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Blues Musicians Archives - Page 2 of 196 - I Love Blues Guitar
I Love Blues Guitar

Category: Blues Musicians

  • Larry McCray – Heartbreak City

    Larry McCray – Heartbreak City

    Soul, Sweat & Six Strings: How Larry McCray Brought Me Back to the Real Blues

    There’s a moment I’ll never forget—windows down, driving some lonely backroad, and Larry McCray’s voice comes through the speakers like thunder wrapped in velvet. The song was “Soulshine.” I’d heard the Allman Brothers do it, sure—but when Larry sang it? Man… it sounded like a prayer and a promise rolled into one.

    That was it for me. Hooked. Sold. Fan for life. Larry McCray didn’t just bring the blues back to me—he reminded me why I fell in love with it in the first place.

    From the Motor City to the Mississippi Spirit

    Born in Magnolia, Arkansas, and raised in Saginaw, Michigan, Larry McCray grew up in a house filled with gospel and blues. He learned guitar from his sister, played in family bands, and by the late ’80s, he was grinding it out in Michigan blues clubs—earning every note with sweat and soul.

    His debut, Ambition (1990), dropped like a bomb in the blues world. Suddenly, there was this young, fire-breathing bluesman with the soul of B.B. King, the edge of Albert Collins, and the honesty of Otis Redding.

    But Larry? He didn’t chase fame. He chased truth. And that’s what comes through in every album, every solo, every song.

    His Sound: Soul-Drenched Blues with Bite

    Larry McCray is a blues guitarist with soul singer lungs. His tone is fat and warm—think vintage Gibson through a cranked-up amp. He plays with fire but never overplays. Every bend, every lick feels earned.

    And that voice? Deep, resonant, full of conviction. He doesn’t just sing the blues—he testifies. Whether it’s heartbreak, hard times, or hope, Larry sings it like he lived it. And chances are, he did.

    His music isn’t just blues—it’s a blend of soul, R&B, gospel, rock, and Delta grit. And the magic? He makes it feel effortless.

    The Albums That Lit the Fire in Me

    Larry’s discography is a blues lover’s goldmine. Here are the ones that grabbed me and never let go:

    • 🔥 Ambition (1990) – His debut. Raw, hungry, and powerful. Still holds up as one of the best first albums in modern blues.
    • 🎸 Delta Hurricane (1993) – Produced by Mike Vernon (of Clapton fame). It’s big, bold, and beautifully crafted.
    • 🎤 Believe It (2000) – A soulful gem. Highlights Larry’s vocal power and songwriting chops.
    • 💥 Blues Without You (2022) – His comeback masterpiece. Produced by Joe Bonamassa and Josh Smith. It’s deep, emotional, and absolutely electric. “Arkansas” and “Down to the Bottom” are worth the album alone.

    That last record? It’s a statement. After years under the radar, Larry came back swinging—and it’s some of his best work yet.

    Live: The Church of McCray

    I caught Larry McCray live at a small blues fest, and I swear, the whole crowd levitated. He didn’t just perform—he connected. His guitar spoke like a preacher, his vocals cut like truth, and every song felt like it came straight from the gut.

    No gimmicks. No ego. Just a man and his guitar, laying it down like his life depended on it.

    And when he played “Soulshine”? There were tears. Mine included.

    Why Larry McCray Deserves the Spotlight Now

    In a blues world that sometimes feels stuck in the past or too slick for its own good, Larry McCray is the real deal. He’s not chasing trends. He’s chasing feeling.

    He brings the grit of the Delta, the soul of Motown, and the fire of rock ‘n’ roll—and he blends it into something timeless.

    Plus, he’s one of the few modern bluesmen who’s as strong on vocals as he is on guitar. That balance? It’s rare. And needed.

    Where to Start If You’re New

    Ready to meet your next blues obsession? Here’s your Larry McCray starter kit:

    • 🎧 Blues Without You (2022) – Modern masterpiece. Emotional, tight, unforgettable.
    • 💿 Delta Hurricane – Big production, killer playing.
    • 🔥 Ambition – Raw and real from the jump.
    • 📺 YouTube: Search “Larry McCray live 2023” or “Soulshine Joe Bonamassa Keeping the Blues Alive” to see him in full fire-breathing form.

    More at larrymccray.net

    Larry McCray doesn’t just play the blues—he lifts it, shapes it, and sends it soaring. He’s got the voice of a soul singer, the chops of a guitar god, and the heart of a man who’s lived every line he sings. And for this blues fan, that makes him nothing short of essential.

    Thank you

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Jimmie Vaughan – Strange Pleasure

    Jimmie Vaughan – Strange Pleasure

    Why Jimmie Vaughan is Still My Guiding Light in the Blues

    As a lifelong blues fanatic, there are certain artists who don’t just play music; they are the music. For me, Jimmie Vaughan is at the very top of that list. His guitar isn’t just an instrument; it’s an extension of his soul, a conduit for pure, unadulterated Texas blues that has shaped my musical landscape for decades.

    I still remember the first time I heard The Fabulous Thunderbirds. It was the early 80s, and something about Jimmie’s understated, yet undeniably powerful, playing grabbed me instantly. While the airwaves were buzzing with flashier guitar heroes, Jimmie’s tone was like a warm embrace, a smooth, confident swagger that didn’t need a thousand notes to make its point. He played the right notes, and every single one landed with purpose and feeling. It was a revelation. It taught me that sometimes, less is truly more.

