Tag: Dave Hole

Relatively out of no place, Australian guitarist/vocalist/songwriter Dave Hole first burst onto the American music scene in 1992. Since that time, fans and critics have actually proclaimed Hole one of the most initial and exciting slide guitarists in the world. Hole’s fans desire more.

Dave Hole can now respond to that question with his new Alligator cd, The Live One. Recorded in front of wildly passionate audiences in Dave’s hometown of Perth, Australia in 2001 and in his spiritual house of Chicago, Illinois in 2002, The Live One records blistering live performances of tunes from throughout Dave’s career. Amongst the many highlights on the cd, Hole rips through variations of originals Jenny Lee, Short Fuse Blues, and Up All Night Thinking, slows things down on the tour-de-force critical Berwick Road, and turns in remarkable analyses of Bullfrog Blues and the Jimi Hendrix timeless Purple Haze.

Dave Hole

His love of blues started early. When he joined his very first band in Perth at age 16, Dave recalls “mystifying” people with music they ‘d never heard previously– the blues. Instead of sitting on the sidelines waiting for his finger to recover, Dave put the slide on his index finger and hung his hand over the guitar neck, creating a releasing pad for a sound and design all his own.

Starting in 1974 and throughout the 1980s, Hole was playing progressively around Perth and the country towns of western Australia, only twice venturing to major eastern cities like Sydney and Melbourne. In 1990, the blues magic struck once more for Hole when he self-financed and recorded his launching cd, Short Fuse Blues, mainly for sale to his fans at his live gigs. Acting on an impulse, he sent by mail a copy of his record to Guitar Player magazine. An April, 1991 review and a July, 1991 feature story released Hole into the blues stratosphere. “Magnificent slide work … ferocious, fire-breathing. What more could you ask?” declared the influential publication. A copy of the story and the cd landed on the desk of Alligator Records president Bruce Iglauer, who took an opportunity by releasing the album and making Dave Hole the label’s only abroad signing. “I was very hesitant to sign an artist based upon the other side of the world,” recalls Iglauer. “I usually such as to deal with artists who are regularly touring the U.S., but love of the music solveded my good company sense.”.

To support his growing success, Hole made his launching North American trip in 1993, playing practically 50 shows in 9 weeks in every major city in the United States. Night after night, shrieking crowds came out to cheer him on. His next 5 cds, 1993’s Working Overtime, 1994’s Steel On Steel, 1996’s Ticket To Chicago, 1999’s Under The Spell and 2001’s Outside Looking In, together with several American trips, made Hole an authentic slide guitar hero. Signboard exclaimed, “Slide guitar enthusiasts will have their brains blown out by this Australian fret-melter … incredibly inventive … prepare to hear your jaw hitting the floor.” DownBeat raved, “Harrowing slide-guitar solos and rampaging vocals … wickedly seductive, playfully innovative.” “Dizzying, supercharged,” screamed Living Blues, “A one way ticket to sonic happiness.”.

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Dave Hole

Since his recording debut 22 years ago, Dave Hole’s records and live performances have drawn raves from countless international publications, including Billboard, Downbeat, Spin, Guitar World and Guitar Player. Similarly, he’s earned rapturous praise from the Associated Press and major US markets daily like the Chicago Tribune, Los Angeles Times and Washington Post. Billboard wrote; “Slide guitar fanatics will have their brains blown out by this Australian fret-melter … Remarkably inventive, technically unusual overhand slide work that separates him from the common pack … prepare to hear your jaw hitting the floor.”

Considering all the praise lavished on Hole in recent years, it’s hard to believe that he’s actually been performing for more than four decades. Born in England in 1948, he moved with his family to Perth, Western Australia when he was a child.

As a teenager, he fell for the blues upon hearing a friend’s Muddy Waters record. He yearned to hear more but at that time blues records were difficult to obtain in remote Western Australia. It was also years before any blues artists began to perform there in person, so Hole had to teach himself to play. At first, only Eric Clapton and Jimi Hendrix albums were easily available, but with persistence, he eventually got his hands on records by Blind Willie Johnson, Skip James, Blind Lemon Jefferson and many others. The likes of Robert Johnson, Elmore James, and Mississippi Fred McDowell became his main “teachers”, as he listened to their recordings over and over again, absorbing all he could from these blues masters.

