods cd.

By the autumn of 1987 Joanna was undoubtedly prepared to assemble her very own band. She assembled the first edition of her very own combination between comprehensive national exploring with veteran tone saxophonist A.C. Reed. Her band became a full time priority a few months later on.

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.