    The Live Experience: More Than Just a Concert

    I’ve been lucky enough to see Jimmie Vaughan live more times than I can count. Each time, it’s not just a concert; it’s an experience. There’s this quiet intensity about him on stage, a genuine connection to the music that’s almost palpable. I recall one show, probably fifteen years ago, in a smaller club. The air was thick with anticipation, and when Jimmie stepped out, clad in his signature sharp suit, a hush fell over the room. He didn’t waste time with theatrics; he just picked up his Strat, plugged in, and let that inimitable tone fill the space.

    He launched into “Dengue Woman Blues,” and it was like time stopped. Every bent note, every subtle vibrato, resonated deep within me. You could feel the history in his hands, the echoes of Freddie King and T-Bone Walker woven into his unique style. He’s a storyteller, not with words, but with his guitar. And when he’d flash that knowing smile between solos, it felt like he was sharing a secret with each and every one of us in the audience.

    How Jimmie’s Music Shaped My World

    Jimmie Vaughan’s music became the soundtrack to so many moments in my life. From long road trips with his Strange Pleasure album on repeat, to quiet evenings spent just soaking in the pure, unhurried beauty of his Plays Blues, Ballads & Favorites records, his sound has always been there.

    He taught me to appreciate the nuances of the blues, the power in restraint, and the profound emotion that can be conveyed through a handful of perfectly placed notes. In a world often obsessed with speed and flash, Jimmie Vaughan always stood for authenticity and soul. He reminds me that true artistry lies not in showing off, but in conveying feeling. His influence is evident in how I listen to music, how I approach my own creative endeavors, and even how I try to live my life – with a focus on quality over quantity, and a deep appreciation for the genuine article.

    The Legacy Lives On

    Even today, in 2025, Jimmie is still out there, gracing stages and sharing his incredible gift. He’s got some amazing tour dates coming up, including a special appearance at Lincoln Center Damrosch Park for Antone’s 50th Anniversary in New York City, and a string of dates with the legendary Bonnie Raitt. Knowing he’s still out there, still playing that timeless Texas blues, brings a smile to my face and a warmth to my heart.

    If you haven’t had the pleasure of truly diving into the world of Jimmie Vaughan, I urge you to. Start with The Fabulous Thunderbirds’ early work, then move into his solo albums like Strange Pleasure and Do You Get the Blues?. You’ll discover a master craftsman, a true legend whose music will undoubtedly enrich your life, just as it has mine. He’s not just a blues guitarist; he’s a touchstone, a constant reminder of the enduring power and beauty of the blues. Thank you, Jimmie, for every single note.

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Robert Johnson – Cross Road Blues

    Robert Johnson – Cross Road Blues

    The Deal at the Crossroads: How Robert Johnson Became the Ghost in My Guitar

    You don’t just listen to Robert Johnson—you feel like you’re being haunted by him. I remember the first time I heard “Hellhound on My Trail.” I had the lights low, headphones on, and suddenly it was like the room got colder. That voice, that guitar, that ache… it didn’t sound old. It sounded eternal.

    From that night on, Robert Johnson wasn’t just a bluesman to me. He was the myth, the mystery, the origin story. The man who changed everything with little more than a battered acoustic guitar and a voice that could rattle your bones.

    The Man, the Myth, the Legend

    Born in Hazlehurst, Mississippi in 1911, Robert Johnson lived hard and died young—gone by 27, with only 29 songs recorded in two brief sessions. And yet, he’s arguably the most influential blues artist who ever lived.

    The legend goes that he sold his soul to the devil at a midnight crossroads to learn how to play. Whether you believe it or not, there’s no denying his guitar playing was otherworldly. He wasn’t just ahead of his time—he was beyond it.

    The Sound: Fingerpicking Like a Storm, Voice Like a Ghost

    If you’ve only heard the scratchy old recordings, you might miss the depth. But take a moment. Really listen.

    His guitar playing is like a full band trapped in two hands—bass lines, chords, slide licks, rhythmic drive. He made a single guitar sound like a rhythm section and lead player rolled into one.

    And his voice—high, aching, haunted. He didn’t growl or shout. He cried, pleaded, mocked, warned. His singing feels intimate, like he’s whispering confessions in your ear from another world.

    The Songs That Wrote the Blues Bible

    Only 29 songs. But each one a master class in storytelling, technique, and soul. These are the ones that got me:

    • 🎤 “Cross Road Blues” – The one that birthed a million guitar solos. Urgent, spooky, and unforgettable.
    • 🐍 “Hellhound on My Trail” – Pure dread and desperation in musical form.
    • 🎸 “Sweet Home Chicago” – A Chicago blues standard before Chicago blues was even a thing.
    • 💔 “Love in Vain” – The original heartbreaker. Haunting, subtle, perfect.
    • ⚡ “Stop Breakin’ Down Blues” – Raw, rhythmic, and wildly ahead of its time.

    It’s no wonder legends like Muddy Waters, Eric Clapton, Keith Richards, and Bob Dylan cite him as the spark that lit their fire.

