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Blues Musicians Archives - Page 207 of 215 - I Love Blues Guitar
I Love Blues Guitar

Category: Blues Musicians

  • Keb’ Mo’ – Folsom Prison Blues

    Keb’ Mo’ – Folsom Prison Blues

    Engage your senses: Press play on the video, then stimulate your brain with the article.

    Keb’ Mo’ performing the Johnny Cash classic Folsom Prison Blues.

    Keb’ Mo’

    With few reservations the most talented songwriter on the blues scene in the last 20 years is Keb’ Mo’, and certainly the ability of a bluesman to write catchy melodies is not the best for his authenticity, as it tempts him to deviate by distorting his blues with material more friendly to the ears of the general public. However, despite the pop “resin” Kevin Roosevelt Moore is always Keb’ Mo’, a blues legend with his characteristic 1954 Fender Stratocaster Electric Guitar.

    Born in Los Angeles, in 1951, he followed the path of music from an early age, and in the 70’s he already played with names such as Papa John Creach, Mahavishnu Orchestra, and Jefferson Starship. In the ’80s, he deepened his knowledge in blues playing in the band of Mink Higgins, while in 1994 he made his debut in discography with an amazing album, a great work (with covers by Robert Johnson and many of his own songs), which automatically placed him at the forefront of the contemporary blues scene.

    Of course, the expectations of purebred blues fans, that they had finally found their hero -a bluesman who would launch a modernized but reverently faithful, pure from blues sound-, were quickly dashed, as Keb’ Mo’ has since poured enough water into his wine and enough pop in his blues. From 1998, with his “Just Like You”, until today, from album to album, he is increasingly moving away from the rules of blues, while maintaining them as an obvious backbone of his music. However, he can respond to any criticism for alleged fraud, not only with the 3 Grammys (which state that he managed to bring to the fore a marginalized genre) but also with songs of exceptional quality such as “Am I wrong”, “Perpetual Blues Machine”, “Everything I need”, “Door”, “Life is Beautiful”, “Henry”, “Better Man” and so many others which clearly show that he did not have to slip into bribery to sell.

    Briefly, for those who like a more bluesy version of artists like James Taylor, Jackson Brown, or Bonnie Raitt, Keb’ Mo’ is an ideal listening experience. Fans of authentic blues should stay in the first three albums of him, and especially in the first one.

    Keb’ Mo’ – Folsom Prison Blues
    Keb’ Mo’ – Folsom Prison Blues
  • Kenny Wayne Shepherd Band – Never Lookin’ Back

    Kenny Wayne Shepherd Band – Never Lookin’ Back

    One of the most commercially known blues-rock guitarists of the younger generation. He was born in Shreveport, Louisiana on June 12, 1977. Kenny is self-taught, and he gained knowledge about music by listening to records from the vast collection of his father. Father of Kenny was a radio DJ and concert organizer.

    Shepherd became seriously interested in the guitar at the age of 7, after hearing Stevie Ray Vaughan play. He quickly began ripping off the next albums. Listening to Vaughan, Muddy Waters and Albert Lee recordings an infinite number of times. Kenny trying to decode their playing note by note. He signed his first recording contract at the age of 13. Today together with Kenny Wayne Shepherd Band, he has nine albums. Also, five Grammy nominations, two Billboard Music Awards, two Blues Music Awards and a record-breaking presence on the Billboard blues chart with the album “Trouble Is …”.

    The song “Blue on Black” from this album spent 17 weeks at the magazine’s number 1 rock chart! The latest album, Lay It On Down, was released in 2017. In 2008, Fender produced the Stratocaster signed with his name.

    Music is not only his love, but also his mission: “Every evening I go on stage to give the audience my whole heart with my music and bring some light into their lives. If, during an hour and a half concert, I manage to cheer someone up, make them forget about their worries, it means that I have done my job well ”.

    He is the father of two sons and three daughters and is the husband of Hannah Gibson (Mel Gibson’s eldest daughter).

    Kenny Wayne Shepherd Band - Never Lookin' Back
    Kenny Wayne Shepherd Band – Never Lookin’ Back
  • Robin Trower – Day Of The Eagle and Bridge Of Sighs

    Robin Trower – Day Of The Eagle and Bridge Of Sighs

    Robin Trower – Day Of The Eagle and Bridge Of Sighs
    Day Of The Eagle and Bridge Of Sighs

    Robin Trower

    Leonard Robin Trower is born March 9, 1945, year in south-east London, guitarist, singer, and composer. He collaborated in the first period with the band Procol Harum, The Paramounts and Jack Bruce. As a professional musician participated in recordings of Bryan Ferry. He also created his own group, with whom he recorded several albums.

