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Blues Musicians Archives - Page 185 of 185 - I Love Blues Guitar
I Love Blues Guitar

Category: Blues Musicians

  • Walter Trout The Blues Came Callin’

    Walter Trout The Blues Came Callin’

    Walter Trout is best known for his stint in Canned Heat as well as being in John Mayall’s Bluesbreakers. His latest album is titled “The Blues came callin” and is a very personal take on his much publicized health problems.

    The first track is called “Wastin Away” and is very much about his recent illness accompanied by a very blues rock sound. He then takes us into “The World is Goin’ Crazy (And so Am I).” which is a very rocking politicized view of what is going on around us today. There is no disguising the inspiration for the next track, “The Bottom of the River” this depicts a drowning man who decides that he needs to fight to get to the surface and mirrors the recent brush with death that Walter experienced.

    Walter Trout – The Blues Came Callin’ – album teaser

    The next track, “Take a Little Time,” pays homage to the Chuck Berry sound of the 1950s and then we are into “Willie,” which is Walter’s vitriolic opinion of the management within the music industry. “Born in The City” gives us a chance to hear the driving, rocking guitar playing that is associated with Walter. We then have an instrumental a la Freddie King entitled, “Tight Shoes.”

    Walters involvement with John Mayall is evident with the next track “The Whale” and although this is a cover of the original by J.B. Lenoir, it is clearly seen as a tribute to John Mayall. The aforementioned Mr Mayall guests on the next 2 tracks “The Blues Came Callin’” and “ Mayall’s Piano Boogie.”

    Win Walter Trout, Keb Mo and Kenny Wayne Shepherd albums

    The final track on the album is “Nobody Moves Me Like You Do,” and has been described by Walter a tribute to his wife. This is his gift to her for standing by him and giving support when he was at death’s door. He admits that he now realizes the true value of life and what his family mean to him. His recent health scare has undoubtedly influenced this album and the depth of feeling that pours out epitomizes what Blues music is all about.

    Walter Trout album is available on Amazon.com:

    The Blues Came Callin (with bonus DVD documentary)

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  • Lonnie Brooks – Woke Up This Morning

    Lonnie Brooks – Woke Up This Morning

    Lonnie Brooks (born Lee Baker Jr., December 18, 1933) is an American blues singer and guitarist. He was born in Dubuisson, Louisiana, United States.

    Rolling Stone stated,

    “His music is witty, soulful and ferociously energetic, brimming with novel harmonic turnarounds, committed vocals and simply astonishing guitar work.”

    The New York Times added,

    “He sings in a rowdy baritone, sliding and rasping in songs that celebrate lust, fulfilled and unfulfilled; his guitar solos are pointed and unhurried, with a tone that slices cleanly across the beat. Wearing a cowboy hat, he looks like the embodiment of a good-time bluesman.”

    Discography of Lonnie Brooks

    1999 Lone Star Shootout (with Long John Hunter and Phillip Walker)(Alligator)
    1997 Deluxe Edition (Alligator)
    1996 Roadhouse Rules (Alligator)
    1993 Let’s Talk It Over (1977 session), (Delmark)
    1991 Satisfaction Guaranteed (Alligator)
    1988 Live From Chicago-Bayou Lightning Strikes (Alligator)
    1986 Wound Up Tight (Alligator)
    1985 Live at Pepper’s (Black Magic) (reissued on Black Top, 1996)
    1984 The Crawl (Charly) (reissue of Goldband singles)
    1983 Hot Shot (Alligator)
    1981 Turn On The Night (Alligator)
    1980 Blues Deluxe (Alligator/WXRT)
    1979 Bayou Lightning (Alligator)
    1978 Living Chicago Blues, Vol.3 (Alligator)
    1975 Sweet Home Chicago (Black & Blue) (reissued on Evidence Records, 1994)
    1969 Broke An’ Hungry (Capitol)

    (source: wikipedia.org , youtube.com)

  • Little Walter honored by musicians in Alexandria

    Little Walter honored by musicians in Alexandria

    Musicians honor Little Walter with second annual festival in Alexandria

    It was the second Little Walter Music Festival, and acts came from as far away as Japan.

    “Blues music grabbed the heart of the Japanese people,” she said. “Little Walter is a legend. He is very, very famous.”

    Nacomi Tanaka and the Blues Temple traveled from Osaka to Alexandria to play a short mid-day set at the festival.