    More Than a Musician: A Portal

    Listening to Robert Johnson is like staring into the eyes of the blues itself. He didn’t write party songs. He wrote about fear, betrayal, longing, damnation, and the thin line between sin and salvation.

    The fact that he recorded these songs in a couple of hotel rooms in Texas on primitive equipment only makes them feel more ghostly, more urgent. It’s like you’re hearing the blues before it was called that—before it got polished or packaged.

    Why He Still Matters (Maybe Now More Than Ever)

    In a world obsessed with speed and polish, Robert Johnson reminds us what music is really about: truth, pain, mystery, and soul. He didn’t have Pro Tools. He didn’t have a band. He had a guitar, a chair, and the weight of the world in his voice.

    He’s the blues before the blues had a blueprint, and his influence runs deep—not just in blues and rock, but in any music that dares to feel something.

    Where to Start If You’re New

    Let me guide you into the crossroads:

    • 🎧 The Complete Recordings – All 29 tracks, including alternate takes. This is essential.
    • 📺 YouTube: Search “Robert Johnson Cross Road Blues remastered” or “Love in Vain original recording” for modern-cleaned audio.
    • 📚 Book: Escaping the Delta by Elijah Wald if you want to explore beyond the myths and into the man’s reality.

    Robert Johnson didn’t live long enough to see his legend take hold—but his shadow still looms large. He was the blues at its purest: lonely, restless, fearless. And every time I pick up a guitar, a little part of him is there at the crossroads, waiting.

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Joe Bonamassa – Driving Towards The Daylight

    Joe Bonamassa – Driving Towards The Daylight

    Joe Bonamassa

    He is one of the most famous contemporary blues-rock musicians. Joe was nominated for two Grammy Awards twice. He put Billboard charts as many as 20 albums first, and this number is still increasing!

    In his discography, he has over 30 albums, both studio and concert albums. He regularly records in a duet with the sensational singer Beth Hart. Guitarists also co-created the projects Black Country Communion and Rock Candy Funk Party. He is a talented composer who continues to expand his eclectic musical horizons. He regularly appears on the pages of industry publications around the world, from the Esquire and Parade magazines, through the Rolling Stone and American Songwriter, as well as Guitar Player, Acoustic Guitar, Vintage Guitar, and Classic Rock.

    Opening of B.B. King

    The guitar virtuoso from New York began with the opening of B.B. King when Joe Bonamassa was only 12 years old. Since then, he has shared scenes with artists such as Eric Clapton, Stephen Still, Derek Trucks, Warren Haynes, Buddy Guy, and Steve Winwood. Bonamassa has traveled the path from the position of children’s sensation to a world-class star and is still evolving.

    The artist is an enthusiast of live performances, and his concerts are one of the essential branches of his activity.

    His tours have been sold out in the most iconic concert venues around the world. Among which there were The Red Rocks Amphitheater at Morrison, The Greek Theater in Los Angeles, Ryman Auditorium in Nashville, The Royal Albert Hall in London, the Vienna Opera, and the New York Beacon Theater. Bonamassa performs, on average, 200 days a year. When he’s not on stage, he is fully committed to creating the most ambitious, diverse new music he shares with the audience and fans.

    #1 Billboard Blues album Driving Towards the Daylight is filled with poignant, stirring tunes stretching back to the oldest roots of Delta Blues like Robert Johnson’s haunting ‘Stones in my Passway’ and to recent neo-avant-garde blues-rocker Tom Waits’ “New Coat of Paint”.

  • Mike Zito – Judgement Day

    Mike Zito – Judgement Day

    Groove, Grit, and Heart: How Mike Zito Became My Blues Brother from Another Mother

    It started with one song—“Gone to Texas.” I clicked play out of curiosity. Five minutes later, I was sitting in silence, floored. The guitar tone had soul and sting. The vocals were raw and honest. And the story? It felt real. That was my first taste of Mike Zito, and from that day on, I’ve followed him like a true believer.

    Zito isn’t just a great blues guitarist. He’s a storyteller, a survivor, and a modern bluesman who wears his heart on his fretboard.

    From St. Louis to the World Stage

    Born in St. Louis, Missouri, Mike Zito came up on a diet of classic rock, soul, and blues. He cut his teeth in the clubs of his hometown, slowly building a reputation as one of the hardest-working, most soulful guitar slingers in the Midwest.

    But his rise wasn’t easy. Mike battled addiction, demons, and doubt, and what sets him apart is that he never hid it. He put it in the music—and that honesty became his superpower.

    When he got clean and signed with Ruf Records, it felt like his second life began. He’s since gone from barroom grinder to blues festival headliner, and he’s earned every inch of it.

    The Sound: Blues Rock with Big Sky Emotion

    Mike Zito’s guitar playing is all about feel, fire, and space. He can shred, sure—but he never plays a note that doesn’t matter. His tone is fat and expressive, with a little bit of Texas dirt, a touch of southern soul, and the grit of St. Louis barrooms.

    Vocally, Mike’s got that raspy, everyman voice—equal parts storyteller and soul singer. He doesn’t try to sound perfect. He sounds real. And when he sings about pain, redemption, or freedom, you believe him.

    He mixes blues, rock, roots, and Americana into something uniquely his own. Think Joe Bonamassa meets John Hiatt with a Strat in his hand.