‘Wrong’ way of playing

Then, either by accident or by fate, Hole broke his little finger in a football game. The only way he could continue to play guitar without pain was to put a slide on his index finger and hang his hand over the top of the guitar neck. When his finger eventually healed, Hole had become so used to the ‘wrong’ way of playing (and grown so fond of the tone he was getting), that he never turned back. (Learn more: www.davehole.com )

Thank You Dave Hole Fans!

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Dave Hole

Since his recording debut 22 years ago, Dave Hole’s records and live performances have drawn raves from countless international publications, including Billboard, Downbeat, Spin, Guitar World, and Guitar Player. Similarly, he’s earned rapturous praise from the Associated Press and major US markets daily like the Chicago Tribune, Los Angeles Times, and Washington Post. Billboard wrote; “Slide guitar fanatics will have their brains blown out by this Australian fret-melter … Remarkably inventive, technically unusual overhand slide work that separates him from the common pack … prepare to hear your jaw hitting the floor.”

Considering all the praise lavished on Dave Hole in recent years, it’s hard to believe that he’s actually been performing for more than four decades. Born in England in 1948, he moved with his family to Perth, Western Australia when he was a child.

As a teenager, he fell for the blues upon hearing a friend’s Muddy Waters record. He yearned to hear more but at that time blues records were difficult to obtain in remote Western Australia. It was also years before any blues artists began to perform there in person, so Hole had to teach himself to play. At first, only Eric Clapton and Jimi Hendrix albums were easily available, but with persistence, he eventually got his hands on records by Blind Willie Johnson, Skip James, Blind Lemon Jefferson, and many others. The likes of Robert Johnson, Elmore James, and Mississippi Fred McDowell became his main “teachers”, as he listened to their recordings over and over again, absorbing all he could from these blues masters.

‘Wrong’ way of playing

Then, either by accident or by fate, Hole broke his little finger in a football game. The only way he could continue to play guitar without pain was to put a slide on his index finger and hang his hand over the top of the guitar neck. When his finger eventually healed, Hole had become so used to the ‘wrong’ way of playing (and grown so fond of the tone he was getting), that he never turned back. (Learn more: www.davehole.com )

Dave Hole

Since his recording debut 22 years ago, Dave Hole’s records and live performances have drawn raves from countless international publications, including Billboard, Downbeat, Spin, Guitar World, and Guitar Player. Similarly, he’s earned rapturous praise from the Associated Press and major US markets daily like the Chicago Tribune, Los Angeles Times, and Washington Post. Billboard wrote; “Slide guitar fanatics will have their brains blown out by this Australian fret-melter … Remarkably inventive, technically unusual overhand slide work that separates him from the common pack … prepare to hear your jaw hitting the floor.”

Exploring the Soulful Sounds of Chicago Electric Blues

Delve into the rich history and distinctive characteristics of Chicago Electric Blues, a genre that has captivated blues enthusiasts and guitarists alike. Join us on this musical journey as we unravel the stories behind the legendary artists and iconic venues that have shaped this vibrant genre.

Considering all the praise lavished on Dave Hole in recent years, it’s hard to believe that he’s actually been performing for more than four decades. Born in England in 1948, he moved with his family to Perth, Western Australia when he was a child.

As a teenager, he fell for the blues upon hearing a friend’s Muddy Waters record. He yearned to hear more but at that time blues records were difficult to obtain in remote Western Australia. It was also years before any blues artists began to perform there in person, so Hole had to teach himself to play. At first, only Eric Clapton and Jimi Hendrix albums were easily available, but with persistence, he eventually got his hands on records by Blind Willie Johnson, Skip James, Blind Lemon Jefferson, and many others. The likes of Robert Johnson, Elmore James, and Mississippi Fred McDowell became his main “teachers”, as he listened to their recordings over and over again, absorbing all he could from these blues masters.

‘Wrong’ way of playing

Then, either by accident or by fate, Hole broke his little finger in a football game. The only way he could continue to play guitar without pain was to put a slide on his index finger and hang his hand over the top of the guitar neck. When his finger eventually healed, Hole had become so used to the ‘wrong’ way of playing (and grown so fond of the tone he was getting), that he never turned back. (Learn more: www.davehole.com )

Lyrics

Take me to Chicago

Back in 1958

Take me to Chicago

Back in 1958

Drop me out on the South Side

I wanna see all the greats


Up and down the street

With my guitar in my hand

Up and down the street

With my guitar in my hand

Joints just jumpin’