    Tanaka said Little Walter is quite popular in Japan, thanks to a blues revival that spread through the country in the late 1970s.
    See Original Article

    Little Walter Music Festival

    Blues Fest artist creates with Sharpies and paint

    Matt Long of Frederick, Md., combined his love of blues music and art to create a piece for the Western Maryland Blues Fest. The 28-year-old graphic …
    See Original Article

    New Prairie Belt Blues Foundation takes root in the Golden Triangle

    The annual Howlin’ Wolf Blues Festival, sponsored by the Howlin’ Wolf … “The Prairie Arts Festival and blues music go together, and the PBBF looks …
    See Original Article

  • Jukehouse Bombers on Indiana blues festival

    Jukehouse Bombers on Indiana blues festival

    The 1st Delaney Chevrolet Westsylvania Jazz & Blues Festival nails Indiana’s IRMC Park on North Seventh Street May 24, giving with it a possibility to take pleasure in live music free of charge and a chance for local performers to rub elbows with countrywide big names.

    The Jukehouse Bombers, established in Indiana and led by guitar players Jimmy Roach and his son, Joe, will be playing a set in tribute to regional blues guitar legend Jeff Kelley, who passed away of cancer last year.

    Jukehouse Bombers CD
    (photo source amazon.com)

    The Jukehouse Bombers started performing with each other in 2012. In addition to the Roaches, who both share vocals, the band includes bass player and vocalist Troy Laney of Elmora and drummer Mark Kephart of DuBois. The group’s repertoire consists of barrelhouse blues, soul and classic rock with original work and also covers.

    See Original Article

    Jukehouse Bombers – Born to hard times

    Fish shocks the blues

    Samantha Fish has been doing a lot of blues festivals lately, as well as presenting at the Blues Music Awards, where she previously won an award for Best New Artist Debut.

    The problem is, though the 25-year-old singer and guitarist was raised on blues and country, Fish doesn’t really see herself as much a blues musician as she does a straight-up rocker.
    See Original Article

  • Cajun and blues music fill the air in Simi Valley

    Cajun and blues music fill the air in Simi Valley

    Influenced by his father, who was part of the Louisiana blues music scene, … Each year, 100 percent of the money raised at the celebration goes to local …
    See Original Article

    BBQ, Blues & & Bikes attacks the streets of downtown Elizabethtown May 24

    … smell of BBQ, the smokin' ' audios of blues music and the sight of thousands of motorcycles. … This Household Friendly celebration will continue well into the night with awesome BBQ and nine live blues acts on two phases till 10:00 PM.
    See Original Short article

    Fort Smith Blues Celebration To Be Moving Experience

    Blues music is said to heal one'' s soul in a matter of minutes, and a long … and chairwoman for the 24th annual Fort Smith Riverfront Blues Festival.
    See Original Short article

    Today'' s Music Picks: California Roots Music Festival comes to Monterey

    It'' s time for the Santa Cruz Blues Celebration, the two-day affair that always places amongst the leading blues music events of the year on the West Coastline.
    See Original Short article

  • Let the Blues Guitar Flow

    Let the Blues Guitar Flow

    written by: charletC

    It doesn’t matter if Tommy Johnson made a deal with Papa Legba on a lonely crossroads one night, the fact remains that blues has no equal.

    It is the basis of the great rock music so many has come to love and still remains one of the most difficult styles of music to play.

    Blues guitarists

    Robert Johnson - King Of The Delta Blues The Complete RecordingBlues guitarists first started to get attention in the 1920’s with guys like Robert Johnson and Son House. By using knife blades and the broken necks from bottles they implemented a “slide”, creating something totally different. The style of blues at that time mainly consisted of unorganized solo sets, and it’s safe to say every time a song was played it sounded new. Remembering the chords wasn’t a top priority, but playing with heart and soul was definitely the main aim. This is most probably what sets blues apart from all the other genres. The technique was sloppy and playing in a constant time was for the birds. These guys pretty much played what they felt like playing and to hell with all the rules and regulations.

    Jump Blues

    Blues did however progress as the years went by, becoming somewhat more refined. In the 1940’s what was known as jump blues was incorporated into big bands, giving the guitar a position in the rhythm section. The influence this style had later became the corner stone for rock & roll. For those who hated blues it got worse in the 1950’s. For the lovers of this art it just got better, because the guitars started to get amplified. With the invention of electric guitars, blues really found a nice place in a more personal band setting, typically accompanied by drums and bass. Needless to say that keeping time also became somewhat important.

    Electric Blues

    B.B. King - Live - DVDMississippi was home to most of the great players like Muddy Waters and Jimmy Reed, who reveled in the new found electric sound. In their creative process they added harmonicas and saxophones to the mix. Hot on their heels was a man named B.B King with his own contribution. He decided to leave out the popular slide technique and went on to become one of the best players to have touched a guitar.