    The Albums That Won Me Over (and Keep Me Coming Back)

    Mike Zito’s discography is deep, but here are the records that lit me up:

    • 🎸 Gone to Texas (2013) – A personal and musical rebirth. The title track alone is worth the price of admission.
    • 💥 Make Blues Not War (2016) – High energy, big hooks, and modern blues with teeth. A must-listen.
    • 🔥 Resurrection (2021) – Deep, soulful, and full of spiritual weight. One of his best.
    • 🎤 First Class Life (2018) – About surviving addiction and finding peace. Honest and uplifting.
    • 🎶 Rock ‘n’ Roll: A Tribute to Chuck Berry (2019) – A celebration of his roots with guest stars galore.
    • 📀 Life Is Hard (2024) – His newest, and it hits hard emotionally and musically. Proof that Zito’s still growing, still reaching.

    He also did powerful work with the Royal Southern Brotherhood (alongside Devon Allman and Cyril Neville)—a blues supergroup that had funk, fire, and family vibes.

    Seeing Him Live: Soul, Sweat, and Pure Connection

    I saw Mike Zito live on a summer night at a small outdoor venue. No ego. No gimmicks. Just a man, his guitar, and his truth. From the first note, he had the crowd in his pocket.

    He played like his life depended on it—because it once did. And that kind of connection? You can’t fake it.

    There’s something healing about a Mike Zito show. You leave lighter, like the blues didn’t weigh you down—it set you free.

    Why Mike Zito Matters Now More Than Ever

    In a genre that sometimes looks backward too much, Mike Zito is pushing forward. He honors the blues, but he’s not stuck in it. He writes about today. About struggles with addiction, relationships, purpose, and redemption.

    He’s also a fierce advocate for other musicians, producing albums for rising stars, running his own record label (Gulf Coast Records), and helping to build a stronger blues community.

    And through it all, he stays grounded. You can hear it in his songs. You can feel it in his solos. He’s not playing a role. He is the blues.

    Where to Start If You’re New

    Ready to ride with Zito? Start here:

    • 🎧 Gone to Texas – A masterpiece of blues storytelling.
    • 💿 Make Blues Not War – For a rowdy, high-energy ride.
    • 🔥 Resurrection – Deep and soulful modern blues.
    • 📺 YouTube: Search “Mike Zito live 2022” or “Resurrection live acoustic” and see the fire for yourself.

    More at mikezito.com

    Mike Zito plays like a man who’s lived every note—and sings like he’s survived to tell you about it. He’s a bluesman for the now, a truth-teller with a Stratocaster, and for me? He’s the kind of artist who makes you feel a little more human just by pressing play.

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Howlin’ Wolf – If You Hear Me Howlin’

    Howlin’ Wolf – If You Hear Me Howlin’

    The Earth Shook, the Blues Roared: How Howlin’ Wolf Changed the Way I Heard Everything

    I thought I understood the blues—until I heard Howlin’ Wolf. The first time that voice came howling through my speakers, I nearly dropped the record sleeve. It wasn’t just deep—it was primordial. Like gravel soaked in moonshine, thunder wrapped in velvet, or some ancient blues god just woke up mad.

    “Smokestack Lightning” was the song. One note from his growl, and I was hooked forever. He wasn’t just singing the blues. He was summoning it.

    From the Delta to Chicago: The Making of a Blues Titan

    Born Chester Arthur Burnett in Mississippi in 1910, Howlin’ Wolf grew up absorbing everything around him—field hollers, gospel, Delta slide guitar. His mentor? None other than Charley Patton, the father of Delta blues. That’s the level we’re talking about.

    Wolf didn’t even start recording until he was over 40—but when he did, the world changed. He moved to Chicago in the early ’50s, signed with Chess Records, and kicked off a string of explosive, earthshaking recordings that reshaped electric blues and laid the foundation for rock and roll.

    Muddy Waters was cool. B.B. King was smooth. But Howlin’ Wolf was a force of nature.

    That Voice: Fire, Fury, and 100% Real

    Howlin’ Wolf’s voice is its own instrument. Rough, animalistic, full of growl and grit, it’s instantly recognizable and totally unforgettable. He didn’t try to be pretty—he tried to be honest. And man, was he ever.

    He could snarl, shout, moan, and whisper—all in one phrase. When he sang, “I asked for water, and she gave me gasoline,” it wasn’t a metaphor. You could feel the burn.

    He stood 6’3”, 300 pounds, and commanded the stage like a storm cloud rolling in. But underneath that intensity was a deep soul. The man knew pain, joy, love, and rage—and he poured it into every word.

    The Sound: Grit, Groove, and Pure Blues Muscle

    Wolf’s music hits like a freight train. His band—often featuring Hubert Sumlin on guitar—was tight, funky, and full of electric tension. These weren’t blues ballads. These were grooves that stalked and swaggered.

    His recordings are raw but tight. No wasted notes. No gloss. Just deep-pocket rhythm, biting guitar, and Wolf’s voice cutting through like a razor.

    And here’s the thing: every rock band you love stole something from him. The Rolling Stones, Cream, Zeppelin—they all drank from the Wolf’s cup.