    For some, Musical legends, the best solution is to accept tributes and royalties for the resumption of old hits. However, there are artists who regularly remind audiences that they are invariably in masterful form. One of these musicians is Trower. His career, first band (including the best of the Procol Harum group), and eventually solo, is based on a number of excellent records.

    I’ve always been the first to admit that Jimi was a very big influence on my early stuff.

    Perhaps Trower’s most famous album is Bridge of Sighs (1974). This album, along with his first and third solo albums, was produced by his former Procol Harum bandmate, organist Matthew Fisher. Despite differences, Trower’s early power trio work was noted for Hendrixesque influences. Trower is an influential guitarist who has inspired other guitar legends such as Robert Fripp, who praised him for his bends and the quality of his sounds, and took lessons from him.

    Since the time of the Robin Trower Band, he is an outstanding exponent of the blues, which confirms created for such a long period of music and its growing popularity among the younger generation. You can meet up with the term that Trower is a “European Hendrix” and perhaps it is not exaggerated.

    Regarding raw emotion and sheer power, few guitarists today can equal Robin Trower. He literally compels his Fender Stratocaster to sing a timeless musical language – a blues-rock vocabulary replete with multiple-string bends enhanced by shimmering left-hand vibratos, sustain, effects, and controlled feedback.

    Visit Robin Trower Website: http://www.trowerpower.com

    Do not forget to check great Robin Trower CD ‘Something’s About To Change’ http://amzn.to/1CcoECJ robin-trower-somethings-about-to-change

  • Warren Haynes – Before The Bullets Fly

    Warren Haynes – Before The Bullets Fly

    Warren Haynes - Before The Bullets Fly
    Warren Haynes – Before The Bullets Fly

    Warren Haynes

    Warren Haynes is undoubtedly a great guitarist. By the early 90s, when he was admitted to the Allman Brothers he stood out so much that pale fear fell upon some old members of the group. Dickey Betts clearly stood out, despite the fact that twenty years before he was considered a great instrumentalist. Guys came to terms, however, so that Haynes does not dominate the group, brought as much as he had to pay, with excellent effect anyway.

    However, when the Allman Brothers produced less and less music, Haynes, much younger than the veteran team, had no place to go wild. He summoning two other musicians and formed Gov’t Mule, which recorded like crazy (15 albums in 15 years, dozens of covers, countless concerts). As if that were not enough, Haynes recorded with other musicians and produced solo albums.

    Haynes bands were great. All members have had some influence on the final music, and each part was bring something positive.

  • George Thorogood – Bad to the bone

    George Thorogood – Bad to the bone

    George Thorogood

    George Thorogood belongs to the group of performers who were able to develop their own, immediately recognizable style. Tirelessly for almost forty years, he plays an extremely dynamic and lively blend of blues, boogie and rock’n’roll, richly sprinkled with a fiery slide. His music is simple and uncomplicated but charged with pleasant, very natural and slightly rascal energy.

    I like Thorogood for his energy, enthusiasm, naturalness, honesty and every listening session I consider a very pleasant time. George Thorogood has been playing his music for years. He doing this without looking at the changing trends. No one expects him to combine, search for new sounds or intricately arranged arrangements. His style pattern probably lies in Sevres near Paris next to the metro pattern.

    Thorogood, whatever he does, invariably is himself, attacking us with his simple, captivating music, which, regardless of the passing fads, makes listeners sway and play.

    George Thorogood – Bad to the bone
    George Thorogood – Bad to the bone

    The inclusion of “Bad to the Bone” in the film’s soundtrack plays a pivotal role in defining the T-800’s character arc. From the moment the T-800 steps out, unabashed and ready for action, the song underscores its transformation from an emotionless killing machine in the first film to a symbol of resilience and protector in the sequel. The gritty guitar riffs and Thorogood’s husky voice enhance the T-800’s entrance, imbuing it with an air of invincibility and a hint of menace that perfectly complements its on-screen presence.

    “Bad to the Bone” and “Terminator 2: Judgment Day” share a symbiotic relationship that has left a lasting impact on pop culture. Together, they represent a celebration of the resilience of the human spirit, a theme that continues to inspire and captivate audiences around the world.

    Thank You!

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Bonnie Raitt – Love Me Like a Man

    Bonnie Raitt – Love Me Like a Man

    Bonnie Raitt – Love Me Like a Man
    Bonnie Raitt – Love Me Like a Man

    Awesome Bonnie Raitt. Gravelly voiced, extremely talented slide guitarist, soulful to the extreme, and devoted to her craft.

    Bonnie Raitt

    American blues singer-songwriter and slide guitar player. During the 1970s, Raitt released a series of roots-influenced albums. She incorporated into her albums elements of blues, rock, folk and country. In the 1990s she had a major return with the release of her album “Nick of Time”.