    As the blues guitar grew in popularity so did the styles and variations with which it was played. It spread across America and more names like John Lee Hooker and T-bone Walker found their place in the fire that is blues. It bridged all cultural boundaries and became a source of inspiration that brought great men to the same understanding.

    Although blues is heavily misunderstood by modern society and many will never know the passion and history that lies within its roots, there are still some who will find the magic. Nothing compares with listening to a blues guitar solo with its muffled execution and rebellious chord changes. Most importantly, nobody can dispute the fact that the blues opened the doors for the voices of great thinkers and fighters who stood up for human rights.

    If blues can be described in one word it would be honesty.

  • Boogie Chillen – Ukulele and Guitar Blues Instrumental

    Boogie Chillen – Ukulele and Guitar Blues Instrumental

    Blues musicians love to use unusual instruments. This band is no exception. Ukulele plus something what looks like a hand-made bass, accompanied by guitar and percussion.

    Everything plays beautifully like a well oiled machine.

    The band you can meet at the Nabolom Bakery in Berkeley, every Saturday morning (starting at 10 a.m.)

    On this video “Friends of Old Puppy” (this is the name of the band) play Boogie Chillen’.

    Shared on youtube by I.O.O.P.N.P.R.L.

  • Where can you turn to absorb some real blues guitar?

    Where can you turn to absorb some real blues guitar?

    There are number of legendary rock guitarists, which were influenced by blues music. These guitarists have become idols of many present fans of guitar playing. Their story is well known.

    Many people who grew up listening to mostly rock, now trying to arouse the admiration also for blues musicians, listened by their idols.

    I heard recently from one of the guitarists that the original blues recording which he listened disappointed him. He was looking in them for some guitar patterns and what he heard mostly screaming harmonica or something like that. The guitar was somewhere in the background and it was difficult to get any inspiration from it.

    Certainly many people are reading the autobiography guitarists such as Keith Richards and this people are inspired to check out their blues roots. What should they listen to find the real blues guitar?

    The first things which come to mind are to listen to the three blues kings – Freddie King, Albert King and B.B. King. These three have created more material to listen to than you can imagine.

    However, there is one guitarist, whose B.B. King listed as its inspiration –

    Lonnie Johnson … the guy has skills

    Still too little guitar? Maybe this… Buddy Guy included at the one recording the quintessence of electric blues guitar. Everything you need to know is here.

    If the old blues does not appeal to you, then you might want to reach for more modern songs and artists such as Jeff Beck’s “Truth”, Clapton with Bluesbreaker and Peter Green with Fleetwood Mac

    However, the opposite may you want to dig deeper into the first blues recordings? So you necessarily need to listen to these guitarists:

    Blind Lemmon Jefferson

    Blind Blake

    Those two died before anyone could film them, but the following blues stars of 20s and 30s not:

    Big Bill Broonzy

    Skip James

    Son House – he taught Robert Johnson

    On this list can not miss John Lee Hooker. The master of the hypnotic groove built around one chord. Harder to do than it sounds.

    And finally, two representatives of the opposite sex. Amazing blueswoman and equally good guitarist.

    Memphis Minnie

    Sister Rosetta Tharpe

    Photo Flickr by Deo Araujo

    Article inspiration.

  • Too young, or not for the blues?

    Too young, or not for the blues?

    Ted Gioia from The Daily Beast in his article, did the search for new blues generation. Musicians who can become real blues stars in the near future.

    As a preliminary point, he noted that the average music fan asked about living blues musicians will answer BB King (age 88), Buddy Guy (age 77) or a young Eric Clapton (age 68)

    Could it be that the star of the blues can only be a person of great experience and in advanced age?

    Do fans of blues accept bluesman without gray hair? Asks Ted Gioia.

    At whom in the new blues generation should we pay the attention, according to Ted:

    (1) Quinn Sullivan:

    I spoke to Quinn Sullivan earlier this month—he had just finished his tour with Buddy Guy and was getting ready to start ninth grade the next day. I want to see his homework essay on “How I Spent My Summer Vacation.” He gave me a thumbnail sketch. “I did about 25 dates with Buddy Guy. We started at Eric Clapton’s Crossroads Festival at Madison Square Garden. We ended up on the West Coast at Hollywood Bowl. Just before coming home, I did the Tonight Show.” 

    Of course, TV appearances are old news for Sullivan. He got his first taste of fame on the The Ellen DeGeneres Show at age six. Since then audiences have seen him play his guitar for Oprah, Jimmy Kimmel and on The Today Show.