    Essential Albums and Tracks That Shook My Soul

    If you’re new to Howlin’ Wolf, don’t worry. Here’s a quick roadmap that’ll change your life:

    • 🔥 Moanin’ in the Moonlight (1959) – His first LP, packed with hits like “How Many More Years,” “Smokestack Lightning,” and “Evil.” It’s raw, spooky, and classic.
    • 🎸 Howlin’ Wolf (The Rockin’ Chair Album) (1962) – Maybe the greatest blues album ever. “Wang Dang Doodle,” “Spoonful,” “Little Red Rooster”—they’re all here.
    • 💥 The London Howlin’ Wolf Sessions (1971) – Wolf meets Clapton, Charlie Watts, and Steve Winwood. It’s rough, legendary, and full of transatlantic electricity.
    • 🎤 Live and Cookin’ at Alice’s Revisited (1972) – Late in his career, but still full of fire. A master at work.

    And if you want to get to the essence of his vibe? Put on “Back Door Man” with the lights low. It’s not just blues—it’s a statement.

    Seeing the Wolf: What I Wish I Could Have Witnessed

    I never got to see Howlin’ Wolf live—he passed in 1976, before I even really knew what blues was. But friends who did said it was like watching a preacher, a wildman, and a blues giant all wrapped into one. He’d growl, crawl across the stage, throw back his head and howl into the rafters.

    But what stuck with people most was the power. You didn’t just hear him—you felt him. Like he was putting every ounce of blood and breath into the blues.

    Why Howlin’ Wolf Still Matters So Damn Much

    In a world that keeps sanding down the edges, Howlin’ Wolf reminds us what the blues really is. It’s not always pretty. It’s not always smooth. Sometimes, it’s rough, loud, angry, and true.

    He’s the missing link between Delta blues and rock ‘n’ roll, the voice behind songs that shaped a generation, and the soul of Chicago’s most muscular sound.

    You don’t listen to Howlin’ Wolf to relax. You listen to him to wake up. To get shaken. To remember that the blues was never about playing it safe—it was about playing it real.

    Where to Start If You’re New

    Here’s your Howlin’ Wolf starter kit. No filler, just the fire:

    • 🎧 Moanin’ in the Moonlight – His raw, game-changing debut.
    • 💿 Howlin’ Wolf (The Rockin’ Chair Album) – An all-time great.
    • 🎸 The London Howlin’ Wolf Sessions – Blues meets British rock.
    • 📺 YouTube: Search “Howlin’ Wolf live 1966” or “Wolf and Hubert Sumlin” and watch a master do what only he could do.

    More at allmusic.com/artist/howlin-wolf

    Howlin’ Wolf didn’t need polish. He had power. He had pain. And he had a voice that could shake the walls of heaven. If you’ve never let the Wolf howl through your speakers, now’s the time. Just don’t be surprised if he never leaves.

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Junior Wells – Messin’ With The Kid

    Junior Wells – Messin’ With The Kid

    The Hoodoo Man Speaks: How Junior Wells Brought Me Face-to-Face with the Real Blues

    If the blues had a heartbeat, I swear Junior Wells was its pulse.

    I’ll never forget hearing “Hoodoo Man Blues” for the first time. The groove was dark, slinky, and street-smart. The harp sounded like it had been dragged through the alleys of Chicago and came back testifying. And that voice—laid-back but dangerous. Like a guy who’d lived a life and didn’t feel the need to explain it.

    From that moment, I was hooked. Junior Wells didn’t just play the blues. He walked it. Breathed it. Fought with it and made peace with it all in the same verse.

    From Memphis Roots to Chicago Royalty

    Born in Memphis in 1934 and raised in Arkansas, Junior Wells (born Amos Wells Blakemore Jr.) made his way to Chicago as a young teen—and quickly found himself part of the electric blues revolution.

    He learned harmonica from none other than Little Walter, and by the early ’50s he was already a force—playing with Muddy Waters’ band and cutting tracks that would shape the sound of Chicago blues for decades.

    But it was the ’60s when Junior came into full bloom. Alongside guitarist Buddy Guy, he recorded Hoodoo Man Blues, an album that redefined modern blues—gritty, funky, and as real as it gets.

    His Style: Cool, Raw, and Streetwise

    Junior wasn’t flashy. He didn’t wail or howl. He grooved. He oozed confidence and charisma, like a blues James Brown crossed with a South Side hustler.

    His harmonica playing was razor-sharp and expressive—some of the best ever recorded. He didn’t just blow through scales. He made the harp talk. Laugh. Weep.

    His vocals? Half-sung, half-spoken, always full of attitude. He’d slide into a line like he was telling you a secret. And when he did shout, it was because he meant it.

    And then there was his presence. Onstage, he wore sharp suits, dark shades, and carried himself like he owned the joint. Because, honestly, he did.

    The Records That Got Me Under the Spell

    If you’re new to Junior Wells, there’s a lot to dig into. But these are the albums that pulled me down the rabbit hole:

    • 🎤 Hoodoo Man Blues (1965) – THE masterpiece. If you only listen to one Chicago blues album in your life, make it this one. Raw, spacious, hypnotic.
    • 🔥 South Side Blues Jam (1971) – Looser, jammy, and soulful. Feels like you’re eavesdropping on a killer session.
    • 💥 It’s My Life, Baby! (1966) – High-energy and full of punch. His live cuts from this era are electrifying.
    • 🎸 Play the Blues (with Buddy Guy) (1972) – A dynamic, funky, and raucous ride. These two had chemistry.
    • 🕶️ Live at Theresa’s 1975 – Stripped down, intimate, and full of Junior’s playful side. A glimpse into the real scene.