    The following two albums “Luck of the Draw” and “Longing in Their Hearts” were also multi-million sellers. They come with such hits as “Something to Talk About”, “Love Sneakin’ Up on You”, and the ballad “I Can’t Make You Love Me” (with Bruce Hornsby on piano).

    Raitt has received ten Grammy Awards. She is listed as number 50 in Rolling Stone magazine’s list of the 100 Greatest Singers of All Time and number 89 on their list of the 100 Greatest Guitarists of All Time.

    Raitt’s principal touring guitar is a customized Fender Stratocaster that she nicknamed Brownie. This became the basis for a signature model in 1996. Raitt was the first female musician to receive a signature Fender line.

    Albums

    1971 Bonnie Raitt
    1972 Give It Up
    1972 Sigma Sound Studios 72
    1973 Takin’ My Time
    1973 Sofa Blues [With Little Feat]
    1974 Streetlights
    1975 Home Plate
    1977 Sweet Forgiveness
    1979 The Glow
    1982 Green Light
    1986 Nine Lives
    1989 Nick of Time
    1991 Luck of the Draw
    1994 Longing in Their Hearts
    1995 Road Tested [live]
    1998 Fundamental
    2002 Silver Lining
    2005 Souls Alike
    2006 Bonnie Raitt & Friends
    2012 Slipstream
    2016 Dig in Deep
    2022 Just Like That…

  • Steve Earle & The Dukes – You’re The Best Lover That I Ever Had

    Steve Earle & The Dukes – You’re The Best Lover That I Ever Had

    Terraplane takes its title from the 1930s Hudson Motor Car Company of Detroit model, which also inspired the Robert Johnson song, “Terraplane Blues.” It is Earle’s 16th studio album since the release of his highly influential 1986 debut Guitar Town. As its title suggests, the album is very much a blues record, some of which was written while Earle toured Europe alone for five weeks with just a guitar, a mandolin and a backpack.

    Here you can get “Terraplane Blues.” CD and DVD : http://amzn.to/1vlNuh8

  • Buddy Guy and Eric Clapton – Sweet Home Chicago

    Buddy Guy and Eric Clapton – Sweet Home Chicago

    Buddy Guy

    Five-time Grammy Award winner and one of the greatest American blues and rock guitarists and singers. Geroge “Buddy” Guy was born on July 30, 1936 in Lettsworth, Lujzjana.
    Buddy Guy began performing in the early 1950s. When he moved to Chicago in 1957, his greatest inspiration was Muddy Waters, the champion of the Chicago scene. A year later, he managed to sign a record deal with the well-known Chess label. During this time, he also recorded with Junior Wells.
    However, the times spent on Chess Records were not the best for Buddy Guy – the artist did not find there understanding for his unique style, similar in sound to live performances. The only album he recorded at that time was “Left My Blues In San Francisco”. On Chess Records, Guy was active primarily as a session musician, having the pleasure of recording with artists such as Muddy Waters, Koko Taylor and Howlin ‘Wolf.

    Buddy in Great Britain

    The reputation of Buddy Guy was also known in Great Britain, where he first came in 1965. The scene was soaking up the inspiration of the American blues. Guy was one of the favorites of rockers such as Jeff Beck and Eric Clapton. After years of disappointment, the musician finally ended up being an accomplice with the Chess label. He moved to Vanguard, where he released, among others “Blues Today” or “Hot and Cool”.

    The artist’s career, however, did not reach the extent it certainly deserved. Despite the fact that he greatly inspired the blues-rock scene, she triumphed without him. Over the next two decades, the musician experienced a situation that happens to many great creators. Visionaries and artists who pave the way, are eclipsed by followers who claim fame, success and money.

    A positive breakthrough in the career of Buddy Guy took place in the late 1980s, when blues music began to experience a revival. The support he received from Eric Clapton, who invited him to perform with other guitarists at a show in London, was also important. During this time, he recorded successfully for the Silvertone label.

  • John Hammond – Ain’t Gonna Worry My Life Anymore

    John Hammond – Ain’t Gonna Worry My Life Anymore

    John Hammond - Ain't Gonna Worry My Life Anymore
    John Hammond – Ain’t Gonna Worry My Life Anymore

    Discovering the Blues with John Paul Hammond: A Lifelong Journey

    I still remember the first time I heard John Paul Hammond. It was the early ‘70s, and I was flipping through records in a dusty little record shop that smelled like old wood and vinyl dreams. A friend of mine handed me So Many Roads, saying, “You gotta hear this guy. He plays like he’s channeling the Delta.” That night, sitting cross-legged on my apartment floor with a cheap turntable humming, I dropped the needle—and my life changed.