With the best bands in the land


I got the blues before sunrise

Sure enough I do

I got to move ’cause every day I have the blues

Take me to Chicago

Back in 1958

Drop me out on the South Side

I wanna see all the greats


Take me to Chicago

Back in 1958

Take me to Chicago

Back in 1958

Drop me out on the South Side

I wanna see all the greats

We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

Dave Hole

Since his recording debut 22 years ago, Dave Hole’s records and live performances have drawn raves from countless international publications, including Billboard, Downbeat, Spin, Guitar World, and Guitar Player. Similarly, he’s earned rapturous praise from the Associated Press and major US markets daily like the Chicago Tribune, Los Angeles Times, and Washington Post. Billboard wrote; “Slide guitar fanatics will have their brains blown out by this Australian fret-melter … Remarkably inventive, technically unusual overhand slide work that separates him from the common pack … prepare to hear your jaw hitting the floor.”

Considering all the praise lavished on Dave Hole in recent years, it’s hard to believe that he’s actually been performing for more than four decades. Born in England in 1948, he moved with his family to Perth, Western Australia when he was a child.

As a teenager, he fell for the blues upon hearing a friend’s Muddy Waters record. He yearned to hear more but at that time blues records were difficult to obtain in remote Western Australia. It was also years before any blues artists began to perform there in person, so Hole had to teach himself to play. At first, only Eric Clapton and Jimi Hendrix albums were easily available, but with persistence, he eventually got his hands on records by Blind Willie Johnson, Skip James, Blind Lemon Jefferson, and many others. The likes of Robert Johnson, Elmore James, and Mississippi Fred McDowell became his main “teachers”, as he listened to their recordings over and over again, absorbing all he could from these blues masters.

‘Wrong’ way of playing

Then, either by accident or by fate, Hole broke his little finger in a football game. The only way he could continue to play guitar without pain was to put a slide on his index finger and hang his hand over the top of the guitar neck. When his finger eventually healed, Hole had become so used to the ‘wrong’ way of playing (and grown so fond of the tone he was getting), that he never turned back. (Learn more: www.davehole.com )

Dave Hole

Since his recording debut 22 years ago, Dave Hole’s records and live performances have drawn raves from countless international publications, including Billboard, Downbeat, Spin, Guitar World, and Guitar Player. Similarly, he’s earned rapturous praise from the Associated Press and major US markets daily like the Chicago Tribune, Los Angeles Times, and Washington Post. Billboard wrote; “Slide guitar fanatics will have their brains blown out by this Australian fret-melter … Remarkably inventive, technically unusual overhand slide work that separates him from the common pack … prepare to hear your jaw hitting the floor.”

Considering all the praise lavished on Dave Hole in recent years, it’s hard to believe that he’s actually been performing for more than four decades. Born in England in 1948, he moved with his family to Perth, Western Australia when he was a child.

As a teenager, he fell for the blues upon hearing a friend’s Muddy Waters record. He yearned to hear more but at that time blues records were difficult to obtain in remote Western Australia. It was also years before any blues artists began to perform there in person, so Hole had to teach himself to play. At first, only Eric Clapton and Jimi Hendrix albums were easily available, but with persistence, he eventually got his hands on records by Blind Willie Johnson, Skip James, Blind Lemon Jefferson, and many others. The likes of Robert Johnson, Elmore James, and Mississippi Fred McDowell became his main “teachers”, as he listened to their recordings over and over again, absorbing all he could from these blues masters.

‘Wrong’ way of playing

Then, either by accident or by fate, Hole broke his little finger in a football game. The only way he could continue to play guitar without pain was to put a slide on his index finger and hang his hand over the top of the guitar neck. When his finger eventually healed, Hole had become so used to the ‘wrong’ way of playing (and grown so fond of the tone he was getting), that he never turned back. (Learn more: www.davehole.com )

Dave Hole

Since his recording debut 22 years ago, Dave Hole’s records and live performances have drawn raves from countless international publications, including Billboard, Downbeat, Spin, Guitar World, and Guitar Player. Similarly, he’s earned rapturous praise from the Associated Press and major US markets daily like the Chicago Tribune, Los Angeles Times, and Washington Post. Billboard wrote; “Slide guitar fanatics will have their brains blown out by this Australian fret-melter … Remarkably inventive, technically unusual overhand slide work that separates him from the common pack … prepare to hear your jaw hitting the floor.”