    He also made killer appearances with The Rolling Stones, Van Morrison, and Carlos Santana, holding his own every time.

    Junior Wells Live: Swagger and Soul

    Seeing Junior Wells live was like going to a sermon in a juke joint. I was lucky enough to catch him once in the ’90s, not long before he passed. He came out slow, cool as ever, and lit into “Messin’ With the Kid” like he’d written it yesterday.

    He didn’t dance much. He didn’t need to. He owned the air around him. Every song was a story. Every harp solo felt like a punchline. And by the end of the show, he had the whole crowd in his hand—without ever raising his voice.

    Why Junior Still Speaks So Loudly

    In a genre full of legends, Junior Wells is the blues with its collar popped and shades on. He didn’t just sing about heartbreak—he sang about survival, hustle, and pride. He made the blues modern, urban, and impossibly cool.

    He was a bridge between generations, a mentor to Buddy Guy, and an influence on everyone from Mick Jagger to John Popper. You can hear his fingerprints in funk, soul, and hip-hop. He wasn’t just playing licks—he was laying grooves that still move people today.

    Where to Start If You’re New

    Let me get you on the good foot:

    • 🎧 Hoodoo Man Blues – Don’t even think—just play it.
    • 🎤 South Side Blues Jam – For the after-hours vibe.
    • 🎸 Play the Blues – For funk, fire, and Buddy Guy magic.
    • 🎥 YouTube: Search “Junior Wells live Montreux” or “Messin’ with the Kid 1993” and watch the legend do his thing.

    More at Junior Wells Discography on AllMusic

    Junior Wells didn’t need to shout. He just grooved harder than anyone else. He made you feel like you were in on something—like you were part of the story. And that’s what makes him not just a blues legend, but a blues lifeline.

    Thank You

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  • Sue Foley – Okie Dokie Stomp

    Sue Foley – Okie Dokie Stomp

    Pink Telecaster, Red-Hot Blues: How Sue Foley Became My Guitar Heroine

    I can still picture it—Sue Foley strutting across the stage in a bright red dress, her signature pink Telecaster slung low, and a look on her face that said, “I came here to play.” And play she did—fierce, fluid, and with that razor-sharp tone that slices straight to the soul.

    That was the first time I saw her live, and I swear I didn’t blink for 90 minutes. It wasn’t just the guitar—it was the attitude, the soul, the swagger. I’d been a blues fan for years, but Sue Foley opened a new door. She brought the fire of Texas blues and fused it with style and grace that only she could deliver.

    From Canada to Austin: The Road to the Blues

    Born in Ottawa, Canada, Sue Foley fell in love with the blues as a teenager and never looked back. She cut her teeth listening to the legends—Muddy Waters, Howlin’ Wolf, Memphis Minnie—but it was the raw, electric sound of Texas blues that truly captured her.

    In the early ’90s, she moved to Austin, TX—a city that welcomed her like one of its own. There, she signed to Antone’s Records (yeah, that Antone’s—the home of Stevie Ray Vaughan) and started carving out a place for herself in the boys’ club of blues guitar. And guess what? She didn’t just belong—she stood out.

    Her Style: Bold, Biting, and Blues Through and Through

    Let’s talk guitar. Sue’s playing is sharp, stinging, and stripped-down—no fluff, no filler. Her tone is pure Telecaster bite, and her phrasing? Killer. She channels the snarl of Albert Collins, the finesse of Jimmie Vaughan, and the confidence of someone who knows exactly what she’s doing.

    And when she sings? It’s low and smoky, full of soul and sly humor. She doesn’t overpower you—she pulls you in, line by line, until you’re hanging on every word.

    She also writes with depth and wit, crafting songs about heartbreak, desire, grit, and survival. And she does it without losing that cool-headed, no-nonsense edge that makes her so unforgettable.

    Albums That Turned Me Into a Superfan

    If you’re new to Sue Foley, you’ve got a lot of good listening ahead. Here are the albums that sealed the deal for me:

    • 🎸 Young Girl Blues (1992) – Her debut, and still one of the best. Full of raw energy and confidence beyond her years.
    • 🔥 Back to the Blues (1999) – A straight-ahead blues banger. Tough, tight, and totally authentic.
    • 💄 The Ice Queen (2018) – A personal favorite. Features guest spots from Billy Gibbons and Jimmie Vaughan, but it’s all Sue. Smoldering and sharp.
    • 🎤 Pinky’s Blues (2021) – Named after her iconic pink Telecaster. This one is Texas blues to the bone. Groovy, gritty, and full of swagger.
    • 🧨 Live in Austin, Vol. 1 – Captures her energy like nothing else. A must-listen if you want the real deal.

    She doesn’t make filler albums—every track she records is honest and road-tested.

    Seeing Her Live: A Master at Work

    I’ve seen Sue Foley live three times now, and each show leaves me grinning like a fool. She steps onstage cool and calm, and by the second song she’s lighting the place up. She doesn’t need theatrics—just a Telecaster, a mic, and that confident swagger.