    From that moment on, I was hooked.

    My First Encounter with the Real Deal

    John Paul Hammond, or John Hammond Jr. as some call him, isn’t just a blues musician—he is the blues. Born in New York City in 1942, son of the legendary producer John H. Hammond, John could’ve taken the easy road into the music industry. But he didn’t. He carved his own path, deep into the roots of the Delta, and brought back the raw soul of acoustic blues.

    What struck me most was how authentic he sounded. Here was a white kid from NYC who could hold his own with the ghosts of Robert Johnson and Howlin’ Wolf. And he did it with just his voice, a slide, and a steel-bodied National guitar. No gimmicks. Just grit, passion, and respect.

    The First Time I Saw Him Live

    I finally got to see John live in 1985 at a small club in Chicago—dark, smoky, intimate, just the way blues ought to be. He walked onstage with his guitar and harmonica rack, no band, no backing tracks. Just him and the music. And when he opened with “Drop Down Mama,” time stood still. You could hear a pin drop between the notes, every slide run digging deep into your chest. I swear, it felt like Robert Johnson himself had crawled into the room.

    I’ve seen him many times since, and each time he brings that same intensity. He doesn’t just perform—he testifies.

    More Than a Musician—A Gateway to the Blues

    John’s music didn’t just entertain me—it educated me. Because of him, I discovered Son House, Skip James, and Blind Willie McTell. His records became a gateway, each one a history lesson with liner notes and liner soul. Albums like Mirrors, Solo, and especially Wicked Grin (his 2001 collaboration with Tom Waits) deepened my love for the genre and kept me chasing those roots.

    He’s played with Hendrix, Clapton, Dr. John, even members of The Band—but he’s always stayed true to himself. Never flashy, always honest.

    Recognized but Underrated

    John was inducted into the Blues Hall of Fame in 2011, and it was about time. He’s won a Grammy and been nominated more times than I can count. Still, he’s one of those artists who never got the mainstream attention he deserves—and maybe that’s why his music feels so personal. Like a secret between you and the blues.

    Why I Keep Coming Back

    Even now, decades after I first heard him, I still go back to John’s records when life gets heavy. There’s something comforting in his voice—weathered, strong, human. He reminds me that pain and beauty can live in the same note, and that sometimes all you need is a guitar, a harmonica, and the truth.

    If you’ve never listened to John Paul Hammond, start now. Grab So Many Roads, then move on to Wicked Grin, and don’t stop there. Better yet—see him live. Let him take you on that journey down the old blues highway. I promise, you won’t come back the same.

    Final Note

    You can learn more about John Paul Hammond, see tour dates, or explore his discography at johnhammond.com.

    Video

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • John Lee Hooker – Boom boom (1960’s)

    John Lee Hooker – Boom boom (1960’s)

    John Lee Hooker – Boom boom (1960’s)
    John Lee Hooker – Boom boom (1960’s)

    Hooker was born in 1917. Genius boogie, the big star of blues music. His distinctive style since his debut album in 1959 has earned him a great circle of fans.
    He played different varieties of blues, his work is a fascinating musical journey. Several songs have been commercially successful on the charts, among others. “Boom, Boom” or “Chill Out”.

    In the 1960s Hooker became one of the idols of British youth and musicians like The Animals, The Yardbirds, and John Mayall. England was having a great blues boom, Muddy Waters came, Big Bill Broonzy arrived, Howlin ‘Wolf, John Lee Hooker arrived. Eric Burdon recorded his hit version of “Boom Boom” in 1964, presenting the work of American guitarist to a broad British audience.

    Blues Brothers

    During the late seventies and eighties, John Lee toured the United States and Europe regularly. His appearance in the iconic movie “Blues Brothers” once again raised his ratings, and at the age of 72, John Lee Hooker released the biggest album of his career, “The Healer”. He picked up the Grammy for it in 1989 and has sold over a million copies.

    During these years he released several studio albums, including “Mr. Lucky ”,“ Boom Boom ”,“ Chill Out ”(Grammy again),“ Don’t Look Back ”(two Grammy Awards). Throughout the decade of the 90s, Hooker’s great achievements and contribution to music were appreciated not only by all generations of listeners. He became the face of pop culture, in 1991 John Lee was inducted into the Rock & Roll Hall of Fame, and in 1997 he received a star on the Hollywood Walk of Fame.

    When John Lee Hooker entered the age of 70, he was suddenly at the most successful stage in his career – rediscovered and full of energy as always, touring and recording until his death in 2001.

    Top Albums by John Lee Hooker : https://amzn.to/1WII3F6

    Boom, boom, boom, boom
    I’m gonna shoot you right down
    Right off your feet
    Take you home with me
    Put you in my house