    I was more curious how Sullivan learned so much guitar, so fast. But when I asked him about the method to his badness, he shrugged it off: “I don’t practice a lot. When I was first learning, I practiced. [Pause] But even then, I didn’t practice that much.”

    Sullivan did get an early start, and despite his tender years has more than a decade of playing experience under his belt. “When I was three, I got a guitar as a Christmas gift. I just picked it up, and I loved everything about it. The way if felt. The way it sounded.”

    I also like the way the guitar sounds in his hands. I have seen many prodigies lose their mojo around the time they reach their twentieth birthday. But I have a hunch that Sullivan will survive the growing pains and emerge as one of the leading blues stars of his generation.

    (2) The North Mississippi Allstars:

    Not long ago, I sat next to an older woman at a music event in Oxford, Mississippi. She asked me point blank what I thought of the North Mississippi Allstars. Fortunately I recognized her as Mary Lindsay Dickinson, mother of two of the band members. I complimented her on her talented sons, and said they had the best young band in the world of blues.

    But even if I hadn’t recognized Luther and Cody Dickinson’s mamma, I would have said the same thing. No blues band of the current day impresses me more, and the Allstars’ new album World Boogie is Comingreleased this month, may be their best yet.

    Too many electric blues bands are just rock bands in disguise. But these musicians know their roots, and play blues as if they were on hand when it first
    showed up in the visual spectrum. It didn’t hurt that Luther and Cody’s father, the late Jim
    Dickinson, was a legend in Southern music. But he was cult figure known mostly to music business insiders. His sons are destined for genuine fame.

    (3) Shemekia Copeland

    Many record labels put their faith in the children of famous blues artists. The offspring of John Lee Hooker, Muddy Waters, R.L. Burnside and other guitar icons have given us a chance to determine whether bluesiness is encoded in the DNA. Maybe you don’t need to pay your dues to play the blues, just secure a hip set of chromosomes.

    Shemekia Copeland stands out as the most successful of these children of blues stars. At the dawn of her career, fans knew her as Johnny Copeland’s daughter. While still a teenager she toured as her father’s opening act, but Shemekia soon proved that she could fire up an audience on her own. She didn’t have much choice. Johnny Copeland died shortly after his daughter’s 18th birthday, and she had to do it alone.

    Since then, Copleand has released a stack of hot albums, won a shelf of awards, and performed at the White House for the Obamas. I’m not surprised one bit by her success. Copeland’s voice possesses not only the rawness that blues fans prize, but also a vulnerability that is missing in so many modern-day blues records. She is my candidate for the great blues diva of the under-40 generation.

    (4) Guadalupe Plata.

    Here’s a band you haven’t heard about. When I tell blues lovers about Guadalupe Plata, they look back at me with blank stares. But after they’ve heard the music, they always come back for a second helping.

    I can’t blame music fans for their ignorance. Blues bands from Spain don’t get much press in the United States. But this group deserves more recognition and a record contract with a major label. In the meantime, check out their Bandcamp page, where you can hear their most recent recording for free.

    (5) Gary Clark, Jr.

    I hesitated about including Gary Clark, Jr. on my list. Not because he isn’t a major blues talent—in fact, he is one of the very best. But I wonder about his commitment to the blues. I was disappointed by his recent Blak and Blu album, which showed Clark dabbling in a range of commercial styles, but without much conviction. On the other hand, his Bright Lights EP from 2011 ranks among my favorite electric blues albums of the last decade.


    Source

    Photo Flickr by moonjazz

  • Retirement isn’t in B.B.King vocabulary

    Retirement isn’t in B.B.King vocabulary

    B.B.King may be called the American institution. He recently turned 88, but as reported by CBS news, his “fingers can still fly.”

    B.B. King is the last legendary bluesman who emerged from Mississippi Delta. He born on a cotton plantation as Riley B. King and started working at age 7. Sometimes he picked 400 pounds of cotton a day.

    His stage nickname is from “blues boy” shorted to “B.B.”

    He said about blues music:

    “It’s good for me when I’m feeling bad, and good for me when I’m feeling good.”

    His become famous when in 1952 his song “Three O’Clock Blues” hit number one on the R&B charts. According Rolling Stone Magazine his the number three guitar player all the time. He modestly admits with a smile:

    “I don’t believe that, but I’m not going to tell them”

    Although old age is still active, playing 125 concerts a year. Last year, there was even in the “White House”.

    Is retirement in his vocabulary? “Never heard of it,” he answered.

    It’s simple, B.B. King said. “If I stop, I don’t get paid.”

    Source

    Photo Flickr by tom.beetz