    There’s something powerful about watching a woman absolutely own the blues stage—especially when she’s sharing it with the big names and outplaying half of them. She’s all feel, no flash. And when she rips into a slow blues or a Collins-style burner, time just stops.

    Why Sue Foley Matters So Much

    Let’s be real: the blues world still doesn’t give enough credit to women guitarists. Sue Foley doesn’t just prove she belongs—she reminds us why we need her. She brings a unique voice to the tradition: one that respects the roots but doesn’t get stuck in them.

    She’s fierce, feminine, and fearless—a rare combo in blues, or anywhere.

    She’s also a teacher, a writer, a collaborator, and a relentless road warrior. She’s out there keeping the blues alive every single night, one scorching solo at a time.

    Where to Start If You’re New

    Let me help you catch the Foley fire:

    • 🎧 Pinky’s Blues – Start here. It’s everything that makes her great, wrapped in Texas swagger.
    • 💿 The Ice Queen – A masterclass in tone and control.
    • 🎸 Young Girl Blues – Her debut, full of raw brilliance.
    • 🎥 YouTube: Search “Sue Foley live Austin” or “Sue Foley Pinky’s Blues” to see her command the stage.

    More at suefoley.com

    Sue Foley is the real deal—no hype, no gimmicks. Just killer tone, fearless solos, and the kind of blues that gets in your bones and stays there. She doesn’t play to impress—she plays to connect. And for this longtime blues fan, that connection runs deep.

    Thank You

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  • The Reverend Peyton’s Big Damn Band – You Can’t Steal My Shine

    The Reverend Peyton’s Big Damn Band – You Can’t Steal My Shine

    Front-Porch Thunder: How The Reverend Peyton’s Big Damn Band Lit a Fire Under My Blues Soul

    I remember the first time I saw The Reverend Peyton’s Big Damn Band—a buddy dragged me to a festival and said, “You’ve got to see this guy with the beard and the fingerpicking fury.” I rolled my eyes. Then they hit the stage—and five seconds later, I was wide-eyed, slack-jawed, and clapping like a man possessed.

    It wasn’t just blues. It was barnstorming, boot-stomping, front-porch fire music—equal parts Mississippi Delta, Appalachian thunder, and punk-rock energy, all delivered by a man who plays slide guitar like he’s exorcising demons from it.

    Since then, I’ve been all in on The Reverend Peyton and his Big Damn Band. And let me tell you—there’s nothing else quite like them.

    Who Are They? Country Blues with a Punk Rock Heart

    The Reverend Peyton’s Big Damn Band is a three-piece wrecking crew that sounds like a whole damn orchestra made of washboards and whiskey. Hailing from southern Indiana, the band is led by Reverend Josh Peyton—a slide guitar savant with a booming voice and hands that move like a steam engine.

    Rounding out the group is his wife, Breezy, on washboard and backing vocals (and attitude for days), and their drummer, who usually pounds away on a stripped-down kit with buckets, boxes, and the occasional five-gallon jug.

    They call it country blues, and sure—it’s rooted in the old-time Delta tradition. But it also sounds like RL Burnside and Charley Patton got into a bar fight with The White Stripes, and everybody came out friends.

    The Sound: Raw, Righteous, and Rattling the Walls

    The Rev plays everything from vintage National steel guitars to homemade axes that look like they were pulled out of a barn—and they all sound mean, greasy, and glorious. His fingerpicking is fast and furious, but it’s not just for show—it grooves. It drives. It preaches.

    Add Breezy’s thundering washboard scratches and the drummer’s backwoods percussion, and you’ve got a band that feels like it was forged in moonshine and raised on chain gang chants. Every song they play is a rallying cry, a fist in the air, a dance on the dirt floor of a juke joint that hasn’t existed in decades.

    Albums That Hit Like a Sledgehammer

    If you’re new to the Big Damn Band, welcome. Here are a few albums that’ll baptize you right:

    • 💥 Between the Ditches (2012) – A perfect intro. Full of raw energy, great songwriting, and the unforgettable “Devils Look Like Angels.”
    • 🔥 Peyton on Patton (2011) – A full tribute to Charley Patton. It’s reverent, rowdy, and real.
    • 🎸 So Delicious (2015) – Groovy, funky, with great hooks. “Pot Roast and Kisses” will make you smile and stomp.
    • 🚜 Front Porch Sessions (2017) – Stripped-down and deeply soulful. As close as it gets to having the band play in your living room.
    • 🐍 Dance Songs for Hard Times (2021) – Written during the pandemic, it’s defiant, heavy-hitting, and one of their best yet.

    They’ve also released live recordings that capture the band’s chaotic glory in full force—well worth hunting down.

    Seeing Them Live: The Gospel According to the Rev

    Look, the records are great—but seeing them live is like attending a tent revival and a house party at the same time. The Reverend stomps and growls, Breezy throws sparks off the washboard, and the crowd turns into one big, sweaty family.

    I saw them in a packed little venue in Nashville, and by the end of the show, people were dancing on tables, shouting along to “Clap Your Hands,” and grinning like they’d found religion. The band gives you everything they’ve got—no ego, no frills. Just heart, sweat, and one hell of a groove.