Considering all the praise lavished on Dave Hole in recent years, it’s hard to believe that he’s actually been performing for more than four decades. Born in England in 1948, he moved with his family to Perth, Western Australia when he was a child.

As a teenager, he fell for the blues upon hearing a friend’s Muddy Waters record. He yearned to hear more but at that time blues records were difficult to obtain in remote Western Australia. It was also years before any blues artists began to perform there in person, so Hole had to teach himself to play. At first, only Eric Clapton and Jimi Hendrix albums were easily available, but with persistence, he eventually got his hands on records by Blind Willie Johnson, Skip James, Blind Lemon Jefferson, and many others. The likes of Robert Johnson, Elmore James, and Mississippi Fred McDowell became his main “teachers”, as he listened to their recordings over and over again, absorbing all he could from these blues masters.

‘Wrong’ way of playing

Then, either by accident or by fate, Hole broke his little finger in a football game. The only way he could continue to play guitar without pain was to put a slide on his index finger and hang his hand over the top of the guitar neck. When his finger eventually healed, Hole had become so used to the ‘wrong’ way of playing (and grown so fond of the tone he was getting), that he never turned back. (Learn more: www.davehole.com )

Relatively out of no place, Australian guitarist/vocalist/songwriter Dave Hole first burst onto the American music scene in 1992. Since that time, fans and critics have actually proclaimed Hole one of the most initial and exciting slide guitarists in the world. Hole’s fans desire more.

Dave Hole can now respond to that question with his new Alligator cd, The Live One. Recorded in front of wildly passionate audiences in Dave’s hometown of Perth, Australia in 2001 and in his spiritual house of Chicago, Illinois in 2002, The Live One records blistering live performances of tunes from throughout Dave’s career. Amongst the many highlights on the cd, Hole rips through variations of originals Jenny Lee, Short Fuse Blues, and Up All Night Thinking, slows things down on the tour-de-force critical Berwick Road, and turns in remarkable analyses of Bullfrog Blues and the Jimi Hendrix timeless Purple Haze.

Dave Hole

His love of blues started early. When he joined his very first band in Perth at age 16, Dave recalls “mystifying” people with music they ‘d never heard previously– the blues. Instead of sitting on the sidelines waiting for his finger to recover, Dave put the slide on his index finger and hung his hand over the guitar neck, creating a releasing pad for a sound and design all his own.

Starting in 1974 and throughout the 1980s, Hole was playing progressively around Perth and the country towns of western Australia, only twice venturing to major eastern cities like Sydney and Melbourne. In 1990, the blues magic struck once more for Hole when he self-financed and recorded his launching cd, Short Fuse Blues, mainly for sale to his fans at his live gigs. Acting on an impulse, he sent by mail a copy of his record to Guitar Player magazine. An April, 1991 review and a July, 1991 feature story released Hole into the blues stratosphere. “Magnificent slide work … ferocious, fire-breathing. What more could you ask?” declared the influential publication. A copy of the story and the cd landed on the desk of Alligator Records president Bruce Iglauer, who took an opportunity by releasing the album and making Dave Hole the label’s only abroad signing. “I was very hesitant to sign an artist based upon the other side of the world,” recalls Iglauer. “I usually such as to deal with artists who are regularly touring the U.S., but love of the music solveded my good company sense.”.

To support his growing success, Hole made his launching North American trip in 1993, playing practically 50 shows in 9 weeks in every major city in the United States. Night after night, shrieking crowds came out to cheer him on. His next 5 cds, 1993’s Working Overtime, 1994’s Steel On Steel, 1996’s Ticket To Chicago, 1999’s Under The Spell and 2001’s Outside Looking In, together with several American trips, made Hole an authentic slide guitar hero. Signboard exclaimed, “Slide guitar enthusiasts will have their brains blown out by this Australian fret-melter … incredibly inventive … prepare to hear your jaw hitting the floor.” DownBeat raved, “Harrowing slide-guitar solos and rampaging vocals … wickedly seductive, playfully innovative.” “Dizzying, supercharged,” screamed Living Blues, “A one way ticket to sonic happiness.”.

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Dave Hole: Australia’s Slide Guitar Maestro

Dave Hole, born March 30, 1948, in Heswall, Cheshire, England, and later emigrating to Perth, Western Australia, is widely regarded as one of the world’s leading slide guitarists. With a career spanning several decades, Hole has carved a niche for himself in the blues and rock genres, captivating audiences with his raw, emotive playing and innovative techniques.

Early Life and Influences

Dave Hole’s journey with the guitar began at the age of six when his family relocated to Perth. It wasn’t until his teenage years that he discovered his passion for the blues, inspired by artists like Muddy Waters, Robert Johnson, and Elmore James. A pivotal moment in his early career was a hand injury that led him to develop his distinctive over-the-top slide technique. Unable to use his injured finger in the traditional manner, Hole innovatively placed the slide over the strings, creating a unique and powerful sound that would become his trademark.

Breakthrough and Career Highlights

Hole’s big break came with the release of his debut album, “Short Fuse Blues,” in 1991. Recorded independently, the album received an enthusiastic response, particularly in the United States. Guitar World magazine praised Hole’s playing, drawing comparisons to legends like Duane Allman and Johnny Winter. This acclaim opened doors for international tours and major label deals.

Throughout the 1990s, Hole released a string of successful albums, including “The Plumber,” “Ticket to Chicago,” and “Under the Spell.” Each album showcased his virtuosic slide guitar skills and deep understanding of the blues, blending traditional elements with his innovative flair. His energetic live performances and mastery of the slide guitar earned him a dedicated following worldwide.

Dave Hole – Style and Technique

Dave Hole’s slide guitar style is characterized by its intensity and emotional depth. His over-the-top technique allows for greater control and expressiveness, producing a sound that is both powerful and nuanced. Hole’s playing is marked by rapid-fire licks, searing solos, and a deep sense of rhythm and groove. His ability to convey emotion through his instrument has made him a standout figure in the blues community.

Legacy and Influence

Dave Hole’s impact on the blues and rock genres is significant. His pioneering slide technique has influenced countless guitarists, and his recordings continue to be a reference point for aspiring musicians. Despite the challenges of maintaining a career in the competitive music industry, Hole has remained true to his roots, consistently delivering high-quality music and electrifying performances.

In recognition of his contributions to music, Hole has received numerous awards and accolades, including induction into the Western Australian Music Industry Awards Hall of Fame. His dedication to his craft and his willingness to push the boundaries of slide guitar playing have solidified his status as a legend in the world of blues.

Recent Work and Continued Passion

Even after decades in the industry, Dave Hole’s passion for music remains undiminished. He continues to perform and record, always exploring new sonic territories while staying true to the blues. His recent projects reflect a mature artist who has honed his skills and continues to find joy in creating music.

Dave Hole’s journey from a young boy in Perth to an internationally acclaimed slide guitarist is a testament to his talent, innovation, and perseverance. His contributions to the blues genre have left an indelible mark, inspiring generations of musicians and music lovers alike. As he continues to perform and create, Hole’s legacy as Australia’s slide guitar maestro is assured, cementing his place among the greats of blues music.

Dave Hole

Since his recording debut 22 years ago, Dave Hole’s records and live performances have drawn raves from countless international publications, including Billboard, Downbeat, Spin, Guitar World and Guitar Player. Similarly, he’s earned rapturous praise from the Associated Press and major US markets daily like the Chicago Tribune, Los Angeles Times and Washington Post. Billboard wrote; “Slide guitar fanatics will have their brains blown out by this Australian fret-melter … Remarkably inventive, technically unusual overhand slide work that separates him from the common pack … prepare to hear your jaw hitting the floor.”

Considering all the praise lavished on Hole in recent years, it’s hard to believe that he’s actually been performing for more than four decades. Born in England in 1948, he moved with his family to Perth, Western Australia when he was a child.

As a teenager, he fell for the blues upon hearing a friend’s Muddy Waters record. He yearned to hear more but at that time blues records were difficult to obtain in remote Western Australia. It was also years before any blues artists began to perform there in person, so Hole had to teach himself to play. At first, only Eric Clapton and Jimi Hendrix albums were easily available, but with persistence, he eventually got his hands on records by Blind Willie Johnson, Skip James, Blind Lemon Jefferson and many others. The likes of Robert Johnson, Elmore James, and Mississippi Fred McDowell became his main “teachers”, as he listened to their recordings over and over again, absorbing all he could from these blues masters.

‘Wrong’ way of playing

Then, either by accident or by fate, Hole broke his little finger in a football game. The only way he could continue to play guitar without pain was to put a slide on his index finger and hang his hand over the top of the guitar neck. When his finger eventually healed, Hole had become so used to the ‘wrong’ way of playing (and grown so fond of the tone he was getting), that he never turned back. (Learn more: www.davehole.com )