    Why They Matter More Than Ever

    In a world where music sometimes feels overproduced and emotionally empty, The Reverend Peyton’s Big Damn Band reminds us that the blues is alive, loud, and made for dancing in the dirt. They carry the flame of the earliest blues pioneers—guys who played on porches with cigar-box guitars and hollered to be heard.

    But they’re also modern-day rebels. They write about life now: hard times, working people, fighting depression, and finding joy in the small stuff. And they do it without losing that connection to the roots.

    Where to Start If You’re New

    Ready to join the church of Big Damn?

    • 🎧 Between the Ditches – Their most complete and addictive record.
    • 💿 Dance Songs for Hard Times – Gritty, relevant, and rocking.
    • 🎸 Peyton on Patton – A deep dive into the blues tradition, played with fire.
    • 📹 YouTube: Search “Reverend Peyton’s Big Damn Band NPR Tiny Desk” or “Live at KEXP”—you’ll be sold in under 60 seconds.

    More at bigdamnband.com

    The Reverend Peyton’s Big Damn Band is proof that you don’t need a big label, a big budget, or a big production to make music that moves people. You just need a guitar, a washboard, a groove—and the guts to mean every single word. And believe me, they do.

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.

  • Elmore James – Done Somebody Wrong

    Elmore James – Done Somebody Wrong

    The Slide That Started It All: How Elmore James Changed the Way I Hear the Blues

    I still remember the first time I heard that piercing, crying guitar slide rip through the air like a siren from the past. It was “Dust My Broom,” and it stopped me cold. That wasn’t just a riff—it was a statement. And the man behind it? Elmore James.

    I didn’t know much then. Just that I had goosebumps, and something in me said: This is the sound you’ve been chasing.

    That moment started a lifelong relationship with Elmore’s music—and the kind of blues that hits your gut before it hits your head.

    The Original King of Slide Guitar

    Before Duane Allman, Derek Trucks, or Bonnie Raitt ever picked up a bottleneck, Elmore James was out there inventing the language. Born in Mississippi in 1918, he came of age during the golden era of Delta blues, learning from the likes of Robert Johnson and Tampa Red, but turning their influence into something completely his own.

    What he created was a sound that blended the rural rawness of the Delta with the electrified energy of Chicago—a sound that would come to define electric slide guitar forever.

    That slide? That wail? It wasn’t just technique—it was a voice. Elmore James didn’t just play the blues. He shouted them through his amp, and the world listened.

    That Tone: Razor Sharp and Soul-Deep

    You know it when you hear it—that whining, glorious slide that cuts through like a chainsaw dipped in sorrow and joy. His signature riff on “Dust My Broom” has been copied a thousand times, but nobody’s ever made it sound quite like Elmore.

    He played a modified Kay or Silvertone guitar through a blown-out amp, and the result was pure emotion. His playing was all power, no pretense—just feel. And that’s what hooked me. It still hooks me.

    His voice? Rough, pleading, full of urgency. He could sound desperate, defiant, or downright jubilant—sometimes all in the same verse.

    The Essential Tracks That Changed Everything

    Elmore’s career wasn’t long—he died at just 45 in 1963—but what he left behind is timeless. If you want to feel what electric blues is really about, here’s where to start:

    • 🎸 “Dust My Broom” (1951) – The anthem. The riff that changed the game.
    • 💥 “The Sky Is Crying” – One of the most emotional blues songs ever recorded. Still gives me chills.
    • 🔥 “Shake Your Moneymaker” – Raw, upbeat, and completely irresistible.
    • 💔 “It Hurts Me Too” – Tender, aching, and deeply human.
    • 🎧 “Look on Yonder Wall” – A perfect blend of groove and grit.

    These aren’t just songs—they’re foundations. Every blues-rock player you love, from Stevie Ray Vaughan to Gary Clark Jr., owes something to Elmore James.

    Why He Still Matters So Much

    For me, Elmore James represents the purest version of electric blues. There’s no filler. No fluff. Just truth, tone, and tremble. His songs weren’t about impressing you—they were about reaching you. And decades later, they still do.

    When I’m feeling low, “The Sky Is Crying” meets me there. When I need to shake the dust off, “Shake Your Moneymaker” gets me moving. His music lives, even though he’s long gone.

    He’s also the bridge between Delta blues and modern rock ‘n’ roll. Without Elmore, there’s no Rolling Stones, no Allman Brothers, no slide solos that make you cry in the best way.

    Where to Start If You’re New

    If you’ve somehow missed Elmore James, it’s time to change that. Here’s your crash course:

    • 🎧 The Sky Is Crying: The History of Elmore James – A killer compilation and the perfect introduction.
    • 💿 Blues Master Works or Definitive Elmore James – Any solid best-of collection will get you hooked.
    • 🎸 Look up “Dust My Broom live slide guitar tribute” on YouTube to see how many legends still carry his flame.

    He didn’t live long enough to enjoy rock star status, but he left behind a sound that never stopped echoing.

    Elmore James didn’t just play slide guitar—he made it speak. Made it cry, shout, and testify. For me, he’ll always be the first bluesman who made the music feel like a force of nature. One riff. One song. That’s all it took—and I’ve never stopped listening since.

    Thank You

    We appreciate your time and dedication to reading our article. For more of the finest blues guitar music, make sure to follow our Facebook page, “I Love Blues Guitar”. We share exceptional selections every day. Thank you once again for your continued support and readership.